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Arthur C Clarke Awards

These things come thick and fast this time of year…

This year’s Clarke Award short list is:-

The Long Way to a Small Angry Planet – Becky Chambers (Hodder & Stoughton)
Europe at Midnight – Dave Hutchinson (Solaris)
The Book of Phoenix – Nnedi Okorafor (Hodder & Stoughton)
Arcadia – Iain Pears (Faber & Faber)
Way Down Dark – J.P. Smythe (Hodder & Stoughton)
Children of Time – Adrian Tchaikovsky (Tor)

Of the two I’ve read so far (for my reviews see links) I’d go for Europe at Midnight.
Of the others the Becky Chambers was on my intended reading list already.

My 2015 in Books

This has been a good year for books with me though I didn’t read much of what I had intended to as first I was distracted by the list of 100 best Scottish Books and then by the threat to local libraries – a threat which has now become a firm decision. As a result the tbr pile has got higher and higher as I continued to buy books and didn’t get round to reading many of them.

My books of the year were (in order of reading):-
Bring Up the Bodies by Hilary Mantel
Electric Brae by Andrew Greig
The Thousand Autumns of Jacob de Zoet by David Mitchell
Station Eleven by Emily St John Mandel
Europe in Autumn by Dave Hutchinson
Traveller of the Century by Andrés Neuman
The Affair in Arcady by James Wellard
Flemington and Tales from Angus by Violet Jacob
The Book of Strange New Things by Michel Faber
Ash: A Secret History by Mary Gentle
Young Adam by Alexander Trocchi
Song of Time by Ian R MacLeod
The Gowk Storm by Nancy Brysson Morrison
The Bridge Over the Drina by Ivo Andrić
To Kill a Mockingbird by Harper Lee
Fair Helen by Andrew Greig
The Dear, Green Place by Archie Hind
Greenvoe by George Mackay Brown
The Tin Drum by Günter Grass
Europe at Midnight by Dave Hutchinson
The Cone-Gatherers by Robin Jenkins
A God in Ruins by Kate Atkinson
Go Set a Watchman by Harper Lee
Born Free by Laura Hird
We Are All Completely Beside Ourselves by Karen Joy Fowler

If you were counting that’s 25 in all, of which 15 were by male authors and 10 by women, 8 had SF/fantasy elements and 11 were Scottish (in the broadest sense of inclusion.)

Europe at Midnight by Dave Hutchinson

Solaris, 2015, 304 p.

 Europe at Midnight cover

The Campus is an enclosed society which has just undergone a revolution but any attempts to escape its confines fail on the many lethal obstacles preventing it. Its latest head of intelligence jokingly calls himself Rupert of Hentzau and has set about instituting a fair justice system. Meanwhile, in a world recognisably ours (if in the future,) a man is stabbed on a late-night bus and claims asylum.

Back in the Campus “Rupert” misjudges a situation and provokes a counter-revolution. Araminta Delahunty, who had kayaked into his life one day, provides his outlet. She is from our world, seeking her brother who had managed to travel out of it, and shows “Rupert” the way to England. A connection to the stabbed man is soon established.

This is the set-up to Hutchinson’s tangled tale of parallel worlds, a development of the scenario he laid out in Europe in Autumn with its Europe splintered into a patchwork of variously sized polities (with borders of different degrees of rigidity) where the number of entries to the Eurovision Song Contest can exceed 600 – and the voting takes three days. At one point in the book “Rupert” (I can’t remember Hutchinson revealing his character’s “real” name) muses, “I had the impression that the English would have quite liked to be in Europe so long as they were running it.” Well, yes.

Unlike in Europe in Autumn in this book we also spend some time in The Community, the parallel world constructed in the maps produced by the Whitton-Whyte family where the county of Ernshire and its chief town Stanhurst are connected to a Ukipper’s wet dream of a greater England stretching from Iberia to the area Moscow occupies in ours – and which is much more menacing in this novel than its predecessor.

Again Hutchinson has managed to produce a Cold War type spy story within a Science Fiction scenario but this novel has more of the whiff of SF about it than did Europe in Autumn. The book has literary quality too; his characters are eminently believable and the action sequences well handled.

Notwithstanding this, the novel’s structure is perhaps a little askew. It may have been a slight mistake to begin with the scenes in the Campus as these were very well delivered and contained the book’s most intriguing character, Araminta – user of those very non-Science Fictional words muppet, berk and cockwomble – but for plot reasons we no longer return there after “Rupert” leaves it. To be fair the other settings are as convincing but throughout I found myself pining for the Campus.

Overall it’s excellent fare though.

Pedant’s corner:- poison chalice (poisoned chalice,) presently (to mean “soon” – this read oddly to me as Scots use presently to mean “at the moment”,) two full stops at one sentence end (this may have been meant as an ellipsis but three dots is surely the minimum for that,) the Board were starting (the Board was starting?) the team were using (the team was using,) the team are working (is working,) math (maths,) [these past two appeared in dialogue so are excusable; just.] Each sub-section within the chapters of the book was prefaced by a number: one of these numbers appeared at the very bottom of a left hand page; which looked most odd.

The Clarke Award for 2014

Hot from the BSFA website, here’s the shortlist:-

The Girl With All The Gifts – M.R. Carey (Orbit)
The Book Of Strange New Things – Michel Faber (Canongate)
Europe In Autumn – Dave Hutchinson (Solaris)
Memory Of Water – Emmi Itäranta (HarperVoyager)
The First Fifteen Lives Of Harry August – Claire North (Orbit)
Station Eleven – Emily St John Mandel (Picador)

I’ve read four of these! I’m delighted to see both Emmi Itäranta and Emily St John Mandel (who missed out on BSFA Award nominations) on this list.

BSFA Awards (for 2014)

This year’s nominees for the BSFA Awards have been announced.

As far as the fiction is concerned we have the unusually high total of eight novels on the ballot form, of which I have read three*. (Edited to add: so far.)

The Race* by Nina Allan (NewCon Press)
Cuckoo Song by Frances Hardinge (Macmillan)
Europe in Autumn by Dave Hutchinson (Solaris)
Wolves by Simon Ings (Gollancz)
Ancillary Sword by Ann Leckie (Orbit)
The First Fifteen Lives of Harry August* by Claire North (Orbit)
Lagoon by Nnedi Okorafor (Hodder)
The Moon King* by Neil Williamson (NewCon Press)

The short fiction has only three contenders – all of whom are women it seems; for the second year in a row. I have read none of them as yet (but hope the BSFA will produce the usual booklet.) Though it’s totally irrelevant I was on a panel at last year’s Eastercon with Ruth Booth.

The Honey Trap by Ruth EJ Booth (La Femme, Newcon Press)
The Mussel Eater by Octavia Cade (The Book Smugglers)
Scale Bright by Benjanun Sriduangkaew (Immersion Press)

The Push by Dave Hutchinson

Newcon Press, 2009, 95p

The Push

The Push is the freebie book included in my BSFA August mailing in lieu of the usual magazine.

I realized when I was reading this that it was a story that had been nominated for the BSFA award in 2010 and appeared in the BSFA booklet. My thoughts on it at that time are here.

I may have been a trifle harsh on that occasion. Re-reading it I found the characterization again fine, the humour agreeable and not overdone and the plot satisfying. Perhaps it being in book rather than booklet form had a subliminal effect, lending it more gravitas; maybe I was just in a better mood. As its appearance in book form suggests The Push is not really a short story, more a novella. It’s a fine example of Science Fiction, worthy of its nomination.

BSFA Awards 2010: Addendum

BSFA Awards booklet

The BSFA booklet containing the short stories and art works listed on the ballot form is handsomely produced. It’s dated 2009 because the awards were for stories published in that year. It’s a pity it didn’t arrive before the deadline but the BSFA has had trouble recently with printers and distributors for their magazines going bust on them. However, it still gave me the chance to catch up on the story which I had not been able to read online.

The Push by Dave Hutchinson

This is a traditional tale, traditionally told. No pyrotechnics, no fuss. Straightforward exposition, twist at the end. The Push of the title is a faster than light drive, improvements in which reduce the time dilation effect of its use but not enough for our narrator, Neil Hanson, not to appear much younger than his contemporaries who have done less travelling.

He has been called back to the planet Reith, which he helped colonise, because a problem has arisen with a local species, called rockers, which has suddenly developed sentience. These creatures also worship him as a god. This second factor is explained but the first, much the most interesting feature of the story to me, is unfortunately left hanging.

The characterisation is fine, you can believe these are real people – except for the newly sentient rockers, who are little more than props.

It’s not my favourite of the contenders but I would have placed it above several of them.

For my comments on the other stories on the ballot see here.

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