A Son of the Rock

Tor, 2007. 293p.

Having now read both it is apparent that Bloodmind and Williams’s previous book, Darkland, are indeed a thematic unity. While both are capable of being read as stand-alone novels they are essentially one book split into two.

Bloodmind is a lessening of sentience, a reversion to animal status, which occurs naturally from time to time to the inhabitants of the planet Mondhile, and in reverse to the creatures known as Selk on Vari Halsdottir’s world, Muspell. It is also induced artificially in the women of Nhem by their male rulers. This last barbarism is strictly necessary to neither plot nor resolution and, apart from being a piece of gender politics, it is difficult to see why else it has been included beyond giving one of the viewpoint characters a reason for being more or less on her own. (I did, however, note that Nhem is men spelled backwards with the interpolation of an h, which may or may not be significant.)

The narrative flits between the three planets and the women whose fates, along with that of the Selk, become intertwined but is mainly carried by Vari, the protagonist whose story links the two books.

As in Darkland the SF and Fantasy elements of Bloodmind do not sit well with each other. The tale is at base a fantasy with SF trappings bolted on and as a result fails on both counts.

Not one of Williams’s best I would say.

There is a span count of 1, sadly.