Music in the Dark by Sally Magnusson
Posted in Reading Reviewed, Scottish Literature at 14:00 on 19 October 2026
John Murray, 2023, 329 p, including 3 p Contents, 5 p Historical Notes and 1 p Acknowledgements.

In 1883 former emigré Niall Munro returns from the US to Scotland to practice his new trade of shoemaking with a firm in Rutherglen. He is told by someone on the bus to the town that the widow Bain may have a place for a lodger. Mrs Bain hesitates slightly before taking him in, setting strict ground rules for his stay.
She was once Jamesina Ross, from Glencalvie in Strathcarron, with a musical bent and hopes of fulfilment but has had a hard life since and bears the literal scars to prove it. In her youth the local Minister, Reverend Aird, had taken her under his wing, and taught her Latin, which in her later years she still used to examine the words and phrases with which people spoke to her. But life in Glencalvie was about to change, evictions were in hand. Reverend Aird says in answer to Jamesina’s questioning, “‘People have always had to leave the places they love because of the folly of others. They get by in the end, most of them, and some may even flourish, but no one should imagine on that account that dispossession is right.’” He tells her the evictions are about race and shows her a newspaper column sanguine about such clearances since, “This exodus might allow for settlement of racially superior people of Teutonic stock in districts from which the Gaels have been removed.” (The main replacement, of course, was by sheep.)
Music in the Dark, however, is also a story of love in later years. In interspersed chapters, all beautifully written, some set in the kitchen bed where the two reflect on their lives and relationships, others as a relaying of Jamesina’s experiences of growing up, we see, because of Mrs Bain’s singing her songs of remembrance, Munro realise that, as a boy, he knew her, and, despite themselves, their closeness grows.
In a fairly restrained manner, matter of fact but not gratuitously, in Music in the Dark Magnusson has placed the forced removal of Gaelic people from their ancestral homes at its focus, and, moreover, highlighted the resistance of local women to those evictions and the brutality meted out to them. It by no means a chronicle of doom, though. As Reverend Aird said, most people get by in the end. Take solace where you find it.




In this conclusion of Mishima’s tetralogy, not long after which he committed seppuku, once again we find ourselves following Shigekuni Honda’s obsession with the reincarnation of his boyhood friend Kiyaoki, this time in 1970. Tōru Yasunaga is a signalman notifying the imminent arrival of ships to Shimizu harbour. He is an orphan and has a female acquaintance, Kinué, who, in order to come to terms with her lack of attractiveness, has convinced herself that she is beautiful.












