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Mrs Osmond by John Banville

Penguin, 2018, 380 p.

Against her husband’s express wishes Mrs Isabel Osmond has travelled from her home in Rome to the death bed of her cousin at Gardencourt in England, thus shaming Mr Osmond (in his eyes) before the world. He is accustomed to being the controlling power in the marriage – and in life indeed, brooking no gainsaying of his opinions. His overbearing nature even affects his sister, Countess Gemini, though she is married herself. The cousin concerned, Ralph Touchett, had bestowed half his fortune on Isabel, a bequest his part in which up until recently she had not been aware. It was that fortune, though, which had caused Gilbert Osmond to court and marry her.

For Isabel the marriage is now over. On the point of her leaving Italy, Countess Gemini had revealed to her the true relationship between Gilbert and Selena Merle, the woman who had introduced them to each other, and the murky circumstances surrounding the death of Gilbert’s first wife and the birth of his daughter Pansy. Now she means to make her own way in the world with the benefit of her bequest.

I usually like Banville’s novels but there was something about the telling of this one which did not appeal to me. It seemed overwritten, executed with a sort of fussy precision, as if he had not merely set his book in late-Victorian/Edwardian times but was trying to replicate the style of an author from that era; Edith Wharton perhaps, or Henry James (neither of whom I have read – though I have seen some film adaptations.) Then I remembered the epigraph is from James – The Portrait of a Lady to be precise. It was not until after I had finished this novel that I checked and indeed Banville has here written a sequel to that book, presumably in James’s style, since he has said James is one of his influences.

Knowledge of The Portrait of a Lady is not required in order to read Mrs Osmond, (after all I had none.) Banville’s novel can stand perfectly well on its own. His depiction of character is superb as usual, his evocation of the times convincing, but I am left to wonder how much of what is unveiled here was in James’s book and how much is due to Banville’s fertile author’s mind. I will say, though, that the experience will not make me rush to read from James’s oeuvre.

From the thought Isabel had of crowds in the Louvre “scurrying from one masterpiece to the next” giving her “the impression of one of those grand lycées of which the French were so self-satisfiedly proud, wherein on the morning of yet another national insurrection, the pupils had murdered their monitors,” I gather that Banville, too, has noticed the French penchant for revolution, for taking to the streets. (I call it their national sport.)

Pedant’s corner:- “‘That would be young Mr Touchett. Henrietta spoke of him to me’” (Mr Touchett had already been referred to earlier in the same conversation, so the latter sentence is superfluous,) “my frail bark struck upon the rocks” (barque, that would be,) quitted (several times, quit; though of course Isabel is USian so no doubt would have said or thought ‘quitted’,) tête-a-têtes (the plural of head-to-head surely ought to be heads-to-head? têtes-a-tête.)

Lamb House, Rye

One of the reasons for visting Rye was to see Lamb House, home to various writers over the years and visited by many more. We looked in the morning we were due to leave Rye.

Lamb House, Rye, East Sussex

I suppose the house’s most famous inhabitant is Henry James but the good lady is an advocate of E F Benson who was mayor of Rye for a while and set his series of novels about the goings on of Mapp and Lucia, in a fictionalised version of Rye. The books were admirably brought to the small screen in 1985 by London Weekend Television. The BBC version in 2014 was less successful in capturing the look and tone.

This is the gate to the garden. (The gate wasn’t open but we accessed the garden through the house):-

Lamb House, Rye, Garden Gate

The black plaque reads, “In Lamb House lived E F Benson from from 1919 – 1940 and A C Benson from 1922 -1925. Brothers and writers.”

Lamb House, Rye, E F Benson Dedication

Lamb House gable end from the garden:-

Lamb House, Rye, Gable End

Another notable former inhabitant of Rye – though not a writer – was the war artist Paul Nash. He liver in this house, as attested by the blue plaque:-

Paul Nash's House, Rye

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