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Shoreline of Infinity 11: Spring 2018

The New Curiosity Shop, 134 p.

All-women issue published on International Women’s Day.

 Shoreline of Infinity 11 cover

In Pull up a Log,a Guest Editors Pippa Goldschmidt, Caroline Grebell and Monica Burns note that some potential contributors to this special issue did not want to be cordoned off in such a way, bemoaning the general lack of submissions to SF markets by women writers, but rejoice in the many good submissions received – too many for this one edition, and lament the passing of Ursula Le Guin to whom they dedicate the issue.

Unusually we start with a poem, Speculative Fiction by Katherine McMahon. Later on the non-fiction has S J McGeachy’s “Frankenstein: the Nuts and Bolts of Genre Mash-up”b wherein the essayist feels Mary Shelley’s greatest achievement wasn’t so much the invention of a new genre but in ignoring the constraints of a previous one where in effect women didn’t matter. “Confessions of a Science Fiction She-nerd” by Jonatha Kottler tells us how the author got into SF, there is an interview with Lisanne Normann conducted by Caroline Grebell, “Noise and Sparks: Beyond the Mountains” by Ruth E J Booth finds the author disappointed in the Wonder Woman film’s failure to resonate with her personally while recognising it did with others, and arguing for more diverse stories on the mainstream. Reviews has only books by female authors all reviewed by women. Marija Smitsc finds Helen Segdwick’s The Growing Season slightly flawed, Eris Youngd looks at Lidia Yulnavitch’s Book of Joan,e Shelly Bryant’s collection Launch Pad lacks dynamism made up for by ambition according to Georgina Murray,f Samantha Dolang appreciates N K Jemisin’s The Fifth Season and Lucy Powellh calls The Long Way to a Small Angry Planet by Becky Chambers a tour de force. To that last I can only say, “What?” Multiversei has six poems by three poets, Catherine Edmunds, Paige Smith and Katie Fanthorpe.
As to the fiction:
A Slow Unfurling of Truth1 by Aliette de Bodard is a human tale of betrayal, filial duty and redemption wound round a memory encoding device in a colonially exploited setting.
In Write ME2 by Emily Bowles women’s bodies are being adapted to service the preservation of language in order to maintain male privilege and power.
Heading for the Border3 by Karen Heuler is set in a post-apocalyptic world invaded by aliens who bombed a nuclear reactor. Two women scratch a living selling cosmetics from the back of a truck to help improve the survivors’ morale.
Lith Amenti’s Sacrifice for a Broken Sky4 has a father about to sacrifice his daughter to placate what appears to be a black hole tearing at the fabric of the world. It isn’t, quite, and the story’s resolution doesn’t fit with its beginning.
In Do No Harm5 by Anna Ibbotson the reward for coming in the top two in an online virtual reality cancer eradicating game is to treat patients in the real world. The top guy is very casual about the process.
#No Bad Vibes6 by Katy Lemon is narrated via alien edited audio transcripts of and commentary on posts by an internet influencer. The aliens are using her to promote their message. Misunderstandings are mutual.
Sim Bajwa’s HR Confidential7 is a set of recorded exchanges between an employee and Human Resources along with their accompanying memos. The employee’s complaints relate to an overbearing line manager and the company’s subsequent efforts to improve productivity.
In Pearls That Were His Eyes8 by Jen Downes, a soldier conscripted due to bankruptcy is injured in an attack but the ocean into which he falls, apparently to his death, is riddled with downed military medical bots.

Pedant’s corner:- two of the responses to Caroline Grebell’s Twitter requests, ‘Why do you read SciFi?’ ‘Your favourite female SciFi author?’ are printed twice – and I hate the contraction SciFi. It’s SF. a“there are a plethora of voices” (a plethora is singular, so ‘there is a plethora of voices’.) bH G Wells’ (Wells’s.) c“the brief mention to epigenetics” (mention of.) d‘geocatacysm’ (later in the review it’s ‘geocataclysm’,) ethe book’s cover – illustrated on the page – has The Book of Joan. f“For all intents and purposes” (is this USian? It’s ‘to all intents and purposes’,) sat (sitting,) “out with” (outwith.) gpalette (palate.) hChambers’ (Chambers’s,) Jenks’ (Jenks’s,) Chambers’ (this one wasn’t a possessive, so, Chambers.) iIn the author information; Edmunds’ (Edmunds’s,) “where she feel most at home” (feels.)
1“the back of their hands” (strictly that should be backs,) [“We should “] (that second quote mark is inverted in the text – an opening mark rather than a closing one – no doubt due to the character space between itself and ‘should’,) “Too young for everything that had might have happened off-world to him” (either ‘had’ or ‘might have’, not both,) “had insisted to come” (is not an English construction, ‘had insisted on coming’ is,) “she’d return the capital with one more authentication” (return to the capital,) “the man who pretended himself Simalli Fargeau” (again isn’t an English construction, ‘presented himself as’ or ‘pretended to be’.) 2written in USian, “a few strings savaged from a piano” (salvaged? Though, given the story’s premise savaged makes sense,) spit (the past tense is ‘spat’. I don’t care how USians say or spell it, it just is,) sprung (sprang.) “I on the other had simply gave him back one word at a time” (on the other hand.) 3Written in USian, Ikea (IKEA.) 4Written in USian, “Before, he thought before that he had prepared” (one ‘before’ too many I’d have thought,) “Hedda holds very last of her treasures” (holds the very last.) 5James’ (James’s,) “‘for hells sake’” (hell’s.) 6“individual specie traits” (‘specie’ means ‘in kind’ and hence ‘coins’. It is not the singular of species.) 7“‘For fucks suck’” (suck? And it should be fuck’s.) 8“this damn’ battle” (I fail to see the necessity of the apostrophe.)

A Different Light by Elizabeth A Lynn

Hamlyn, 1983, 173 p

A Different Light cover

Lynn is one of those 70s-80s writers who published more fantasy than SF and as a consequence kind of passed me by. A Different Light is certainly SF rather than Fantasy, though.
Its main viewpoint character, Jimson Anneca, is an artist with incurable cancer, controllable unless he goes off-world. He is frustrated by this restriction. Given the chance to travel to the off-chart world of Demea to retrieve some Masks for a client, he accepts. Once there he and his companions finds this supposedly uninhabited planet has occupants who object to removal of their culturally significant Masks which turn out to be some sort of mind amplifier. Thereafter the story morphs into a tale about telepathy. A Different Light is pretty run of the mill fare even for its time and shows its age when talking about tapes for recording and playback of brain states.

Pedant’s corner:- “Now, does he know what he’s talking about? wondered Jimson” (has a question mark in the middle of a sentence; not only is it in the middle of a sentence it is arguably unnecessary,) “a gravity of two gees” (a gravity of two g,) “the rainbow changing of the ship before it jumped was like watching a real rainbow” (eh?) Nexus’ (Nexus’s, x2.) “‘The dust is debris that once were stars,’” (debris that once was stars.) “Her skill insured that” (ensured; is ‘insured’ used in this context USian?)

BSFA Awards for 2018

This year’s awards (for works published last year have been announced.)

Best Novel: Gareth L Powell for Embers of War

Best Shorter Fiction: Ian McDonald for Time Was

Best Non-Fiction: Aliette de Bodard for “On motherhood and erasure: people-shaped holes, hollow characters and the illusion of impossible adventures.”

Best Artwork: Likhain for “In the Vanishers’ Palace: Dragon I and II.”

The novel winner wasn’t my choice.

BSFA Awards Booklet 2018

BSFA, 2019, 104 p.

BSFA Award Booklet for 2018

It would appear from the nominations for shorter fiction appearing in this year’s booklet that the SF short story is dead. Barring the last in the booklet none of the shortlisted stories is printed in its entirety. The others are all extracts from longer pieces of fiction.
Nina Allan’s The Gift of Angels: an introduction1 is narrated by a Science Fiction writer, whose mother was the first person on Mars but whose fate remains unknown, and tells what appears to be his life story. The tale riffs on and critiques the films La Jetée and Twelve Monkeys. Allan has a beautiful writing touch. I did want to find the longer version to finish it. The story, though, refers to Harry Potter and Game of Thrones as famous. I doubt these will be quite such cultural touchstones in the fifty years or so time when this is set as they are now.
I read The Purpose of the Dodo is to be Extinct by Malcolm Devlin in Interzone 275, where it was first published. I reviewed the issue it appeared in here.
The Land of Somewhere Safe3 by Hal Duncan is one of the author’s Scruffians stories. Here we have a wonderfully linguistically inventive tale (Dunstravaigin Castle is a brilliant coinage) involving wartime evacuees to Skye and a Nazi spy.
The magnificent Time Was by Ian McDonald I reviewed here.
Exit Strategy (The Murderbot Diaries Vol 4)5 by Martha Wells is narrated by a murder bot apparently lured to a planet by an organisation that has sequestered its boss. The story suffers from being told to us rather than shown and did not grab me in the slightest.
Phosphorus6 by Liz Williams is set on Mars and the planet Winterstrike. One of its viewpoint characters is dead. However, the extract is not really long enough to judge whether its balance is askew or not nor to evaluate the story properly.
Kingfisher7 by Marian Womack is set in a future where wildlife is all but vanished and human births a rarity yet libraries seem to abound. Our protagonist is saddled with a useless tool of a husband, an abiding sense of failure and a fascination with birds. There is a hint of a writerly sensibility lurking underneath the prose but the story is riddled with a ridiculous number of errata.

The non-fiction nominees section contains two of Nina Allan’s “Time Pieces”a columns from Interzone, ditto for Ruth E J Booth’s Shoreline of Infinity essays published as “Noise and Sparks”, Liz Bourke has five of her “Sleeps with Monsters”b columns for Tor.com, Aliette de Bodard writes “On Motherhood and Erasure”c from the blog “Intellectus Speculativus” and there is an extract from Adam Roberts’s “Publishing and the Science Fiction Canon: The Case of Scientific Romance”d.

Pedant’s corner:- 1“A sinister band of scientists prey off” (a band preys off,) “sprung up” (sprang up,) “the museum has replacedtheir stash” (its stash,) “a cetain child .. finds themselves” (a child finds itself.) 3puntied in (punted?) argylle socks (argyle,) liptick (lipstick seems intended but liptick may be one of Duncan’s neologisms.) 5GrayCris’ (GrayCris’s.) 6governess’ (governess’s,) mistress’ (mistress’s,) “The scatter of hovels erected at the tip of the Tail were the last to fall behind..” (The scatter … was the last.) 7 “each bar offered their personal take” (each bar offered its personal take,) statues becomes statue several lines later, “a prevalent Sun descended” (a prominent Sun?) “it was frightening how comforting was to fall back into” (how comforting it was to.) “The library would pay for my librarianship degree on the sole condition that I came back to work for them for three or four years” (to work for it, or, to work there,) “climbing up thopusands of miles up in the air” (one ‘up’ too many,) a ‘seem’ where ‘seemed’ fits the other tenses in the sentence, “and they would let themselves been touched” (be touched,) “Jonas was better at cooking at me” (than me,) “scribbled in old pieces of reclaimed paper” (scribbled on,) “in a strangely elaborated [dream]” (elaborate.) “I looked a Jonas” (at Jonas.) “I fell a moment of void” (I felt.) “I had never knew whsat to do with it” (I had never known, or, I never knew,) although there were not fluff” (although they were not fluff,) “but they seem to accumulate” (seemed,) “when I notice a stain” (noticed,) “too look inside” (to look,) “the dinning room” (dining room,) “what they where for” (were for.) “Whener I don’t remember what it means to be sad I took it out and look at those pages” (either ‘remembered’, and ‘looked’, or, ‘take’,) “minus zero” (that would be zero, then,) “magazines cut-outs” (magazine cut-outs,) “I had tided them up” (tidied,) “plastics bags” (plastic bags.) “They were not native to the local fauna” (‘They were not native’, or, ‘they were not local fauna’,) “so effectively they had contaminated the environment” (so effectively had they contaminated the environment.)
a“are startling out of step” (startlingly.) b“I’m going to look at take two books together” (either ‘look at’ or ‘take’ not both, automatons (automata,) “Neither of them resolve anything” (neither of them resolves anything,) “[X]’s .. pregnancy …. and her feelings … is central to the narrative” (there’s an ‘and’ in there; that makes for a plural verb subject, so, ‘are central’.) “The poets are most affect by” (affected by.) c“are littered with the death of mothers” (deaths.) d“is comic-satiric impossible voyage” (is a comic-satiric impossible voyage,) “triple-decker length SF form this era” (from, I think,) “the content of which were published” (was published.)

Gene Wolfe

And they keep coming. (I suppose, really, that should be going.)

Yesterday, via George R R Martin’s Not a Blog, I learned of the death of Gene Wolfe.

I have been an admirer of his work ever since his novel The Shadow of the Torturer, the first of his sequence set in Urth, with the overall title The Book of the New Sun.

This was followed by Soldier of the Mist set in ancient times, whose hero, Latro, can not remember things from one day to the next, and two more books with the same protagonist.

Two other series, The Book of the Long Sun and The Book of the Short Sun, appeared in the 1990s and early 2000s along with two books related to each other The Wizard and The Knight.

Many stand alone novels were published before, during and after these series books.

I have 24 of Wolfe’s books, 20 novels and 4 collections of his shorter work, but have not yet read them all. (So many books to read, so little time.)

Ursula Le Guin was a great admirer of Wolfe’s writing, calling him “our Melville”, (our in the context of the SF and Fantasy field.)

The last of his novels to be published, A Borrowed Man, 2015, I had the privilege of reviewing for Interzone. I had the impression that was to be the first in another series of books, which sadly are now probably lost for ever.

I’ve got those unread ones to look forward to though.

Gene Rodman Wolfe: 7/5/1931 – April 14/4/2019. So it goes.

Shoreline of Infinity 10: Winter 2017/18

The New Curiosity Shop, 132 p

 Shoreline of Infinity 10 cover

In Pull up a Log Editor-in-Chief Noel Chidwick rightly notes the achievement of the magazine reaching its tenth edition. There are Judge’s Reports by Eric Brown and Pippa Goldsmith on Shoreline’s flash fiction competition followed by a celebration of The Worthy Winners and shortlisteesb. Three of these stories appear in this edition (see *.) Tales From the Beachcomber riffs on the human fascination with powers of ten via the life and works of Arthur C Clarke, there’s an interview with Helen Sedgwick by Pippa Goldschmidtc, in Noise and Sparks: The Company of Bears, Ruth E J Booth lauds the interactions and memories convention going brings, the tolerance it fosters. Reviewsd considers Ada Palmer’s Too Like the Lightning, the Jonathan Strahan edited Infinity Wars, Kim Stanley Robinson’s New York 2140, The Death and Life of Schneider Wrack by Nate Crowley, 2084 edited by George Sandison, and The Clockwork Dynasty: A Novel by Daniel H Wilson. Multiverse has poems by Rachel Plummer, Jo-Ella Sarich and Rosemary Badcoe. Parabolic Puzzlese challenges the reader to identify twelve SF writers from their photographs and very brief information about them.

Little Freedoms by Ephiny Gale1 is set in a closed room where some sort of endurance test of nine characters is taking place with various tasks to be undertaken – such as not touching, not speaking, not breathing. The winner gains freedom (from an unspecified but clearly onerous existence.) The others are restored to their former state.
Sweet Compulsion by Chris Bailey is told to us rather than shown and overall feels more like a sketch of a story than the complete article. Riddled with quotations from Paradise Lost it features a world in which people’s thoughts are etched onto others’ skins.
In Junk Medicine2 by Die Booth plastic ownership is outlawed but there are still people willing to pay over the odds for items made from it. This story does for plastic what Number Ten Q Street did for real food.
ATU334 The Wise*3 by Marija Smits is a future tale of Baba Yaga and an importuner, the titular ATU334.
If Thine Eyes Offend Thee4 by Daniel Rosen is narrated by Elsa whose ambition was always to be a mermaid. We see the lengths of body reconstruction and skulduggery she will go to to win the Miss Cosmos competition.
Pauline and the Bahnians*5 by S K Farrell is set on a demilitarised outpost turned into a – possibly illegal – smallholding. Its weapons are still there though.
The narrator of The Apple Bee6 by K E McPhee is marooned on an island on a mostly water planet, with no communication with the rest of humanity and only potatoes, apples and corn as a food supply.
Don’t Speak; Don’t Listen7 by Serena Johe explores the ramifications of an implant that prevents the speaker insulting or denigrating anyone.
A Choice for the Golden Age* by Matthew Castle was the overall winner of the flash fiction competition. It’s set on a generation starship which rotates its crew (and holds its genetic cargo permanently) in suspended animation.

Pedant’s corner:- aIn the cover artist’s (Dave Alexander) information paragraph; “His biggest claim to fame were the two front covers he painted for DC Thomson’s Starblazer series” (His biggest claim to fame was the two front covers.) b“As economical a tone-poem … it’s” (As economical as a tone-poem.) cnot mentioned on the contents page. d“if the government get wind of him” (gets,) “while others featuring AIs and a couple are” (the rest of the verb forms in this sentence are indicative so ‘feature’,) “take several different aspects … and extrapolated them” (extrapolate them,) “how will it effect you” (affect was meant,) Watts’ (Watts’s,) a missing full stop at the end of a review, bail out (bail-out,) counsellors (as I remember the book it was councillors,) Eric Morecombe (Morecambe,) political dissension (dissent I would think.) “Although, some readers have taken issue with” (no comma after ‘although’,) as though there maybe” (as though there may be,) “into this under ground world” (underground.) e“The winning team …. were amply rewarded” (The winning team was amply rewarded.)
1“a couple of pair of trousers” (a couple of pairs of trousers.) 2whinging (whingeing,) there’s a missing full stop, “Carbonari’s” (earlier it was Carboneri’s.) 3Written in USian. 4Written in USian – though curiously we have manoeuvre instead of maneuver – there is a full stop instead of a comma at the end of piece of direct speech embedded in a longer sentence. “Scales in every spectrum of the rainbow” (suggests the author doesn’t know what spectrum means.) “I let her wheel me all the way back to my room and offered me another drag of her vaporiser” (offer.) “Auroras antennae flickered” (Aurora’s.) “The voice rumbles like through the water in a sticky molasses bass.” (The only way I can make sense of this sentence is if the ‘like’ is redundant.) 5“(what is a Bahnian, please?).” (doesn’t need the full stop.) 6“Quite early on he’d abandoned the neatly organised rows and began planting” (begun is more grammatical,) we have ‘gotten’ and ‘maneuvered’ (the author is Aussie which wil possibly explain these.) 7“someone shined a light” (shone. It’s shone a light.)

BSFA Awards Booklet 2019

BSFA Awards Booklet for 2019

This year’s booklet arrived this morning.

It contains all the short fiction and non-fiction nominees for the BSFA Awards for works published in 2018 and the artworks nominated for the relevant award.

On perusing it I found the closing date for electronic voting is today so I had a lot of reading to pack in this afternoon.

I have been expecting the booklet’s arrival since the turn of the month and was getting worried it would not be forthcoming in time.

Eastercon, which I will not be attending this year, where the final awards will be announced, is of course this Sunday coming.

Interzone 279 (Nov-Dec, 2018)

TTA Press

Interzone 279 cover

Sean McMullen’s guest Editoriala argues real life has not, quite, caught up with Science Fiction. Andy Hedgcock’s Future Interruptedb riffs on the drawbacks of repetition and sequels in art while noting the originality of recent radio works by Stephen Bacziewicz and Anita Sullivan. Aliya Whiteley’s Climbing Stories ponders the writer’s relationship with and duty towards morality via her life experiences with role-playing games. In Book Zone Andy Hedgecockc comes round to Anthomy Burgess’s Puma despite the author’s disparagement of SF, Ian Hunterd appreciates Suzannah Evans’s poetry collection Near Future, Duncan Lawie finds reacquainting himself with Dave Hutchinson’s Fractured Europe series in Europe at Dawn a warm, comforting experience, Juliet McKenna says Our Child of the Stars by Stephen Cox is whooly fresh and intensely gripping, Barbara Melville is charmed by the reprint of Starfield edited by Duncan Lunan, Stephen Theaker’s initial reservations about The Sky Woman by J D Moyer are overcome by the tory’s development into a “solid three-star book”, while Ian Sales finds Derek Kunsken’s The Quantum Magician naggingly familiar.
As to the fiction:-
In The Backstitched Heart of Katharine Wright1 by Alison Wilgus, Katharine, the sister of Orville and Wilbur Wright, is able to unravel time and retsitch it to prevent Orville’s early deaths.
The Fukinaga Special Chip Job2 by Tim Chagawa has its narrator travelling to all the world’s floating cities seeking out the mythical crisps of the title.
This Buddhafield Is Not Your Buddhafield3 by William Squirrell is printed sideways and tells the tale of a cleaner on a structure in the clouds of Uranus, a structure whose owner never lives there.
For the Wicked Only Weeds Will Grow4 by G V Anderson is set on a kind of interplanetary hospice called Requis. A curmudgeonly Terran tests the narrator’s soothing powers. The story displays an idiosyncratic approach to personal pronouns, use of which seems to depend on species but is inconsistent.
In Seven Stops Along the Graffiti Road by David Cleden survivors of an unspecified catastrophe wend their way along a road bedecked with graffiti – all of it encouraging. The road however becones strange at night, when they are all safely off to the side at way-stations.
Terminalia by Sean McMullen5 is a cod-Edwardian piece of fiction about cardiac resuscitation, a mechanical lady and the elimination of ghosts. The story is good but its execution feels more than a bit rushed.

Pedant’s corner:- adiscrete adultery (discreet that would be.) bidentify (identity makes more sense,) “there are a different set of irritations” (there is a different set.) cdisks (discs, please.) dEvans’ (Evans’s,)
1Written in USian, “[she] lays on her bed” (lies,) 2Written in USian; the story refers to a seal eating a penguin in the Arctic. (Well, I suppose the penguin might have escaped from a Norwegian zoo, otherwise tha’s one hell of a journey it took,) nautilus’ (nautilus’s.) 3Simplicius Simplicissmus (Simplicius Simplicissimus,) “Her mother’s anxiety at this abundance are compressed on the pages” (either ‘anxieties’ or ‘is compressed’.) 4sanatoria is used throughout as a singular noun, lieftenant (lieutenant,) maw (it’s on a plant. Plants do not have stomachs.) 5the contents page says Seam McMullen. “Quite possibly none of them were” (none of them was,) a photo (I doubt Edwardians used this contraction,) “I have a suite questions” (a suite of questions,) “a household electricity socket” (in 1905? Unlikely but just about possible,) “‘Word will be discretely put about’” (discreetly.)

Vonda N McIntyre

I was sad to read today of the death of Vonda N McIntyre.

She first came to my attention with the short story Of Mist, and Grass, and Sand – a Nebula Award winner in 1974 and which formed the first part of her later novel Dreamsnake which won the Hugo and Nebula for best novel in 1979. The stroy was unusual in that its protagonist was a healer rather than a fighter. It was immediately obvious McIntyre’s writing was up there with the best the genre had to offer.

Looking at my records I find I have six of her books (including one short story collection.) One of the novels, The Entropy Effect, was in the Star Trek franchise, and much better written than it probably needed to be.

I reviewed her 1986 novel Superluminal here.

In all she won three Nebulas and that Hugo.

She may not have been prolific as a writer and not so prominent latterly as she was at the turn of the 1970s/80s but she is undoubtedly one of the most noteworthy SF authors of the late twentieth century.

Vonda Neel McIntyre: 28/8/1948 – 1/4/2019. So it goes.

BSFA Award Novel List

I’ve now read three of the short-listed novels for this year’s BSFA Award.

I can’t say I’ve been too struck on any of them.

Gareth L Powell’s Embers of War did not appear to be anything out of the ordinary.

My thoughts on Before Mars by Emma Newman are here.

Dave Hutchinson’s Europe at Dawn was beautifully written but is the fourth in his Fractured Europe sequence and did not add substantially to the world(s) he has created.

I’ll not be reading the Yoon Ha Lee. I found his Nine Fox Gambit was not very good and put me off his fiction for life.

That leaves Tade Thompson’s Rosewater for which I probably don’t now have the time to resource or read. I gather also there is some doubt as to its eligibility as it was published on the Kindle in 2017 rather than 2018.

My reading of the short fiction has not progressed since the short list was announced (see first link in this post.) The usual BSFA booklet containing the stories has not yet arrived. I live in hope. In any case I doubt anything else will be better than Ian McDonald’s Time Was.

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