Or: Tis Sixty Years Since.
The Edinburgh Edition of the Waverley Novels, Edinburgh University Press , 2012, 368 p, plus 90 p Essay on the Text, 38 p Emendation list, 2 p list of end-of-line “hard” hyphens, 26 p Historical Note, 98 p Explanatory Notes, 21 p Glossary, i p Dedication, vi p General Introduction to the Edinburgh Edition, and iii p Acknowledgements. One of the Scotsman’s 20 Scottish Books Everyone Should Read.
See my review of The Heart of Mid-Lothian for the intent behind the Edinburgh Edition of the Waverley Novels.
This is the one that started it all off for Scott in the prose sense and was also the beginning of the historical novel in the Western tradition. Its title has resounded down through the years, giving its name to a whole series of Scott’s novels, to Edinburgh’s main railway station, to a kind of pen nib (They come as a boon and a blessing to men, the Pickwick, the Owl and the Waverley Pen,) a class of GWR locomotives and to the last ocean-going paddle steamer in the world.
Our hero, Edward Waverley, English and heir to an estate there, is encouraged by his uncle to take up a commission in the army. After arriving with his troop in Scotland he receives leave of absence to visit an old friend of his father, the irredeemably Jacobite Baron Bradwardine of Tully-Veolan. Events and an indisposition contrive to keep him there beyond his commanding officer’s pleasure, an unfortunate circumstance as this is 1745 and historic events are afoot. His troop has shown rebellious leanings and this along with his absence leads to his commission being revoked. At the same time comes news his father has been disgraced and removed from his government post in London. The friendship Waverley has struck at Tully-Veolan with Fergus Mac-Ivor (also known as Vich Ian Vohr, the latest of his line to accede to this honorific,) Waverley’s change in circumstances and the interference in Waverley’s affairs by one Donald Bean Lean, delivers him into the company of Charles Edward Stuart and the Jacobite Army now in Edinburgh. Waverley’s presence as an English adherent is a boost to the Prince’s cause, as it promises more such support.
As a member of the Jacobite Army Waverley takes part in the Battle of Prestonpans – or Preston as it is usually described by Scott (except when Jacobites call it Gladsmuir,) where he saves the life of a Government officer, Colonel Talbot, who knows his father well. Waverley goes all the way down to Derby and back up before he is separated from the retreating army during a skirmish at Clifton south of Penrith and makes his way to London to try to reinstate his reputation with the paroled Colonel Talbot’s help.
I would not advise anyone to start their reading of Scott’s novels with this book. In addition to his usual long-windedness, here it is more or less obvious that Scott is here feeling his way into the writing of a novel. In the last chapter “A Postscript, which should have been a Preface” Scott informs us he had at one time abandoned the book but some years later came across the papers again and went on to complete it, an interval which could not have helped. Later novels of his are more approachable but in Waverley there are many longueurs in the early passages and too much of a rush towards the end. That Scott himself makes the point in the text, “earlier events are studiously dwelt upon, that you, kind reader, may be introduced to the character rather by narrative, than by the duller medium of direct description; but when the story draws near its close we hurry over the circumstances,” does not render this imbalance any less marked. Certain of the characters are fond of Latin tags; which was to be a recurrent trait in Scott’s works. Some names are also clearly jocular, there is a Laird of Killancureit, and a pair of lawyers, Messrs Clippurse and Hookem.
Waverley is, though, necessary reading for anyone interested in the history of the Scottish novel.
Pedant’s corner:- By my reckoning, when Waverley was first published in 1814 it was more like seventy years since the 1745 Jacobite Rebellion, not sixty. The narrator’s comment that the novel was being written in 1805 would make more sense but the Essay on the Text reveals that may have been an insertion by Scott’s publisher, a man notorious for being overly literal, but also that Scott’s original subtitle was actually ‘Tis Fifty Years Since’. That abandonment of the project only to take it up again, could account for some of the slippage.
I found I could skate over Scott’s 19th spellings – eg dulness, chuse, expence, centinel, whiskey, stupified, extacy, cieling – and once again we have the archaic sunk, sprung, sung, rung for sank, sprang, sang, rang.
Otherwise: “resumption of his commission” (resumption is here used in the sense of revoking,) the English flag (this must actually have been the Union flag,) feodal (feudal, possibly due to a misreading of Scott’s handwriting.)
In the essay on the text:- there are a number (there is a number.) “There are number of surviving anecdotal records.” “… two female Scottish writer” (writers,) and an opened parenthesis which is never closed. In the Historical Note:- events relating the 1745 rising (relating to the,) of Highlands (of the Highlands,) the visits the (then visits the,) raising of the ‘the Standard’ (raising of ‘the Standard’,) epicentre when centre was meant, “there are a number” (is,) “another body of MacIvers were” (another body was.) In the Explanatory Notes:- to the ‘the Seven Lovers’ (to ‘the Seven Lovers’,) Latin literally (several instances) – and French literally (once) – (there is no need for “literally” to be italicised, it’s not in a foreign language,) Domincan (Dominican,) Lindor is is not (only one “is” necessary,) Great Britian (Great Britain,) “in opposition the Engagers” (to the Engagers,) Janazaries (usually Janizaries or Janissaries,) fiar price (fair price?) insignium (the Latin singular of insignia is insigne – neuter of insignis – not insignium,) medieval, Lillibuero (Lillibulero, as elsewhere,) the Jacobites army (Jacobite or Jacobites’,) enaged (engaged,) Abbotford (Abbotsford,) “refers to indecisive battle” (to the indecisive battle,) one the seven (one of the seven,) hung (hanged.) In the Glossary:- Latin, short for (Latin, short for,) all the words glossed are in bold except the entry for een, the Scots word for eyes.