A Son of the Rock

More from the house in Bellahouston Park, Glasgow, built from designs by Charles Rennie Mackintosh.

Wood Panelling:-

Hall and balcony:_

A fireplace:-

Another fireplace:-

Window and lantern-style light:-

Window seat, candleholder, and external detail:-

Hodder and Stoughton, 1891, 218 p plus iii p Contents.

Again, as in Auld Licht Idylls, our narrator is the local dominie in Thrums, who has a lodging at the home of the McQumpha family; father Hendry, mother Jess, daughter Leeby and son Jamie, who now lives in London. Jess, who is an invalid, has never got over the loss of her other son, Joey, is a fine embroiderer and sits at the window of their house at the top of the brae leading out of Thrums, looking out at the world and hoping to see Jamie coming up the road. Leeby, when younger, was excessively devoted to Jamie and that devotion has spilled over into her caring for Jess which leaves her little time for her own life. Hendry, thoug hard working and honest is more of a background figure.

Along the way Barrie gives us, through the minister, snippets of life in Thrums and of the various characters who lived there. The man who tried to get out of his engagement to one woman because he had taken fancy to another, the older man who came back to the village with a much younger wife and was shunned by his hitherto prospective heirs, the exploits of the town comic.

On Jamie’s last visit Jess is much disturbed by the fact that he has a handkerchief secreted in his clothing. This she takes as a sign that he has a woman friend in London and like many a mother of sons is displeased that another woman could replace her in his affections.

Incidents in the book have parallels with Barrie’s upbringing in Kirriemuir and are reflective of the small town Scots life of his youth which at time of writing would have all but disappeared.

Most of the dialogue is in very broad Scots. Occasionally a Scots word was followed in brackets by its (nearest) equivalent in English. This has the effect of breaking up the narrative. I agree that to readers in England – or elsewhere – these might be required but a glossary would surely suffice for any who are troubled by it. However, the practice did not occur with every Scots word, some of which I therefore had to look up for myself, my Scots vocabulary not being extensive.

Pedant’s corner:- mantlepiece (mantelpiece,) largess (largesse,) youre (you’re,) “therenever was in Thrums” (there never was.)

The House for an Art Lover, in Bellahouston Park, Glasgow, which I mentioned here, was built to designs by Charles Rennie Mackintosh which had not been used in his lifetime.

Exterior:-

Model inside. The similarities to Hill House are unmistakable:-

Reverse of model:-

The haunting voice of Clannad’s Moya Brennan has been stilled.

The band’s first hit was the theme from the TV Series Harry’s Game, set during the Troubles in Northern Ireland. The song was doubly notable to be the first song sung in Irish to reach the UK top ten.

Clannad: Theme From Harry’s Game

Máire Philomena Ní Bhraonáin (Moya Brennan): 4/8/1952 – 13/4/2026

We took a trip through to Dumbarton in November 2024 and stopped off at the Loch Lomond Shores shopping complex.

By the entrance was this model of The Maid of the Loch, the last paddle steamer on Loch Lomond which I hvave featured here and here:-

The Moon over the Rock (somewhat outdone by the floodlights):-

Unwin, 1989, 188 p.

This is apparently the third in Greenland’s Daybreak series but I wasn’t really aware of this when I bought it recently. I read The Hour of the Thin Ox many years ago and reviewed Daybreak on a Different Mountain on the blog in 2009.

Other Voices is a slightly unfocused tale set in the standardised pre- (or never-) industrial fantasy milieu. Greenland doesn’t fall into the clichés of the genre though, he’s too good a writer for that.

At the novel’s start Luscany is on the verge of being conquered by the Eschalan, a people to all intents human, but orange. The book promises to be the story of Serin, daughter of Tarven Guille, a medical experimenter.  It soon spreads out, though, to encompass the life of Luscany’s Princess Nette kept unwillingly in her palace by the victorious Eschalan as a figurehead.

Tarven and his wife Amber’s first two children either didn’t survive birth, or only barely did. Nevertheless, their bodies are kept in the house in a drawer in which Serin is forbidden to look. For Tarven is on the point of discovering how to bring the recently dead back to life.

The fantasy elements don’t overwhelm the story which is mainly one of accommodating to the occupying power and of resisting it.

Not one of Greenland’s major works but eminently readable.

Pedant’s corner:- “seemed to sooth her rage” (to soothe her rage.)

I have just seen from various sources that SF writer Ian Watson has died. I’m so sad to hear about this.

I knew he had been ill recently but had been under the impression he was recovering.

I have thirty of his books on my shelves, the most recent of which was The Chinese Time Machine which I reviewed for ParSec in 2023.

The first time I met him was when I attended the signing event for my first short story publication, The Face of the Waters, in New Worlds 2 way back in 1992.

He was a gentleman and had a particularly sharp wit.

Ian Watson: 20/4/1943 – 13/4/2026. So it goes.

These are from November 2024:-

SPFL Tier 4, The Rock, 11/4/26.

We knew a win would keep us safe in the division for next year. So job done. Well done, lads.

Not that it mattered as Edinburgh City lost again which would also have confirmed us as safe.

We weren’t at all convincing defensively though. Depite us having most possession they had two great opportunities to score early on, both from Josh Todd losing the ball in midfield. He’s been good since he rejoined us but was off the boil today. One of those required a very good save from Aidan Rice to keep us level at 0-0. Mark Durnan was also prone to mistakes today and was let off by wayward shooting from Stirling.

We began pressing well later in the first half and had a load of corners which we didn’t make the most of, one led to a stramash similar to that after Stirling’s first corner but neither resulted in goals.

A great Leighton McIntosh pass led to Scott Tomlinson (who had been tearing them apart down the right flank) beating his man, this time on the left wing, cutting in and getting his shot past the keeper from an acute angle.

It was strange, then, that Tommo was substituted at half time with Jack Duncan coming on.

The referee by the way was woeful. Stirling centre forward Russell McLean spent most of the game diving and complaining about non-existent fouls which were nevertheless given.

They equalised on 54 minutes when we appeared to stop defending. They more or less walked through our right hand side. I was never confident in our defending all game to be fair.

Smudger (Alexander Smith) had another great game. His ball control and work rate are phenomenal. When we finally got a free kick of our own – mysteriously given as indirect when their player had just about halved Kristian Webster – Smudger’s shot from the ball tapped to him was spiled by the keeper and Scott Honeyman got to the rebound first to dispatch it.

A slightly nervy ten or so minutes plus added time followed, punctuated by late sub Kai Kirkpatrick being sent off near the end. I didn’t see what happened but it seems he landed a punch on Russell McLean.

Still three games to go but we can now look forward to next season.

Penguin, 2019, 126 p. Translated from the Japanese 光の領分 (Hikari no ryōbun,) by Geraldine Harcourt. First published in 1978-1979 as a series in the literary monthly Gunzō.

The book outlines in first person narration the life of an unnamed woman recently separated from her husband, Fujino, in the year following his leaving. They have a two-year-old daughter, also unnamed, who begins to react badly to her new life after mother and daughter move into an apartment on the fourth floor of a building which has mostly offices below. Its large windows flood the interior with light, hence the book’s title.

Over the course of the year we see the daughter’s behaviour deteriorate; she throws objects out of the window onto a roof below and gets into trouble at her daycare centre.

This is paralleled by her mother’s increasingly difficulty to cope with her life, turning up late for her job in a library, having a one-night stand with the father of another child at daycare.

There are parallels here with the other of Tsushima’s novels I have read, Child of Fortune.  whose protagonist is also separated from her husband (but in her case divorced.) The absence of Fujino, like that of Hatanaka in Child of Fortune, is core to the narrator’s sense of drift. This is an indictment of the men involved, though, not of the women they have left.

The book’s origins as a series of twelve monthly instalments in the magazine Gunzō (群像) lead to some repetitions in later chapters of information the reader already knows and which would have been unnecessary to include in a novel per se.

I note as an aside that the living space in Japanese dwellings is described in terms of how many tatami mats the rooms can accommodate.

Pedant’s corner:- a missing comma before a piece of direct speech embedded in a larger sentence (x 2,) a similar missing comma at the end of a piece of direct speech embedded in a larger sentence.