It wasn’t till I started researching this that I realised this distinctive song (particularly the cracked vocal) was part written by Jackie DeShannon. See here and here. It is Kim Carnes’s version that is most familiar to people in the UK, though. The song remains Carnes’s only hit here.
Kim Carnes: Bette Davis Eyes
Jackie DeShannon’s version is, by comparison, much more conventional.
Sadly, another death. The second such post in a row. This time it was B J Thomas, best known for singing the song below which was used in the film Butch Cassidy and the Sundance Kid.
The song was actually released in 1969 but didn’t become a hi until 1970 (though even then only a minor one in the UK, and his only one.)
Another football name from my youth has gone. The death of Peter Lorimer has been announced.
He came to prominence playing in that great Leeds United side of the late 60s and early 70s, managed by Don Revie.
I actually saw him play once. He even scored. It was in a World Cup qualification game against Denmark at Hampden in 1972. Denmark outplayed Scotland all over the park except in our penalty box. Everything kind of petered out just before they reached there. Scotland won two-nil.
In the finals Lorimer was involved in the most bizarre free-kick incident ever to have happened during a World Cup. It was Scotland’s first game, against Zaire. Lorimer was lined up to take it when the ref blew his whistle and a Zaire player rushed out of the wall. Lorimer hesitated, waiting for the ref to blow for the ten yard distance to be re-established. He didn’t, and the Zaire player kicked the ball upfield. Lorimer scored the first in a 2-0 win.
Peter Patrick Lorimer: 14/12/1946 – 20/3/2021. So it goes.
This is a song from 1967 but it wasn’t a hit until this performance live with the Edmonton Symphony Orchestra was released as a single in 1972, when it became Procol Harum’s third UK top thirty entry. There would be only one more.
I was so sad to hear of the death of Mary Wilson of The Supremes. The group had one of the signature sounds of the 60s more or less introducing Motown to British audiences.
Though she started the group Wilson was not given the post of lead singer, perhaps because Diana Ross began a relationship with Motown boss Berry Gordy. Ross was pushed so much to the fore that the group’s name was altered to feature her. When she left singing duties were shared more fairly.
This is one of those later post-Ross hits, where all three members took the lead.