Headline, 2022, 287 p. First published 1987.
When originally published the trilogy of which this is the first instalment was titled Xenogenesis. It now seems to be called Lilith’s Brood.
Lilith Iyapo wakes up in what appears to be a prison cell, provided with bland food. She has memories of this happening previously and also of her life on Earth when her husband and child had died in a traffic accident. This was shortly before a nuclear war left the planet uninhabitable (to humans at least.) She soon learns that a few humans were rescued from the apocalypse by an alien race, the Oankali; a species for which genetic engineering is essential.
The first appearance to her of an Oankali shocks her: they are covered in small tentacles acting as sensory organs, and which are attracted by movement. The Oankali have three sexes; male, female and ooloi. All have the ability to sense the biochemistry of genetics but the ooloi can manipulate it and build offspring from their mates’ genes.
Lilith is told a cancer has been removed from inside her and that the spaceship she is being held on is alive. The Oankali find cancer to be an attractive trait for their genetic manipulation purposes. They want to blend their own and human genetics, in part as their biological imperative but also to eradicate hierarchical tendencies from humans. They envisage Lilith’s part in this as to Awaken other humans and prepare them for this gene trade and a return to Earth. Lilith and the subsequent Awakened find the prospect repugnant.
When a sufficient number of people have been Awakened there are problems within the group. Specifically, some are wary of Lilith not only as a black woman but of her closeness to the Oankali and of the capabilities to manipulate the structure of the ship with which the they have endowed her, abilities naturally seen as suspicious by those not so treated.
In Dawn there are early similarities to other works of SF where people have been kept in captivity. The whole, though, depends on the credibility of the aliens and their motivations. I wasn’t entirely convinced.
Pedant’s corner:- “Where had all this been, Lilith wondered” (needs a question mark,) a missing end quotation mark after a piece of direct speech, “gasses” (gases,) “had come on to the bed with her and lay down” (and lain down,) “clean shaved” (clean shaven,) “Paul Titus’ wall” (Titus’s. Titus’ appeared again later,) “their own betrayal: No trip to Earth” (colons are not usually followed by a capital letter; ‘betrayal: no trip…’) A paragraph beginning with a piece of direct speech without having an opening quotation mark (I know this is a publishing convention but to me it feels wrong,) repellant (repellent.) “She froze where she stood and had all she could to keep from turning and running away” (is expressed awkwardly.) “It said nothing more, made no sound of its own pain” (ditto,) “she recognised Ahajas, Nikanj’s female mate as the owner” (she recognised Ahajas, Nikanj’s female mate, as the owner.) “She waited almost eager for the darkness” (needs a comma after waited,) Ahajas’ (Ahajas’s.)
