As I said before The Stranglers were – are – my brother-in-law’s favourite band. I doubt he could tell you the number of times he’s seen them play live.
Yet another one gone. This time Chris Rea. It somehow seems crueller at this time of year.
Rea is perhaps best known for Driving Home for Christmas and The Road to Hell, jointly his highest chart placing songs but neither of which is appropriate here. His back catalogue is long.
This was his second top 30 hit (no 26 in 1985) and predates both of the above.
Chris Rea: Stainsby Girls
Christopher Anton (Chris) Rea: 4/3/1951 – 22/12/2025. So it goes.
The news of this came too late last Friday for me to post this then, but Mani, the bassist for The Stone Roses, died last week.
The late 80s were a musical era I kind of missed as my children were infants then and time for listening to music was limited. There is no doubt, though, that The Stone Roses were an important influence on later bands – not least Oasis.
Mani’s playing is the propulsive force behind this track, a no 8 in 1989.
The Stone Roses: Fool’s Gold
Gary (Mani) Mounfield: 16/11/1962 – 20/11/2025. So it goes.
I never much took to the band mainly because Marc Almond’s posturing annoyed me. But Ball was a different prospect. Like Chris Lowe of The Pet Shop Boys he appeared to prefer staying in the background quietly playing his synths.
However, they had a significant run of hit singles spanning 1981 and 82, with a distinctive sound.
Here’s a Top of the Pops appearance from that second year.
Soft Cell:- Torch
David James (Dave) Ball: 3/5/1959 – 22/10/2025. So it goes.
I’ve posted a song from Blancmange before – 14 years ago! – with their version of ABBA’s The Day Before You Came. Sadly co-founder of the band, Stephen Luscombe, died last week.
They had seven Top 40 hits in the 1980s.
This one got to no. 8 in 1984.
Blancmange: Don’t Tell Me
Stephen Luscombe: 29/10/1954 – 13/9/2025. So it goes.
Carly Simon’s biggest hit, instantly recognisable from that bass line burble at its start and subject to much interpretation over the years. Warren Beatty has been pointed to as the object of Simon’s lyric and Simon has said the second verse is indeed about him but the others aren’t necessarily.
I knew that Mick Jagger had been an uncredited backing singer on this but it wasn’t until one day it was on in the background in a shoe shop in Kirkcaldy that I made out his voice. Now I can’t stop hearing him every time it plays.