A Son of the Rock

Warkworth is a village in Northumberland. Its War Memorial is a cenotaph in a recessed corner near the Church:-

Closer view:-

Dedications and names:-

Warkworth also has a War Memorial Hall. Entrance doorway:-

There is a side entrance down a path to the right:-

Another beautiful picture from space, taken by the James Webb Space Telescope.

This appeared on Astronomy Picture of the Day for 3/2/2026.

It’s called the Red Spider Planetary Nebula, and is the result of a star ejecting its outer gases to become a white dwarf.

The Great War dead of Holy Trinity Church, St Andrews, are commemorated on an internal wall of the church:-

Names:-

The notice below implies the names are for the whole of St Andrews not just Holy Trinity’s dead. The town’s War Memorial, situated near the ruins of the Cathedral, I featured here.

Polygon, 2018, 206 p, including 9 p Introduction by Kapka Kassabova and 4 p Foreword (general to these Polygon retrospective editions.)

Art historian Robert Leaver is staying in the Pensione Sofia in Venice. His girlfriend, Lina Pancev, is Bulgarian, a defector from the communist regime there who is searching for the grave of her father, Victor. (It turns out he was murdered in the grounds of the Pensione but she never discovers this.)

One day two guests arrive at the Pensione; Robert’s father Arnold, in tow with Mary Tiller, a teacher at the school where Arnold is headmaster. Anthea, Mrs Leaver, remains at home, for now oblivious. To escape his embarrassment Arnold hies himself and Mary off to another – and better – hotel.

Suspicious she engages GESS (Global-Equip Security Services) to investigate. Their local agent is one Violet de Winter.

Grace Gregory, matron at Arnold’s school and who, to prevent his wanderings, had serviced him herself in the infirmary when there were no boys sick, warns Anthea off using the agency and travels to Venice to see what’s going on.

Robert’s friend Curran, (he answers only to his surname,) is also part of the proceedings as is a supposed kidnapping.

The above provides a flavour of the book, which in some quarters has been described as a farce. To me it is too heavy-handed for that.

I continue to find Spark an unacquired taste.

Pedant’s corner:- a missing comma before a piece of direct speech (x 3,) candelabras (candelabra is already plural,) “whether she longed to say and talk it over” (‘longed to stay and talk it over’ makes more sense.)

Bowie’s first hit (no 5 in 1969) and a bit of a false start as he wouldn’t have another till Starman (no 8 in 1972.)

Atmospheric and eerie at the same time. Utterly memorable.

David Bowie – Space Oddity

Holy Trinity Church is in the centre of St Andrews, in what is a kind of town square, two sides of which are pedestrianised. It is the traditional Parish Church for the town and was where John Knox helped to start the Scottish Reformation.

For some reason it was open when we were in the town in September 2024 so we took the chance to have a look around.

East window:-

Door and west window:

The pulpit is fairly elaborate and lit up from within:-

The wooden ceiling is also worth a look, containing several armorial crests:-

Restoration projects:-

Model of old Windermere ferry, with cargo of horse-drawn carriage:-

There is a large Boathouse at the Jetty Museum containing several boats which once plied the lake’s waters:-

The lake from the Museum’s jetty:-

Faber and Faber, 2023, p. Translated from the Turkish, Veba Geceleri, by Rekin Oklap.

This is not a typical Pamuk novel. For a start it’s not set in Istanbul which has been pretty much a major character in most of his books. Instead, it deals with the fictional Mediterranean island of Mingheria during a 1901 outbreak of bubonic plague which provided the opportunity for its revolt against Ottoman rule. Also, unlike most Pamuk novels. it’s largely told rather than shown. Part of this is that the narration is couched partly as a historical record of the revolution.

Mingheria is supposedly located somewhere northeast of Crete. Its main city, Arkaz, is dominated by a castle on a hill at one side of the harbour entrance but there isn’t adequate anchorage for large modern ships and landfall has to be made by rowing boat.

The present Ottoman Sultan, Abdul Hamid, who was installed as Sultan by a palace coup in which he replaced his brother Murad V, has sent Bonkowski Pasha to combat the outbreak. On the same ship but en route to China as envoys are Murad’s daughter (and therefore Abdul Hamid’s niece) Princess Pakize, until recently kept in seclusion in Istanbul until she married the husband Abdul Hamid procured for her, Doctor Nuri. Hence Nuri is often referred to in the text as “the Doctor and Prince Consort.”

A few days later, after Bonkowski Pasha is murdered having inadvisedly gone walkabout, Princess Pakize and Doctor Nuri are ordered back to Mingheria to investigate his death using the methods of Sherlock Holmes. (Abdul Hamid is an avid consumer of detective fiction.)

Many locals, especially devout Muslims, resist the attempts by the authorities to enforce quarantine. The ensuing confusion allows a Major Kâmil to institute a revolution which overthrows Ottoman rule. The Major (soon Commander) becomes the first leader of independent Mingheria.

Much of the supposed history here is said to be taken from the letters of Princess Pakize to her sister Princess Hatice back in Istanbul, letters which she wrote daily even when the postal service had been suspended. An emphasis on the relationships between Princess Hatice and Nuri and Major Kâmil and his wife Zeynep (nostalgic legends in Mingheria) are a corollary to this.

Several narratorial interpolations reveal that this retrospective history of the founding of the Mingherian state has been written by a descendant of Princess Hatice and Nuri. The final chapter is an envoi from that point of view.

The means by which a new state establishes itself and the myths it comes to believe are subtly portrayed (as are the parallels with the decline of the Ottoman state,) but like most revolutions the Mingherian one soon begins to eat itself. In short order Kâmil and Zeynep are dead due to plague; his successor, the Muslim sect leader and quarantine opposer Sheik Hamdullah, also succumbs to the disease; Princess Hatice is made Mingheria’s Queen but pushed into the background by Nimetullah Effendi with the felt hat; and so on. Relations with the Great Powers, who blockade the island to prevent the plague reaching Europe, are critical to Mingheria’s future.

Pamuk is consummate and always in control but to my mind in Nights of Plague, though there is plenty of story (you could almost say too much) some of the rewards of reading fiction are missing. There is not much here to allow the exploration of character, most of whom are sketched rather than fleshed out, or indeed character development. It is certainly unusually structured for a novel. It is however an exemplary way of writing a critique of Turkish society without going at it head-on; an approach arguably necessary for a writer from a state sensitive to any hint of criticism.

Since he started writing this book in 2016 it is also unlikely to be a reflection on the Covid pandemic, though of course that does now hang over any reading.

Mention of football (albeit only in one sentence) and of the author Orhan Pamuk as being an acquaintance of the narrator – both are museum enthusiasts – are typical Pamuk touches.

It is of course essential reading for Pamuk completists but has enough to recommend it to the merely curious.

Pedant’s corner:- Translated into USian. “the hoi polloi” (hoi means ‘the’; it’s just ‘hoi polloi’, then, no ‘the’,) enormity (employed here to mean ‘hugeness’. It doesn’t; it means ‘monstrousness’,) “off of” (no ‘of’, just ‘off’,) “a particularly tough contingent who was known to mistrust” (a particularly tough contingent which was known to mistrust,) “that he was going be punished” (going to be punished,) a chapter beginning with a sentence of dialogue with no starting quotation mark (I know this is a publisher’s convention but it annoys me,) “the Halifiye sect were being goaded” (the Halifiye sect was being goaded,) “landscapes …. that Sami Pasha had hanged on the walls” (I doubt this meant they were executed: ‘had hung on the walls’,) “arrival to the island” (arrival on the island,) Cretian (Cretan,) “moored to the docks” (moored at the docks,) “was I was finally” (the second ‘was’ is superfluous.)

Esteemed drummer, SlyDunbar, died last month.

Along with bassist Robbie Shakespeare he formed a rhythm section much in demand.

The list of people he played with or for is extensive (see link.)

This is possibly the earliest of his recordings I became aware of.

Dave and Ansel Collins: Double Barrel

Lowell Fillmore (Sly) Dunbar; 10/5/1952 – 26/1/2026. So it goes.

SPFL Tier 4, Galabank, 10/2/26.

Well, I wasn’t at this, but it could vey well be the death knell for our SPFL tenure.

Made worse by the fact their winner was scored by Joel Mumbongo who couldn’t hit a barn door for us last season.

It’s now five points taken from the past thirty three possible. That’s not just relegation form. It’s oblivion.

We’ve only won twice at home in the league all season.

And this Saturday we’re at home again – to Stranraer, historically our Kryptonite.

There’s no hiding place any more. We’ve played the same number of games as Edinburgh City and are only two points in front – which could be evaporated by game end on Saturday (though they are playing leaders The Spartans.) But we can’t rely on others.

The overly hasty appointment by new owner Mario Lapointe of Frank McKeown as manager after Stevie Farrell was given the boot looks increasingly disastrous.

Mario may have a brain for business but it seems he doesn’t know a lot about football.

It’s now very, very difficult to see where even a point is going to come from – never mind a win.

Moreover, finishing bottom will mean we’re gone. We won’t win the Tier 4 play-off. And going down into the Lowland League (West) will be all but impossible to come back from.