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Not Friday on my Mind 46: (Here We Go Round) The Lemon Tree

This Roy Wood song was originally planned as a single but ended up as the B-side of Flowers in the Rain famously the first song to be played on Radio 1, fifty years ago this week

There’s a great rhyme in the lyric: plans/underpants. Not to mention cider/beside her.

The Move:- (Here we go round) The Lemon Tree

Jeff Lynne (of ELO fame)’s first group The Idle Race also recorded it as a single but it was only released in Europe and the US.

The Idle Race: Here We Go ‘Round The Lemon Tree

Reelin’ In the Years 139: The Pretender

You know I have a soft spot for rhyming. (See for example here and here.) There is an art to it when it’s done well and inventively, the rhymes woven into the overall story the song tells.

In this song Jackson Browne manages to find at seven rhymes for pretender. Some are reasonably obvious – legal tender, his fender, the spender, contender, surrender – but one is inspired; ice cream vendor. I must say though that “end there” is a bit iffy.

Jackson Browne: The Pretender

Reelin’ In the Years 138: Life’s A Long Song

I just love the rhyming in this song’s lyric.

The only slight blemishes in its perfection are the lack of any assonance (rather than rhyme) in song/fill at the end of the first refrain – though song/dawn and song/all in the second and third are fine in that regard – and that in the last line of the first verse fret doesn’t rhyme with fear and cheer.

When you’re falling awake and you take stock of the new day,
And you hear your voice croak as you choke on what you need to
say,
Well, don’t you fret, don’t you fear, I will give you good cheer.

Life’s a long song. Life’s a long song. Life’s a long song. If you wait then your plate I will fill.

As the verses unfold and your soul suffers the long day,
And the twelve o’clock gloom spins the room, you struggle on your
way.
Well, don’t you sigh, don’t you cry, lick the dust from your eye.

Life’s a long song. Life’s a long song. Life’s a long song. We will meet in the sweet light of dawn.

As the Baker Street train spills your pain all over your new dress,
And the symphony sounds underground put you under du
ress,
Well don’t you squeal as the heel grinds you under the wheels.

Life’s a long song. Life’s a long song. Life’s a long song. But the tune ends too soon for us all.

But the tune ends too soon for us all.

Jethro Tull: Life’s A Long Song
Ian Anderson: Life’s A Long Song, Chamber version

Friday on my Mind 154: Bend Me Shape Me

This is one of those songs which started out in the US and was recorded by a British band who had the bigger hit in the UK albeit this time with an altered lyric. Unusually the hit US version by The American Breed, which I think I prefer, also reached the UK charts. In the video below (set to the recording I would suggest, but with added screams) they were obviously hamming up the miming.

The American Breed: Bend Me Shape Me


Amen Corner: Bend Me Shape Me

Live It Up 35: Reward

What a striking opening line. “Bless my cotton socks I’m in the news.”

This, the biggest hit from The Teardrop Explodes, screams 1980s but is somehow also timeless – and the brass was an unusual touch.

Reward is also notable for having a definite ending and not fading the way most pop songs do. Anything else though would have been a travesty.

Herewith is a live version.

The Teardrop Explodes: Reward

Reelin’ In the Years 130: You’re a Lady, Love is the Sweetest Thing, Roll Away the Stone

I discovered two sad departures this week, both Peters, though one of them actually occurred in January.

Peter Skellern’s affection for the brass band sound made him stand out as a bit old fashioned in the early 1970s.

His biggest hit was You’re a Lady, no 3 in 1972.

Peter Skellern: You’re a Lady

I remembered his revival of Frank Noble’s song Love is the Sweetest Thing as being a bigger hit than in fact it was. It apparently only reached no 60. It has a brilliant lyric, though.

Peter Skellern: Love is the Sweetest Thing

Peter Overend Watts was Mott the Hoople’s bass player and is seen quite prominently in this clip:-

Mott The Hoople: Roll Away The Stone

Peter Skellern: 14/3/1947 – 17/2/2017. So it goes.

Peter Overend Watts: 13/5/1948-22/1/2017. So it goes.

Reelin’ In the Years 111: The Combine Harvester

From the sublime (Al Stewart, last two weeks) to the gorblimey.

I’d almost forgotten about this till the good lady said she’d heard it on the radio this week

The Wurzels were a band from Somerset – a traditional rural farming county – who dubbed their style Scrumpy and Western after the name for a type of cider and a USian music genre.

A parody of Melanie (Safka)’s Brand New Key from 1971 with lyrics more appropriate to agriculture this, believe it or not, was actually a number one hit in the UK in 1976. For three weeks!

Bits of it are still funny, though. I especially like the spoken, “Just you wait till I get me ‘ands on your laaaaand,” towards the end.

The Wurzels: The Combine Harvester:

Another Wurzels parody, this time of Una Paloma Blanca, got to number three in 1976.

The Wurzels: I am a Cider Drinker

There are clips on You Tube of the Wurzels performing this on TV but on one of them they are introduced by a paedophile and the other is incomplete.

Reelin’ In the Years 109: On The Border

Not the only “pop” song to be about the Spanish Civil War but the subject certainly marks it out as lyrically unusual. But then Al Stewart’s lyrics tended to the eclectic.

This is a live version.

Al Stewart: On the Border

Not Friday On My Mind 35: RIP Cilla Black

I know it’s not good form to speak ill of the dead but I’m afraid I can’t share the “National Treasure” stuff surrounding the passing of Cilla Black. She was undoubtedly a substantial entertainment figure of the 1960s though, with several big hits and many smaller ones. Yet to my mind her singing voice became too harsh when she upped the volume. In softer tones she could be quite effective though.

As to her later incarnation as a television presenter, I saw Blind Date once. It wasn’t for me. I never watched Surprise, Surprise.

I went off her completely when she was introducing some awards ceremony or other and mentioned Margaret Thatcher, at which the audience booed. Cilla then protested (against all reason) “But she’s put the great back in Great Britain.” Maybe for successful entertainers, but not for those left behind.

This was Cilla in her 1960s pomp, in a clip from Top of the Pops:-

Cilla Black: Surround Yourself With Sorrow

And here she is in her softer register. (Interesting that in the intervening almost forty years since I first heard her perform this song, to reflect our modern sensibilities the lyric has been changed from “ye’ll gerra belt from yer da’,” to “Ye’ll get told off by your da’.”)

Cilla Black: Liverpool Lullaby

Priscilla Maria Veronica White (Cilla Black): 27/5/1943-1/8/2015. So it goes.

Live It Up 22: Song for Whoever

Sweet tunes, romantic tunes, The Beautiful South certainly had them; but allied to bitterly ironic – even cynical – lyrics.

The opening line here, “I love you from the bottom of my pencil case,” is just about on the bounds of tastefulness but the lyric goes on (partly to comment on the process of writing a cheap love song) by listing a series of girls’ names with the tag, “I wrote so many songs about you, I forget your name,” then adds a cutting parenthesis, “(I forget your name)”.

The cynicism is increased in the second round of the melody where we have, “Oh Cathy, Oh Alison, Oh Phillipa, Oh Sue. You made me so much money, I wrote this song for you.” Jennifer, Deborah and Annabel are added to the list in the next two lines. It’s brutal in its lack of regard.

The Beautiful South: Song for Whoever

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