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The Coral Island by R M Ballantyne

A Tale of the Pacific Ocean.

EriK Publishing, 2017, 239 p. First published 1858. One of the 100 best Scottish Books.

 The Coral Island cover

When I first saw this on the list of 100 best Scottish books I wondered if I had read it in my youth. Reading it now (which I would not have done were it not on the list) its contents struck absolutely no bells in my memory.

This is a tale narrated by Ralph Rover of three cheery lads; himself, the older Jack Martin and the younger Peterkin Gay, and their life after shipwreck on the coral island of the title, a place with bountiful food, not only cocoa-nuts, bread-fruit, yams, taro, plums and potatoes, but also pigs and ducks and of course fish. Their ingenuity and resourcefulness (not, what with all that bounty, do they really need them much) allow them to lead a happy life until it is disrupted first by the descent on their shores by South Sea natives at war with each other (one side whom our heroes naturally get the better of, the other side then becoming free to return to their home) then by pirates. Ralph falls into the latter’s hands and is transported across and around the Pacific islands before eventually finding his way back to rescue Mark and Peterkin.

The book is of course riddled with the cultural assumptions of the time in which it was written. A flavour of this is given when Peterkin asserts of potential black inhabitants, very early on when the three don’t know what exactly they will find, “‘Of course we’ll rise, naturally, to the top of affairs: white men always do in savage countries.’” (Those sensitively disposed should note the text contains one instance of the word “niggers” and that is put into the mouth of a pirate.)

Much play is made of this “savagery” and of the cannibalism of the region’s as yet unconverted natives as contrasted with Ralph’s intermittent piety (after he lost his Bible in the shipwreck.) To a man – and woman – the natives are redeemed, civilised and instantly ennobled by the adoption of Christianity. The more, though, that the text insisted that those tales of cannibalism and savagery are true the more I came to resist the thought. In any case, the savagery displayed was no more than the pirates are shown to be capable of.

Reunited, the three set off to aid one of the native women of the freed warring party whose chief Ralph had become aware was refusing to allow her to marry whom she pleased and now threatened to kill her. That chief is much displeased when they turn up and soon imprisons them. The book ends with an almost literal deus ex machina as the three are saved by the conversion of their captor by a missionary.

The Coral Island is not the shipwreck on a deserted island ur-text – that would be Robinson Crusoe – but with its depiction of pirates it clearly had an influence on Treasure Island and Peter Pan and its suffocating certainties apparently festered in William Golding’s head and led to its antithesis in Lord of the Flies. That it holds such a position is the only possible reason to include it in a list of 100 best books. In terms of literary merit or insight into the human condition it belongs nowhere near one.

Pedant’s corner:- Both the cover and the title page bear the words “with illustrations by the author.” None were to be found inside. Otherwise; contains mid-nineteenth century spellings – cocoa-nuts, sewed, etc. Otherwise; occasional omissions of commas before pieces of direct speech, ricochetting, (ricocheting,) maw (it’s not a mouth,) “signed to several of attendants” (of his attendants,) “seized Jack and Peterkin and violently by the collars” (doesn’t need that second ‘and’.)

Pirate Freedom by Gene Wolfe

Tor, 2017, 439 p, including 12 p Glossary. Illustrated by David Grove.

 Pirate Freedom cover

This is a book that probably contains all you ever wanted to know about pirates and then more. Not quite a swashbuckling romp – it is too reflective for that, not shying from depicting the downsides of pirate life – it is always highly readable.

It is also a time travel story. Narrator Chris (Crisofóro) was handed over by his father to be brought up in Our Lady of Bethlehem monastery in a post-Communist Cuba. When he left there he somehow or other found himself back in the heyday of the Spanish Empire, got caught up in the piracy trade, eventually becoming adept at it and in charge of several ships. Interpolations into the narrative of his pirate times relate Chris’s thoughts in later life when he is back in the future but not as far as the time he left it. In these interludes he is an ordained priest, given to musing on his past sins, and on God’s forgiveness.

One of his reflections is that, “money is just another way of saying freedom. If you have money you can do pretty much whatever you want to do. (If you do not believe me. Look at the people who have it.) …That is not exactly how it is for pirates … but it is close. And that is why they do it,” another on the ethics of obedience, “A boy who has been taught to be a sheep will not protect himself or anybody else. If he is molested and does not fight, the people who taught him to be a sheep are at least as much to blame as the molester.” In this he, and Wolfe as author, come dangerously close to condoning abuse.

Then we have, “I remembered that America had fought Spain once and freed Cuba.” Freed Cuba, eh? Swapping one empire for another is hardly freedom. That’ll be why they had a revolution sixty years later.

There are some bons mots. Of a man with whom he had dealings Chris says, “D’Ogeron was an honest politician – when you bought him, he stayed bought.” Another pirate captain says, “‘Not all beautiful things are treasures, but all treasures are beautiful.’”

Pirate Freedom is not one of Wolfe’s major works but it passes the time entertainingly enough and may correct some misconceptions about the pirate life.

Pedant’s corner:- a missing comma before a piece of direct speech (several instances,) formast (foremast.)

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