Interzone 284, Nov-Dec 2019

TTA Press, 96 p.

Interzone cover

Joanna Berry takes over the guest editor role and asks how much of themselves players take into decision making when playing video games. Andy Hedgecock’s Future Interrupteda makes a plea for stories to tackle the threats of the subtle and pervasive surveillance and tracking technologies rampant in the modern world. In Climbing Stories Aliya Whiteley seeks solace from the news in films. Speedy Sci-Fi adventure won’t do but conspiracy thrillers will. She now wants to go back to the source books. In Book Zone I review Rokurō Inui’s Automatic Eve and Wole Talabi’s Incomplete Solutions welcoming both, Val Nolanb finds Duncan Lunan’s collection of stories and articles From the Moon to the Stars too fond of “rigorous maths” and primarily of interest to those who enjoyed them at time they were written, Maureen Kincaid Speller engages in hand-to-hand fighting with concepts of language and meaning in the ‘very strange’ novel Vita Nostra by Marina & Sergey Dyachenko but concludes that is only a good thing, Jo L Waltonc heartily recommends The New Voices of Science Fiction edited by Hannu Rajaniemi and Jacob Weisman, though thinks some of the stories might be a bit too polished, Graham Sleight appreciates the quality of Ted Chiang’s stories in Exhalation (and Chiang’s previous collection) as being worth the price of their scarcity, Stephen Theaker praises the “grown-up, fiercely feminist” The Sea Inside Me by Sarah Dobbs, warns against the cover and blurb of Earwig by B Catling though he recommends it to “some readers” and says Stephen Palmer’s collection Tales from the Spired Inn is pretty much the ideal small press SF title, Ian Hunterd laments the passing of Dianne Wynne Jones as he considers her Poems while Duncan Lunan discusses the history of Dyson spheres in SF as his take on the stories in Around Alien Stars by G David Nordley.

As to the fiction;
In The Kindest God is Light by Joanna Berry a poet is engaged to provide an embodiment of humanity – warts and all – to aliens. Typographically unusual in that it involves a lot of glossed over (crossed out) inner thoughts.
She and I and We1 by Timothy Mudie is a time travel story. Poet (yes, another one) Nathaly Evariste is stalked by someone from the future who says she has come back to save her from being killed. This is no All You Zombies… or even By His Bootstraps but there’s a neat twist to the ending.
Dent-De-Lion2 by Natalia Theodorou is set on a planet to where Thomae has been sent to find a silicon plant-based cure for an endemic sickness back home. She finds it – and more.
In Parasite Art3 by David Tallerman our narrator is an artist who has gone to the planet of Culcifa to find one of the Zobe, an alien race which has appeared there and can merge with people who can then experience the Zobe’s dreams.
The Duchess of Drink Street4 by Tim Chawaga on its surface charts the relationship between a cupcake seller on the eponymous street and the food reviewer who damns those cupcakes with one word, inauthentic. With a globally flooded background featuring floating cities it is about fads, gentrification and its reverse and the elusiveness of memory.
Against a background of the end of the world in which the rich are sending samples of their hair skin and semen into space to save the species, Dream of the High Mountain5 by Daniel Bennett relates the experience of a poet (yes, a poet again) who goes on a retreat.

Pedant’s corner:- aCastells’ (Castells’s,) Aldiss’ (Aldiss’s.) b“are a series” (is a series.) c“None of the stories feel out of place” (None feels,) hijinks (high jinks.) “Much as I stan Luce, social and economic consequences of technological developments are never inevitable” (???) dJones’ (Jones’s,)
1Written in USian, “neither of you react” (neither … reacts.) 2Written in USian. 3“soon be discarded” (soon to be discarded,) “she must recognise as her and I” (as her and me.) “Conceivably we were one of its ancestors. Seeing it, my muscle memory recalls what it’s like to make those spasmodic movements” (‘descendants’ for ‘ancestors’ is the only way to make sense of this, and it would be ancestral rather than muscle memory,) canvasses (canvases?) 4Written in USian, at first I read ‘chicest part of the city’ as a misprint for ‘choicest’, but they’re much the same in meaning. “The difference in textures … work well together” (the difference works well,) “New Lagos’ greed” (New Lagos’s.) 5“‘This the survival of’” (This is the survival.) “Upon the fourth floor” (Either, ‘On the fourth floor,’ or, ‘Up on the fourth floor’,) “inside of him” (inside him, no need for an ‘of’.) “His group were among the last” (his group was among the last.)

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