Archives » Lyrics

Not Friday on my Mind 50: Elenore

This song’s lyric is surely the only pop song to include the word etcetera. Or at least to attempt to rhyme it.

The Turtles: Elenore

Reelin’ In the Years 148: Lonely Days

Another outing for the word nonchalant in a lyric; except here its inclusion is a little more forced.

The harmonies on the verse of this are sublime.

The Bee Gees: Lonely Days

Friday on my Mind 164: When You Walk in the Room

Another song which has the word nonchalant in its lyric, When You Walk in the Room was written and performed by Jackie DeShannon but is more familiar to Britons via the cover version recorded by The Searchers which got to number 3 in the UK 1964. The song’s title is never actually sung in its entirety during its course; only its last four words.

The Searchers: When You Walk in the Room

Here also is Jackie DeShannon with the song on US TV:-

Jackie DeShannon: When You Walk in the Room

Reelin’ In the Years 147: Wherewithal

Clifford T Ward was an unusual pop star. Who else would have based a popular song around a Robert Browning poem in Home Thoughts from Abroad? (See here track 7.)

Not only did Ward use the word wherewithal in this song, he made it the title.

And I doubt you’ll find non-pareil in any other song lyric. (Granted, nonchalant is less rare.)

Clifford T Ward: Wherewithal

Something Changed 4: Hello

A song packed full of cultural references from around 1990.

I especially liked the line, “Leslie Crowther, Come On Down.”

The Beloved: Hello

Something Changed 3: Something Changed

This is the song with which I would have started off this category in the best of circumstances.

It’s the lyric on this that I really like. It has that sense of contingency, of paths that might not have been taken, and in that context reminds me of Abba’s The Day Before You Came which you may remember I waxed lyrical (ahem) about some moons ago now.

It was the last single taken from Pulp’s big breakthrough album Different Class but not the least.

Pulp: Something Changed

Not Friday on my Mind 49: Legend of a Mind. RIP Ray Thomas

Ray Thomas, who died this week was a multi-instrumentalist not very well-served by most of the time on stage with The Moody Blues merely flourishing a tambourine or otherwise not seeming to do very much. That perception would be to undervalue him greatly.

It was his contribution as a flautist where he really counted, a contribution that only added to the already distinctive sound of the band. As a flautist in a rock band he was for a while unique. (Ian Anderson of Jethro Tull came along later as did Peter Gabriel with Genesis.) That flute embellished mightily the power of Nights in White Satin, the song which became emblematic of the revamped Moody Blues.

A founder member of the band in its first (bluesy) incarnation – Go Now etc – his solid bass voice enhanced the vocal harmonies which were so much a part of the re-incarnated band’s sound.

For some odd reason there seemed to be a regular order of song-writers in those early albums by the “new” Moodies with Thomas always having song three* on side one as one of his spots.

Among his songs were Another Morning*, Twilight Time, Dr Livingstone, I Presume?*, Dear Diary*, Lazy Day, Floating*, Eternity Road, with his collaborations with Justin Hayward, Visions of Paradise and Are You Sitting Comfortably? being especially memorable.

It was song five, side one on In Search of the Lost Chord, though, that was his apotheosis. That song was Legend of a Mind with a lyric about Timothy Leary and supposed mind expansion, “Timothy’ Leary’s dead, No, no, no, no, he’s outside looking in.” Apparently Leary once told Thomas the song made him more famous than anything he had ever done for himself.

But who needed drugs when music itself could be this transportive?

Here’s a promotional film for Legend of a Mind made around the time of its first release. Thomas’s flute solo here is sublime.

The Moody Blues: Legend of a Mind

Ray Thomas: 29/12/1941 – 4/1/2018. So it goes. Thanks for the trips round the bay.

Oh, Maggie, What Did We Do?

Anyone looking for a metaphor for the parlous state of the UK today doesn’t need to go very far. They only have to look at Theresa May’s speech at the Tory Party Conference yesterday. Just about everything that could go wrong did. The prankster illustrating the lack of authority the office of Prime Minister now holds. That letter falling off the slogan in the background which says it all about how austerity has hollowed away national cohesion and expertise. The slogan itself – a blatant example of truth reversal (they’re not building the country; they’re tearing it apart; they never do anything for everyone, they act for themselves, those who fund them and the extremely well-off.) A leader struggling to overcome the problems (albeit not entirely of her own making – though she didn’t do much to prevent their coming to pass and arguably contributed to their increase) in front of her.

And what on Earth was that about the British Dream?

There isn’t a British Dream*. We don’t do that sort of thing. We’re not USian.

But the phrase reminded me irresistibly of this song written by Roger Waters and taken from Pink Floyd’s album The Final Cut, from which I filched this post’s title. And the question it poses is a good one. I can trace all the ills that befall life in the UK today to that government from the 1980s. Kow-towing to the power of money, rampant exploitation of workers, poorly paid jobs, lack of social housing, high private rents – all have their roots in those times.

There are two unfortunate references in the song’s lyric, though. “Nips” (but that of course enables the rhyme) and “England”. She did damage to a hell of a lot more than England, Roger.

Pink Floyd: The Postwar Dream

*If there is it consists of getting the better of Johnny Foreigner and despising its own working class.

Not Friday on my Mind 46: (Here We Go Round) The Lemon Tree

This Roy Wood song was originally planned as a single but ended up as the B-side of Flowers in the Rain famously the first song to be played on Radio 1, fifty years ago this week

There’s a great rhyme in the lyric: plans/underpants. Not to mention cider/beside her.

The Move:- (Here we go round) The Lemon Tree

Jeff Lynne (of ELO fame)’s first group The Idle Race also recorded it as a single but it was only released in Europe and the US.

The Idle Race: Here We Go ‘Round The Lemon Tree

Reelin’ In the Years 139: The Pretender

You know I have a soft spot for rhyming. (See for example here and here.) There is an art to it when it’s done well and inventively, the rhymes woven into the overall story the song tells.

In this song Jackson Browne manages to find at seven rhymes for pretender. Some are reasonably obvious – legal tender, his fender, the spender, contender, surrender – but one is inspired; ice cream vendor. I must say though that “end there” is a bit iffy.

Jackson Browne: The Pretender

free hit counter script