A piece of late flowering Fish-era Marillion, the third single from Clutching at Straws, the last album to feature Fish as singer and lyricist.
Archives » 1980s
What a striking opening line. “Bless my cotton socks I’m in the news.”
This, the biggest hit from The Teardrop Explodes, screams 1980s but is somehow also timeless – and the brass was an unusual touch.
Reward is also notable for having a definite ending and not fading the way most pop songs do. Anything else though would have been a travesty.
Herewith is a live version.
This category’s title is horribly inappropriate given today’s subject.
I didn’t take too much to Wham! Being a schoolteacher relatively new to the game in the early 1980s it was a mystery to me why certain acts inspired adolescent devotion. From the perspective of thirty years later this frothy concoction is more understandable. It exudes the exuberance of youth.
A more thoughtful sound soon appeared though. I heard Michael accorded Andrew Ridgley a writing credit on the song below despite him not being involved. The royalties have stood Ridgley in good stead ever since. Only one among Michael’s many charitable acts.
Georgios Kyriacos Panayiotou (George Michael:) 25/6/1963 – 25/12 /2016. So it goes.
I wasn’t one for dance music (and we’ll forget the outrageous but intentional misspelling in the song’s title for the moment) but the title of this has become very to the point this month.
As has the lyric. Just replace “Reagan’s” with “Trump is” and “Generals tell him what to do” with “white supremacists tell him what to do”.
This is Heaven 17 in a live performance from a few years ago of their 1981 hit.
The obituary of flamboyant front man of Dead or Alive, Pete Burns, appeared on the same page of the Guardian as that of Bobby Vee.
1980s music wasn’t generally to my taste, especially the output overseen by Stock, Aitken and Waterman under whom Burns’s band Dead or Alive had their biggest hit but Burns himself was certainly distinctive. He apparently claimed that Boy George modelled himself on him.
Burns’s career as a pop star was relatively brief and he later became more famous for being Pete Burns and less than an ideal advert for plastic surgery.
Peter Jozzeppi Burns, 5/8/1959-23/10/2016. So it goes.
I think singer and lyric writer Fish, a lifelong Hibby (or Hibee, delete according to taste,) came to regret using the phrase heart of Lothian in this song as it was prone to misinterpretation.
The single included at its start Windswept Thumb, the conclusion to the Bitter Suite sequence which immediately preceded Heart of Lothian on the LP Misplaced Childhood.
I believe this is the official video. Check out those 80s hairstyles!
A reference to Siouxsie and the Banshees in Andrew Greig’s In Another Light (review to come) reminded me of the band’s treatment of this Beatles’ song.
There are nice jangly guitars on this Billy Bragg song purveyed into a hit by Kirsty MacColl in 1984.
The Proclaimers’ first statement to the world; an unlikely hit considering it’s a protest song about both the Highland clearances and industrial decline in late twentieth century central Scotland.
The original track was produced by Gerry Rafferty whose unmistakable stamp is all over the instrumental coda.
The good lady rather likes this video starring the 2 little Colins – or the Wee Proclaimers as she calls them:-
This is the lads themselves appearing on the Dutch TV show TopPop whose producers seem to have taken the song’s title a bit too literally.