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Something Changed 97: Out of Space

The refrain of this is very unProdigy-like (in my opinion.)  Not that lyrically there’s much to the whole thing. But reggae?

The Prodigy: Out of Space

Reelin’ in the Years 232: No Woman, No Cry. RIP Aston Barrett

And this week Aston Barret, known as Aston “Family Man” Barrett, bassist with Bob Marley’s band the Wailers, and instrumental in popularising reggae, has died.

His bass playing is prominent on this famous track.

Bob Marley and the Wailers: No Woman, No Cry

Aston Francis Barrett: 22/11/1946 – 3/2/2024. So it goes.

Friday on my Mind 195: You Got Soul – RIP Johnny Nash

I noted the passing of Johnny Nash last week. Apparently he was instrumental in ensuring Bob Marley’s first recording contract. He certainly recorded Stir it Up and got a UK hit with it.

Nash’s most famous song is of course I Can See Clearly Now (1972) but his only No 1 was Tears on My Pillow in 1975. His first UK hit was Hold Me Tight in 1968. This song was its follow-up and shows off his rock-steady/reggae background.

Johnny Nash: You Got Soul

John Lester (Johnny) Nash: 19/8/1940 – 6/10/20. So it goes.

Friday on my Mind 137: Al Capone; Madness; One Step Beyond

Prince Buster, who has died recently, was one of the instigators of ska and rock-steady and hence of course influential on the eventual development of reggae.

He only had the one hit in the UK in the 1960s though.

Prince Buster: Al Capone

His music was of course an inspiration for the group Madness who not only took their name from one of Buster’s songs (which they performed as the B-side to their first hit) –

Prince Buster: Madness

– but also covered his One Step Beyond for their second UK chart entry.

Prince Buster: One Step Beyond

Cecil Bustamente Campbell (Prince Buster): 24/5/1938-8/9/2016. So it goes.

Friday On My Mind 80: Just One Look

I was of course familiar with the cover of this that was a hit for The Hollies in 1964 (see this video of them playing/miming in what looks like the first Top of the Pops studio.)

I hadn’t heard the co-composer Doris Troy’s original version until recently. Something struck me about it immediately. Isn’t this reggae before reggae was invented?

Doris Troy: Just One Look

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