Queens’ Play by Dorothy Dunnett
Posted in Reading Reviewed, Scottish Fiction at 12:00 on 12 September 2020
Vintage, 1997, 436 p, plus i p Foreword by the Author, ip Contents, iv p list of Characters, ii p map of France.
This is the second in the author’s “legendary” (according to the cover) Lymond Chronicles, of which I read the first, The Game of Kings, in 2017. In this instalment our hero is engaged by Mary of Guise to travel incognito to the court of Henri II of France – where her seven-year-old daughter Mary, Queen of Scots, is being brought up and educated to be a wife for the Dauphin (and hence to unite the crowns of France, Scotland – and, in the fullness of time Ireland) – in order to keep her informed of any intrigue she might otherwise miss. Lymond travels disguised as Thady Boy Ballagh, ollave (a kind of high-grade factotum of learning, “professor, singer, poet, all in the one”) to Irishman, Phelim O’LiamRoe, Prince of Barrow and lord of the Slieve Bloom.
From the outset things do not go smoothly, the ship they are sailing in is rammed – apparently by accident but in reality not so – just before landfall. Someone has mistaken O’LiamRoe for Lymond and is trying to kill him. O’LiamRoe’s first meeting with Henri is also blighted by him being given the misinformation he is actually to meet a look-alike.
As Thady Boy, Lymond makes his impression on the court; not least in a roof-running race similar to parkour (but obviously centuries before that became a well-known thing.) There is as much of the said intrigue – not to mention skulduggery – as you could wish, with numerous attempts on the young Queen Mary’s life thwarted in various ways. Lymond’s clever-dickery is not quite as to the fore as in The Game of Kings but Dunnett’s fondness for unusual words – habromaniac, hispid, branle, cangs, gregale – is again in evidence.
It’s all readable enough but at times a little too convoluted.
Pedant’s corner:- focussed (focused,) hiccough (several times. That spelling is a misattribution; the word is spelled hiccup,) Callimachus’ (Callimachus’s,) unfocussed (x 3, unfocused,) O’Li mRoe (O’LiamRoe,) StAndre (St André,) span (spun, used later,) “hearking back” (harking,) a comma at the end of a piece of direct speech, Empedocles’ (Empedocles’s,) paradisaical, (paradisiacal?) serendade (serenade?) sunk (sank,) “that closed the back of this throat” (of his throat,) appalls (appals,) shrunk (shrank,) “‘Thinking death the only division. I could not imagine …. ever so insulting you’” (no full stop after division.) “She studdied him” (studied,) “knees akimbo” (it is very difficult indeed to rest a leg upon its own hip, never mind both of them. Okay, I know people use it to mean limbs splayed out but bent inward,) “black cloth of gold” (if it’s cloth of gold it can’t be black,) “no on touched him” (no one, better still, no-one.)
Tags: Dorothy Dunnett, Historical Fiction, Mary of Guise, Mary Queen of Scots, Scottish Fiction, The Game of Kings