More from the Vaughan bequest transfer (see last post.)

Fittingly, this one is of Edinburgh:-

The West Gate, Canterbury:-

Shipping:-

The Doge’s Palace and Piazetta:-

Storm at the Mouth of the Grand Canal:-

Bellinzone, Switzerland:-

Ostend Harbour:-

Plymouth:-

Every January the Scottish National Gallery in Princes Street, Edinburgh, displays its bequest of works by J M W Turner. The terms of the bequest by Henry Vaughan dictated that these works could only be shown in January in order to protect them from damage by light.

In 2025  there was a variation to this practice in that the Edinburgh Gallery swapped its collection with that of the National Gallery of Ireland.

The day we went there was a long queue to get in (in normal years there isn’t) but we did we get to see a lot of Turners new to us.

Clovelly Bay North Devon:-

Chatel Argent above Villeneuve:-

Beech tree:-

A river in the Campagne:-

Old Dover Harbour and Shakespeare’s Cliff:-

More from the house in Bellahouston Park, Glasgow, built from designs by Charles Rennie Mackintosh.

Wood Panelling:-

Hall and balcony:_

A fireplace:-

Another fireplace:-

Window and lantern-style light:-

Window seat, candleholder, and external detail:-

The entrance to Blackwell is now from the side where the shop and ticket office is and leads along a fairly dark corridor which passes the original entrance into which you can go and see these two stained glass windows:-

Across from this is another set of stained glass windows and a door which gives onto the hall:-

The same window from the other side – nice clock too:-

The hall itself is impressive:-

Reverse view showing bench, fireplace and minstrel’s gallery above:-

Side view of the bench:-

Hall ceiling:-

Settle on corridor wall:-

Peacock wallpaper:-

Hall from minstrel’s gallery:-

Long time readers of this blog will know of my interest in the International Exhibitions held in Glasgow (1888, 1901,) the Scottish National Exhibition of 1911 and the Empire Exhibition of 1938.

Hence I was delighted to see this painting of the main building by William J Kennedy of the 1901 Exhibition on display at the Hunterian Art Gallery when we visited:-

Charles Rennie Mackintosh submitted designs for some of that Exhibition’s buildings (as well as for the 1911 one) as noted in this :-

And of course this picture of Dumbarton Rock and the River Clyde was irresistible:-

Then there was this one by my favourite impressionist painter, Alfred Sisley, one of a series he painted of the church at Moret:-

Portrait of a child by Henry Rayburn:-

Not to mention a couple of Old Masters, The Entombment by Rembrandt:-

and the one that stood out from across the room, Head of an Old Man by Rubens. It’s absolutely stunning:-

In the room above the Mackintosh house at the Hunterian Art Gallery, Glasgow (posts passim) are designs by Mackintosh which were intended for other people’s homes.

Furniture:-

Bedroom furniture. This was commissioned by a couple for a house in England:-

Stool + storage:-

An unusual table designed for William Douglas:-

Desk and cupboards:-

Desk:-

Desk inlay detail:-

Bookcases, fireplace with Margaret Mcdonald Frieze above:-

Wall cupboards:-

Wallpaper & stand (Margaret Mcdonald picture?):-

Interior staircase (somewhat marred by modern fire extinguisher):-

Bed, bedside cabinet and light:-

Bedroom cupboards:-

Bedroom fireplace:-

Metal cartouche on fireplace:-

Stained glass in Mackintosh style:-

Standing Mirror:-

Below are photos of the reconstructed interior of the Glasgow house of Charles Rennie Mackintosh and his wife Margaret Mcdonald inside the Hunterian Art Gallery, Hillhead Street, Glasgow (see previous post.)

Entrance Hall, Mackintosh House, Hunterian Art Gallery:-

Hall mirror:-

Off the hall is the Dining Room  whos efirniture is reminiscent of the dining room in Hill House which Mackintosh designed for the publisher Walter Blackie:-

A room at the Hunterian Art Gallery displayed some drawings Charles Rennie Mackintosh made for various projects.

Das Speise Zimmer. Mackintosh may have been designed for a Vienna exhibition around 1900:-

Othe rdrawings:-

The below have more of the feel of Margaret Mcdonald about them:-