The news of this came too late last Friday for me to post this then, but Mani, the bassist for The Stone Roses, died last week.
The late 80s were a musical era I kind of missed as my children were infants then and time for listening to music was limited. There is no doubt, though, that The Stone Roses were an important influence on later bands – not least Oasis.
Mani’s playing is the propulsive force behind this track, a no 8 in 1989.
The Stone Roses: Fool’s Gold
Gary (Mani) Mounfield: 16/11/1962 – 20/11/2025. So it goes.
I’ve posted a song from Blancmange before – 14 years ago! – with their version of ABBA’s The Day Before You Came. Sadly co-founder of the band, Stephen Luscombe, died last week.
They had seven Top 40 hits in the 1980s.
This one got to no. 8 in 1984.
Blancmange: Don’t Tell Me
Stephen Luscombe: 29/10/1954 – 13/9/2025. So it goes.
Carly Simon’s biggest hit, instantly recognisable from that bass line burble at its start and subject to much interpretation over the years. Warren Beatty has been pointed to as the object of Simon’s lyric and Simon has said the second verse is indeed about him but the others aren’t necessarily.
I knew that Mick Jagger had been an uncredited backing singer on this but it wasn’t until one day it was on in the background in a shoe shop in Kirkcaldy that I made out his voice. Now I can’t stop hearing him every time it plays.
Last week, James Prime the keyboardist of Deacon Blue, died.
He was integral to the band’s sound, adding depth and colour with his playing and there is that wonderful piano instrumental break in the middle eight of the band’s anthem Dignity.
This is Raintown, the title track from the band’s first album.
Deacon Blue: Raintown
Jim was co-writer of this one, a song dear to my heart. (“This is my country. These are my reasons.”)
Deacon Blue: Fergus Sings the Blues
James (Jim) Jim PrimePrime: 3/11/1960 – 19/6/2025. So it goes.
She first came to prominence in 1964 due to her association with The Rolling Stones (Jagger and Richards wrote her first hit.) She had a sweet but almost insubstantial voice suited to soft pop songs but by the mid 60s her singing career had stalled, in part due to a drugs scandal. She took up acting with some success though but mostly fell out of public consciousness.
Here’s Faithfull’s version of a Jackie DeShannon song that gave her her highest UK chart placing (no 4 in 1965 as compared to the no 9 achieved by As Tears Go By the year before.)
Marianne Faithfull: Come and Stay with Me
The song below is from her 1980 “comeback”* album of the same title, which is widely regarded as her best, not least by herself.
*Even if Dreamin’ my Dreams had intervened in 1976
Marianne Faithfull: Broken English
Marianne Evelyn Gabriel Faithfull: 29/12/1946 – 30/1/2025. So it goes.