Reading his obituary and a piece in the Guardian’s G2 brought home to me how important Chuck Berry was to the development of rock and roll and the music that followed it.
His heyday was in the 50s so I had kind of missed all that by being too young. I must have been aware of him somewhere in the background via the paltry amount of rock music on the radio in those times but I didn’t really come into contact with his music till the mid to late 60s when some of his singles were in the pile beside the record player at a youth club I went to. It’s therefore No Particular Place to Go and Memphis Tenessee I remember most particularly. It wasn’t actually till years later that I discovered No Particular Place to Go was a reworking of a 1957 song, School Day (Ring! Ring! Goes the Bell).
Not the least of his accomplishments was to irritate Mary Whitehouse with his ding-a-ling. (Well, it seems it was Dave Bartholomew’s ding-a-ling, but it was Chuck who annoyed Whitehouse.)
Barring two minor interludes when he was unwell, for all the time I’ve been listening to it – many years now – it has been compered by Brian Matthew, a well-known voice from the Light Programme of my youth. In fact he has introduced the show for 27 years.
Recently he has been absent for a span of time during which Tim Rice filled in. I was pleased when I learned on 18/2/17 that Matthew was set to return – as he did last Saturday, the 25th.
This turned out to be a temporary reprieve as Saturday’s episode was valedictory and Matthew informed us it would be his last ever Sounds of the Sixties.
Fair enough, Matthew is not a young man any more. I wish him well in his (part) retirement. I say part as he did say he would be introducing other Radio 2 shows from time to time in the future. But I’ll miss him.
The good lady and I speculated on who might or could replace him – neither of us thought Tim Rice had quite the timbre of voice for it – whether a star of the 60s or the only other DJ from that time presumably available (Johnnie Walker already ensconced in the Sounds of the Seventies seat) Tony Blackburn.
All was revealed in a trailer I heard on Sunday. It’s to be Blackburn. I suppose it’s the obvious choice. The show will feel very different, though. Blackburn does not have the gravitas that Matthew has.
Another change is that Sounds of the Sixties will now be aired at 6.00 am rather than 8.00 am as previously. That’ll be me listening on catch-up then.
If any of you still hanker after Matthew and his style that last show is available on the iPlayer for another three weeks or so.
I came across this when I was searching for Emitt Rhodes songs. It seems he started out in The Merry-Go-Round. Being a US (minor) hit I hadn’t heard it before or at least didn’t recall it. I do remember Alan Freeman championing Emitt Rhodes when his first solo album came out, in 1970 I think.
There’s a Zombies feel to the introductory guitar and the “strings” sound very like a mellotron to me.
Everyone knows the big hit performed by Peter Sarstedt (who died earlier this week) Where Do You Go To (My Lovely). Many people think he was a one-hit wonder – even his Wikipedia entry says that about him despite mentioning he had two other hits (though I must confess I don’t remember Take Off Your Clothes – probably because it was a B-side) but the follow-up single Frozen Orange Juice did get to no. 10 in the UK.
His previous single to the big one wasn’t a hit though arguably it deserved to be.
Peter Sarstedt: I Am a Cathedral
Peter Eardley Sarstedt; 10/12/1941 – 8/1/ 2017. So it goes.
Though it seems I didn’t, I thought I had mentioned in Friday on my Mind 29 that I actually bought Status Quo’s first hit Pictures of Matchstick Men, though they were The Status Quo then.
This follow-up – remarkably similar to that first hit and which appeared on the ludicrously titled first LP, Picturesque Matchstickable messages from the Status Quo – has a title that is all too appropriate, but has a bass line reminiscent of Hendrix.
The Status Quo: Black Veils of Melancholy
Richard John (Rick) Parfitt: 12/10/1948 – 24/12/2016. So it goes.
Les Fleur de Lys1 were the band called upon to record my favourite 60s song, Reflections of Charles Brown, and its B-side, Hold On under the name Rupert’s People.
I naturally assumed this song is a reference/tribute to the Edward Lear poem The Dong With A Luminous Nose. I was therefore amused when on Sounds of the Sixties 26/11/16 it was introduced and listed as “Going with the Luminous Nose.”
It sounds like psychedelia to me.
Les Fleur De Lys: Gong With The Luminous Nose.
1To be correct French shouldn’t that be Les Fleurs de Lys?