Archives » Science Fiction

Trail of Lightning by Rebecca Roanhorse

Hodder, 2019, 292 p.

 Trail of Lightning  cover

Roanhorse is something of a rarity as an SF author. She may not be the first writer of Native American heritage to write SF and Fantasy but I confess if she isn’t I can’t recall reading any others. That heritage infuses Trail of Lightning, the first in a series of tales.

Narrator Maggie Hoskie is a Navajo, or Diné as they call themselves. Their former reservation is now a bastion against an outside world devastated by an environmental catastrophe referred to as the Big Water. Known to its inhabitants as Dinétah, the Diné’s land is protected by a Wall and there are few incomers. Despite the outer world being largely drowned, Dinétah is suffering from a prolonged drought. Water is one of the many scarcities, coffee an almost impossible luxury.

We first meet Maggie when her help is enlisted by a family whose daughter has been abducted by a monster. Somewhat reluctantly, Maggie, who has what the book calls clan powers – one of hers is to be taken over at times of stress by K’aahanáanii, a source of speed in movement, liable to be useful in a fight – takes on the task of finding the abducted girl. She reaches her too late, though, as she has already been infected by the monster and cannot be returned to her parents intact. The killings of the monster and the girl are only the first of many in the book.

Maggie’s training in the ways of her powers had been undertaken by a man called Neizghání, said to be an immortal (as opposed to the ‘five-fingered’ normal humans.) Maggie may still be in love with him. She is certainly tormented by his disappearance after an earlier incident.

Maggie’s only other friend, a medicine man called Tah, introduces her to his grandson, Kai Arviso, (who is Big Medicine, with healing powers – and silvery eyes.) Reluctantly Maggie takes him along on her quest to defeat the monsters and find Neizghání. Along the way we are treated to what is in effect a supercharged cage fight – to the death.

One of the story’s fantastical apparitions, Coyote, is a familiar figure in Native American folklore. He met Maggie, “before the end of the Fifth World, when my kind still lived mostly in the dreams of the five-fingered people,” and persists in annoying her by calling her Magdalena. Always dressed like one of those be-suited gents in cowboy films, Coyote is one of the book’s more intriguing, if elusive, characters but his interest in Maggie is for purposes of his own.

Some authorial hand-waving is evident when Coyote, also known to the Diné as Ma’ii, at one point says, “This last flood, the one you call the Big Water, ended the Fifth World and began the Sixth. It opened the passage for those like myself to return to the world.” Any rationale for monsters and clan powers is otherwise absent but it is The Sixth World which gives Roanhorse’s sequence of novels its overall title.

While the Native American background makes for an unusual and welcome twist on the norm of SF and fantasy the novel’s apparent relish in weaponry and killing is more by the book and sadly typical of many practitioners of the form.

Roanhorse can write though and, relish in weaponry aside, Maggie is an engaging enough narrator.

Pedant’s corner:- there were several instances of the formulation “time interval” later. Othewise; a missing comma before a piece of direct speech (many times,) “that soak up the hot” (the heat,) “the evil deeds every man and woman leaves behind” (leave.) “All that ugly, the sickness, the loss and unhappiness” (is missing a noun after ugly it would seem.) “Viscera pools at his feet” (viscera pool,) “it will portent something bad” (portent is a noun, the verb is portend.) “His smiles fades” (fade,) diced chiles (chilis,) later we had ‘chilé’ (again, chili.) “None of them even look back” (None of them even looks back,) “and set in on the bar” (set it on the bar,) chamisa (chamiso.)

Interzone 284, Nov-Dec 2019

TTA Press, 96 p.

Interzone cover

Joanna Berry takes over the guest editor role and asks how much of themselves players take into decision making when playing video games. Andy Hedgecock’s Future Interrupteda makes a plea for stories to tackle the threats of the subtle and pervasive surveillance and tracking technologies rampant in the modern world. In Climbing Stories Aliya Whiteley seeks solace from the news in films. Speedy Sci-Fi adventure won’t do but conspiracy thrillers will. She now wants to go back to the source books. In Book Zone I review Rokurō Inui’s Automatic Eve and Wole Talabi’s Incomplete Solutions welcoming both, Val Nolanb finds Duncan Lunan’s collection of stories and articles From the Moon to the Stars too fond of “rigorous maths” and primarily of interest to those who enjoyed them at time they were written, Maureen Kincaid Speller engages in hand-to-hand fighting with concepts of language and meaning in the ‘very strange’ novel Vita Nostra by Marina & Sergey Dyachenko but concludes that is only a good thing, Jo L Waltonc heartily recommends The New Voices of Science Fiction edited by Hannu Rajaniemi and Jacob Weisman, though thinks some of the stories might be a bit too polished, Graham Sleight appreciates the quality of Ted Chiang’s stories in Exhalation (and Chiang’s previous collection) as being worth the price of their scarcity, Stephen Theaker praises the “grown-up, fiercely feminist” The Sea Inside Me by Sarah Dobbs, warns against the cover and blurb of Earwig by B Catling though he recommends it to “some readers” and says Stephen Palmer’s collection Tales from the Spired Inn is pretty much the ideal small press SF title, Ian Hunterd laments the passing of Dianne Wynne Jones as he considers her Poems while Duncan Lunan discusses the history of Dyson spheres in SF as his take on the stories in Around Alien Stars by G David Nordley.

As to the fiction;
In The Kindest God is Light by Joanna Berry a poet is engaged to provide an embodiment of humanity – warts and all – to aliens. Typographically unusual in that it involves a lot of glossed over (crossed out) inner thoughts.
She and I and We1 by Timothy Mudie is a time travel story. Poet (yes, another one) Nathaly Evariste is stalked by someone from the future who says she has come back to save her from being killed. This is no All You Zombies… or even By His Bootstraps but there’s a neat twist to the ending.
Dent-De-Lion2 by Natalia Theodorou is set on a planet to where Thomae has been sent to find a silicon plant-based cure for an endemic sickness back home. She finds it – and more.
In Parasite Art3 by David Tallerman our narrator is an artist who has gone to the planet of Culcifa to find one of the Zobe, an alien race which has appeared there and can merge with people who can then experience the Zobe’s dreams.
The Duchess of Drink Street4 by Tim Chawaga on its surface charts the relationship between a cupcake seller on the eponymous street and the food reviewer who damns those cupcakes with one word, inauthentic. With a globally flooded background featuring floating cities it is about fads, gentrification and its reverse and the elusiveness of memory.
Against a background of the end of the world in which the rich are sending samples of their hair skin and semen into space to save the species, Dream of the High Mountain5 by Daniel Bennett relates the experience of a poet (yes, a poet again) who goes on a retreat.

Pedant’s corner:- aCastells’ (Castells’s,) Aldiss’ (Aldiss’s.) b“are a series” (is a series.) c“None of the stories feel out of place” (None feels,) hijinks (high jinks.) “Much as I stan Luce, social and economic consequences of technological developments are never inevitable” (???) dJones’ (Jones’s,)
1Written in USian, “neither of you react” (neither … reacts.) 2Written in USian. 3“soon be discarded” (soon to be discarded,) “she must recognise as her and I” (as her and me.) “Conceivably we were one of its ancestors. Seeing it, my muscle memory recalls what it’s like to make those spasmodic movements” (‘descendants’ for ‘ancestors’ is the only way to make sense of this, and it would be ancestral rather than muscle memory,) canvasses (canvases?) 4Written in USian, at first I read ‘chicest part of the city’ as a misprint for ‘choicest’, but they’re much the same in meaning. “The difference in textures … work well together” (the difference works well,) “New Lagos’ greed” (New Lagos’s.) 5“‘This the survival of’” (This is the survival.) “Upon the fourth floor” (Either, ‘On the fourth floor,’ or, ‘Up on the fourth floor’,) “inside of him” (inside him, no need for an ‘of’.) “His group were among the last” (his group was among the last.)

BSFA Awards for 2019

The BSFA has just published the short lists for the awards for works published in 2019.

As far as the fiction goes we have:-

Best Novel:

Juliet E McKenna – The Green Man’s Foe (Wizard’s Tower Press)
Emma Newman – Atlas Alone (Gollancz)
Gareth L Powell – Fleet of Knives (Titan Books)
Adrian Tchaikovsky – Children of Ruin (Tor)
Tade Thompson – The Rosewater Insurrection (Orbit)

Best Shorter Fiction:

Becky Chambers – To Be Taught, If Fortunate (Hodder & Stoughton)
Amal El-Mohtar & Max Gladstone – This is How You Lose the Time War (Jo Fletcher Books)
Fiona Moore – Jolene (Interzone #283)
Gareth L Powell – Ragged Alice (Tor.com)
Tade Thompson – The Survival of Molly Southbourne (Tor.com)
Ian Whates – For Your Own Good (Wourism and Other Stories, Luna Press)

I have read none of the novels so far though Atlas Alone is on my tbr pile. The Tade Thompson is the second in a trilogy of which the first Rosewater is also on the pile. I’ll need to get round to that soon as I want to read it before The Rosewater Insurrection.

In the shorter works I reviewed This is How You Lose the Time War for Interzone 283 but not yet here. Jolene also appeared in that Interzone issue. My thoughts on it are here. I look forward to the arrival of the usual BSFA Awards booklet with all the shorter works (or extracts therefrom.)

Carmen Dog by Carol Emshwiller

Women’s Press SF, 1988, 150 p

Carmen Dog cover

All over the world women are turning into animals and animals into women. The narrative focuses on the adventures of Pooch, a dog turned woman, who has a yearning for opera and a pure singing voice. (She briefly thinks of calling herself Pucci.) Her particular interest is Carmen, hence the book’s title.

The men in this scenario are non-plussed by the changes, seeking either to deny or exploit it. (And their carnal desires are never very far away.) Chapter headings are quotes from the likes of Nietzsche, Apuleius and Marcus Aurelius and the text has embedded references such as, “stare at each other with wild surmises.”

It’s all gloriously over-the-top but at the same time an oblique look at gender relations in the 1980s. In particular, one gent has come to the belief “that motherhood should be dealt out, even to infants, in small insignificant doses so that it can be held within reasonable bounds.”

Pedant’s corner:- “that moves her mosts of all” (most of all,) sharks teeth (sharks’ teeth,) concensus (consensus,) a missing comma before a piece of direct speech. “None of the others return” (none returns,) “107s is” (it was a possessive, 107’s,) “‘I know its doesn’t match’” (it,) “if worse should come to worst” (the phrase is ‘if the worst should come to the worst,’ as was employed elsewhere,) “none of them come at all” (none … comes,) “will surely be one of the last, if not the last, building to fall” (one of the last … buildings to fall,) “like three phoenix” (phoenixes or phoenices,) nowdays (nowadays.)

Ian Sales’s 2010s

The last of Ian’s lists in response to the BBC’s one. He’s appended the whole 100 at the end of his final post.

I’ve read six of these but can’t remember if I read D C Compton’s Synthajoy back in the day.

Women of Wonder is on my tbr pile.

81 Lady Chatterley’s Lover, DH Lawrence (1928, UK)
82 Seven Miles Down, Jacques Piccard & Robert S Dietz (1961, USA)
83 Synthajoy, DG Compton (1968, UK)
84 China Mountain Zhang, Maureen F McHugh (1992, USA)
85 Correspondence, Sue Thomas (1991, UK)
86 Ancillary Justice, Ann Leckie (2013, USA)
86 God’s War, Kameron Hurley (2011, USA)
88 Evening’s Empire, David Herter (2002, USA)
89 Spomeniks, Jan Kempenaers (2010, Belgium)
90 The Member of the Wedding, Carson McCullers (1946, USA)
91 Leviathan Wakes, James A Corey (2011, USA)
92 Hear Us O Lord from Heaven Thy Dwelling Place, Malcolm Lowry (1961, Canada)
93 Girl Reading, Katie Ward (2011, UK)
94 The Wall Around Eden, Joan Slonczewski (1989, USA)
95 Women of Wonder, Pamela Sargent, ed. (1974, USA)
96 HHhH, Laurent Binet (2012, France)
97 The End of Days, Jenny Erpenbeck (2012, Germany)
98 Nocilla Dream, Agustín Fernández Mallo (2006, Spain)
99 Party Going, Henry Green (1939, UK)
100 The Sound and the Fury, William Faulkner (1931, USA)

Two More For Interzone

 Re-Coil cover
 Sixteenth Watch cover

My tbr pile just increased by two.

Re-Coil by J T Nicholas and Sixteenth Watch by Myke Cole both arrived (courtesy of Interzone) this morning.

Both authors are new to me. Re-Coil is Nicholas’s fourth novel.

Cole is apparently best known for writing Fantasy but Sixteenth Watch is SF. Looking him up today on the internet I note that he has made an apology for sexual harassment in his past.

Interzone 285 Est Arrivé

The latest Interzone (no 285, Jan – Feb 2020) popped onto my doormat this morning.

Interzone 285 cover

 The Menace From Farside cover
Skein Island cover

As well as the usual fiction and features this one contains my reviews of Aliya Whiteley’s Skein Island and Ian McDonald’s The Menace From Farside.

I am expecting a couple of books for review in Interzone 286 through the post any day now.

The Children Star by Joan Slonczewski

Tor, 1999, 347 p.

The Children Star cover

This is another of the author’s tales of the Fold, an interstellar polity which we have met before in A Door Into Ocean and Daughter of Elysium.

Here, a prion plague known as the creeping is devastationg the human population of the planet L’li. A L’iite child called ’jum G’hana is rescued by Brother Rhodonite and taken to Prokaryon, a planet where the living things all contain ring-shaped structures in their body plans and chromosomes. Zoöids are animal-like, phycoöids resemble plants, phycozoöids display plant and animal traits, while the microzoöids are microbes. The planet is also rich in arsenic. Humans need to be life-shaped to survive there, a process which works better the younger you are. Adults have almost insuperable difficulties in being adapted. ’jum G’hana is on the cusp. She does, however, have a facility for numbers, especially primes which she calls ‘orphans.’ Sarai, a Sharer lifeshaper working on Prokaryon, connects the tale more directly to Slonzcewski’s previous novels of the fold, which were both set on the Sharer’s home planet of Elysium. Sarai’s adoption of ’jum G’hana as a co-worker has ramifications later in the book in whose initial stages the narrative flow is cramped somewhat by the intrusiveness of the author’s information dumping.

While there is a diversion into interstellar politics Slonzcewski’s interest in The Children Star is on the biology of Prokaryon. Tumblerounds have a triplex DNA and reproduce by splitting three ways down the middle. Microzoöids contain a brain’s worth of data in a single cell and are capable of ‘infecting’ humans. This is the main engine of the plot and an explicit threat to Prokaryon. The Fold’s authority debates whether or not to destroy Prokaryon’s indigenous life-forms (by a process known as boiling.) That at least some of these turn out to be intelligent would be their saving.

It’s all readable enough – and more so than Daughter of Elysium. To have such a focus on biology at the microscopic level is an unusual trope in SF, but Slonzcewski is herself a biologist so that isn’t too surprising. The characters tend a bit to the stereotypical, however.

Pedant’s corner:- Sari (elsewhere Sarai,) clear (used as equivalent to colourless. Clear does not mean this, it means transparent. Objects can be both clear and coloured.) “Rod would never has asked” (never have asked.) “Patella came because is a Spirit Caller,” (because he’s a.) “Khral’s voices was softened” (Khral’s voice was softened,) ’jum Ghana (elsewhere always ’jum G’hana,) “or she would not have designed to come” (deigned to come makes more sense,) “he picked her up and folded her in her arms” (in his arms,) kidnaped (kidnapped,) “ten thousand-odd items priorities by her nanoservos” (prioritised makes more sense,) “only a few last long enough to secret toxins” (to secrete toxins,) odiferous (usually spelled odoriferous,) “others such correlations” (other such correlations.) “There … were a group of tumblerounds” (there … was a group.) “And what would the Fold do when they found out?” (And what would the Fold do when it found out?,) “all-to-familiar” (all-too-familiar,) “knew them better, perhaps, even then they knew themselves” (even than they knew themselves,) descendent (descendant.) In the Appendix (a description of the life-forms of Prokaryon): “Rotate as they swims through the water.” (Rotate as they swim through.)

Interzone 283, Sep-Oct 2019

TTA Press, 96 p

 Interzone 283 cover

John Kessel takes the guest Editorial and wonders about the utility of fiction in today’s ‘alternative facts’ world. In that context too, in Future Interrupted Andy Hedgecocka reflects on the nature of beliefs and memory. Aliya Whiteley’s Climbing Storiesb appreciates the sequencing involved in ordering stories in an anthology – some have compared it to the similar process in musical albums – each choice reflects on previous and subsequent stories/tracks. In a bumper Book Zone Duncan Lawiec calls the climate change themed A Year Without a Winter edited by Dehlia Hannah interesting, strange and irritating, I run my eye over the excellent This is How You Lose the Time War by Amar El-Mohtar and Max Gladstone plus the anthology Palestine +100 edited by Basma Ghalayini, John Howardd surmises that present day equivalents of the stories from the twentieth century in Menace of the Machine and The End of the World and Other Catastrophes, both edited by Mike Ashley, might not deal with their subjects very differently, Lawrence Osborn finds Guy Gavriel Kay’s A Brightness Long Ago entrancing, a book to be savoured many times, Maureen Kincaid Speller praises Mick Wood’s collection Learning Monkey and Crocodile for a “striking insight into how one might write genuinely good stories in a respectful way”, Barbara Melville thought Driving Ambition by Fiona Moore disappointing since it didn’t work for her as it’s told by the wrong narrator and reads like an early draft, Stephen Theakere characterises Chilling Effect by Valerie Valdes as goofball space opera with a more serious protagonist but far too long, Ian Hunterf says The Library of the Unwritten by A J Hackwith has at least one narrative viewpoint too many but the author has a hit on her hands, Georgina Bruce calls The Complex by Michael Walters a ‘startling and confident debut’ but is ponderous reading at times and its women only operate in relation to the men but is still elusive, stylish, complicated and interesting, while Andy Hedgecockg delights in the ‘narrative treasure trove of wit, compassion, excitement and erudition’ that is Ivory Apples by Lisa Goldstein.

In the fiction:-

Society is literally stratified for Sib and Malmo in The Winds and Persecutions of the Sky1 by Robert Minto. Their first plan is to adopt strict hygiene and work hard to access the lowest floors. Malmo eventually gives up and instead climbs their skyscraper till he can access the outside. Sib follows him trepidatiously, but the girl he finds there and who helps him seek out Malmo wants only to go inside.
In Of the Green Spires2 by Lucy Harlow a plant-like organism called a starthistle takes over Oxford before retreating again leaving its offspring behind.
The titular entity of Jolene3 by Fiona Moore is a sentient truck, who has left her rider, part-time country singer Peter McBride, for another job. McBride has also lost his wife and dog but wants the truck back and is referred to our narrator, Noah Moyo, a consultant autologist, to help with that. Jolene (“‘Please don’t take my van,’”) turns out to be a hard case. (Pun intended.)
The Palimpsest Trigger4 by David Cleden tells the story of Marni, who works for one of the palimps, creatures who can overwrite people’s memories.
Fix That House!5 by John Kessel starts off as it will be an account of a house restoration project for a TV programme but it later chillingly turns out that houses are not the only antebellum things that have been restored.
The James White Award Winner, Two Worlds Apart6 by Dustin Blair Steinacker, features an inhabitant from Earth (candidate to join the benevolent intragalactic Consortium) tested for suitability on a mission to persaude the inhabitants of a planet without a star into the fold.

Pedant’s corner:- a Goebbels’ (Goebbels’s.) bH G Wells’ (Wells’s,) Mary E Wilkins’ (Wilkins’s.) c“I took exception with” (it’s ‘took exception to’) “There are a variety of” (there is a variety of.) d Jenkins’ (Jenkins’s,) “Usually it is the entire planet and its inhabitants that is threatened” (the ‘and’ makes it plural, so, ‘that are threatened’.) e“to the ends of universe” (of the universe.) fLiz Williams’ (Williams’s,) “our merry band are initially trying to bring back” (our merry band is initially trying to bring back.) gDickens’ (Dickens’s.)
1Written in USian, miniscule (minuscule.) 2St Giles’ (Giles’s.) 3“to lay over top of it” (to lie over the top of it,) veterinarian (this is set in the UK and narrated by a Brit, hence vet, or veterinary surgeon.) 4Socrates’ (x4, Socrates’s,) similarly Endymius’ (x2, Endymius’s,) “Shafts of weak light like heavenly search lights, stabbed down” (no need for the comma.) 5Written in USian. 6Written in USian, shrunk (shrank,) “as if the hybrid had never spoke” (spoken,) “none of the Tarsach were coming forward” (none … was coming forward,) “between she and them” (between her and them.)

Shoreline of Infinity 13; Autumn 2018

The New Curiosity Shop, 2018.

 Shoreline of Infinity 13 cover

In Pull up a Loga Noel Chidwick says that the tradition and sense of myth in Scottish story-telling underlies Shoreline of Infinity, tales of wonder told round the fire as the cold swirls around, and invites us in. Reviewsb has Katy Lennon finding the worlds depicted in the anthology Improbable Botany edited by Gary Dalkin feeling “real and conscious”, Samantha Dolan is impressed by Cat Hellisen’s collection Learning How to Drown, Steve Ironside appreciates rather than enjoys the lampoon The Church of Latter-Day Eugenics by Chris Kelso and Tom Bradley, but still tilts his crown to it, Rachel Hill finds Autonomous by Annalee Newitz to be an accomplished thriller, tackling thorny contemporary issues without offering simple solutions, Callum McSorley welcomes us to the Wild East of the collected novellas of Apocalypse Nyx by Kameron Hurley, formula plotting and all, Marija Smits says Sealed by Naomi Booth is a powerful book with an original, hard-hitting premise, Lucy Powell describes The Freeze-Frame Revolution as hard and fast-paced narrative that really makes you think, gripping till the last page, Georgina Merry defines Fifty-One by Chris Barnham as a fun read – with flaws.
Multiverse has poems by Tris Crestd, Charlotte Ozment and Nate Maxson, while a total of three 6 word stories (written respectively by Gregg Chamberlain, Dane Divine and Michael Stroh) appear, one each, at the bottoms of pages 44, 71 and 131.

In the fiction:-
Harry’s Shiver* by Esme Carpenter. A man commissioned to steal some sort of (unspecified) valuable raids the ‘unbreachable’ Caste Arco. To aid him he makes use of devices he calls Shivers. I’m afraid for me this story was marred by far too much obtrusive info dumping, some unnecessary phrases, the occasional odd word choice and more than a smattering of cliché.

In The Time Between Time*2 by Premee Mohamed windows onto another planet have begun appearing all over Earth. Eleven year-old Dalton finds one in her back garden and tries to keep it secret.

Daughter3 by Laura Young is narrated by a woman taking her terminally ill mother from Japan to her home in San Francisco to care for her. Things turn strange during the flight and even stranger when they land.

Splitting Up*4 by Bo Balder is narrated by a Split – a part of someone’s personality which by medical intervention has been reduced to only restricted access to that person’s body but takes over for designated purposes – in this case interacting/having sex with a boyfriend.

In Goodnight Rosemarinus5 by Caroline Grebell a future human, evolved into a sea-dweller, is held captive by an alien Observer. This story is followed by a one page article “We Have a Winner”d on the artist, Jimmy McGregor, who won the competition to illustrate the story.

Tim Major’s Cast in the Same Mould* describes the peculiar circumstances in which life is discovered on Mars.

The Beachcomber Presents Mary Shelley’s Frankenstein6 by Mark Toner, Stephen Pickering & Tsu Beel discusses Mary Shelley’s Frankenstein, the original and its various adulterated adaptations.

Next comes an interview with the authore (conducted by Noel Chidwick) and extracts from the novel Origamy7 by Rachel Armstrong.

Preceded by a very short author intervewf (by Chris Kelso,) The Silk Tower of Beijing8 by Preston Grassman is dedicated to the late Iain M Banks. Seeming to take inspiration from that author’s A Gift From the Culture an inhabitant of an Earth taken over by aliens strikes at the core of their hold over humans

Pedant’s corner:- I proofread the stories marked* before publication so assume there are no remaining errata there. Otherwise; aHanks’ (Hanks’s.) b“made up of diverse range” (made up of a diverse range,) pays of (pays off,) “an authors motivation” (author’s,) “each … aren’t window dressing” (each isn’t,) “this editions extra interview material” (edition’s,) “the majority of the public are unconcerned” (the majority … is unconcerned,) Watts’ (Watts’s,) eons (aeons,) “the inherently claustrophobia nature” (the inherently claustrophobic nature,) “where the human’s sleep” (humans,) “the twists and turns … is at times genuinely shocking” (are genuinely shocking,) “the ultimate climax of the book and the afterword to is one that is” (that ‘and’ requires a plural verb, ‘are ones that are’,) “one could be forgiven into thinking they were reading sections” (again, ‘one’ is a singular antecedent and should not be followed by a plural pronoun,) “the group split” (splits.) cIn the author blurb “bird nests” (normally ‘birds’ nests’.) dfocussed (focused.) eMobius’ (Mobius’s.) f“the nations arts” (nation’s,) skillful (skilful,) Ian M Banks (x2, Iain,) Banks’ (Banks’s.)
1Written in USian. 2Written in USian. Or is it Canadian? Instantly dated by its mention of Stephen Hawking. 3Written in USian. 4 Written in USian. “The uited people” (The suited people.) 5focussed (focused.) 6“ice flow” (ice floe that would be,) “whom in turn draughts it” (who in turn drafts it,) “as Victor grew as did his love for Science” (as Victor grew so did his love for..) Victors’ (Victor’s,) “evidence there of” (thereof,) Victor breaths his last” (breathes his last,) “There’s very few movies” (there are very few movies,) “near all of” (nearly all of.) 7haurspicy (haruspicy,) auger (after the previous page’s mention of four types of divination I strongly suggest this is intended to be ‘augur’. An auger is a different thing entirely.) 8Written in USian, “a flock of drone-birds hover” (a flock hovers,) a missing full stop (x 4.) “The cross-hatched ruins of the Bird’s Nest appears” (the .. ruins… appear,) “none of them are as monumental” (none .. is as monumental.) “As I think of the world as I want to be” (‘as I want it to be’ makes more sense.)

free hit counter script