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A Different Top Ten Space Operas

In response to Gareth Powell’s list Ian Sales has posted his own. Typically of Ian his choices are idiosyncratic. I note he sneaks in more than ten too.

My strike rate here is much lower.

Judgment Night, CL Moore (1952)
Empire Star, Samuel R Delany (1966)
Valérian and Laureline, Pierre Christin and Jean-Claude Mézières (1967 – present)
The Children of Anthi and Requiem for Anthi, Jay D Blakeney (1985 – 1990)
Master of Paxwax and The Fall of the Families, Phillip Mann (1986 – 1987)
Take Back Plenty, Colin Greenland (1990)
An Exchange of Hostages, Prisoner of Conscience and Hour of Judgement, Susan R Matthews (1997 – 1999)
The Prodigal Sun, The Dying Light and A Dark Imbalance, Sean Williams & Shane Dix (1999 – 2001)
The Risen Empire and The Killing of Worlds, Scott Westerfeld (2003)
Spirit, or the Princess of Bois Dormant, Gwyneth Jones (2008)

Top Ten Space Operas

Another list.

According to Wikipedia “Space Opera is a subgenre of science fiction that often emphasizes romantic, often melodramatic adventure, set mainly or entirely in outer space, usually involving conflict between opponents possessing advanced abilities, weapons, and other technology.”

Partly as a comment on the sub-genre and also as an attempt to subvert it I provided my own novel A Son of the Rock with the tagline “A Space Libretto” mainly because – while it roamed the spaceways and deployed technology – advanced abilities and weapons were largely, if not completely, absent.

As to Space Opera itself, Gareth Powell has posted a list of what he considers a Top Ten of Space Operas on his website. It leans heavily towards relatively recent works.

As you can see I’ve read all but three of them.

Nova by Samuel R. Delany
The Centauri Device by M. John Harrison
Consider Phlebas by Iain M. Banks
A Fire Upon The Deep by Vernor Vinge
Revelation Space by Alastair Reynolds
Ancillary Justice by Ann Leckie

The Reality Dysfunction By Peter F. Hamilton
Leviathan Wakes by James SA Corey
Space by Stephen Baxter
Excession by Iain M. Banks

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