Shoreline of Infinity 13; Autumn 2018

The New Curiosity Shop, 2018.

 Shoreline of Infinity 13 cover

In Pull up a Loga Noel Chidwick says that the tradition and sense of myth in Scottish story-telling underlies Shoreline of Infinity, tales of wonder told round the fire as the cold swirls around, and invites us in. Reviewsb has Katy Lennon finding the worlds depicted in the anthology Improbable Botany edited by Gary Dalkin feeling “real and conscious”, Samantha Dolan is impressed by Cat Hellisen’s collection Learning How to Drown, Steve Ironside appreciates rather than enjoys the lampoon The Church of Latter-Day Eugenics by Chris Kelso and Tom Bradley, but still tilts his crown to it, Rachel Hill finds Autonomous by Annalee Newitz to be an accomplished thriller, tackling thorny contemporary issues without offering simple solutions, Callum McSorley welcomes us to the Wild East of the collected novellas of Apocalypse Nyx by Kameron Hurley, formula plotting and all, Marija Smits says Sealed by Naomi Booth is a powerful book with an original, hard-hitting premise, Lucy Powell describes The Freeze-Frame Revolution as hard and fast-paced narrative that really makes you think, gripping till the last page, Georgina Merry defines Fifty-One by Chris Barnham as a fun read – with flaws.
Multiverse has poems by Tris Crestd, Charlotte Ozment and Nate Maxson, while a total of three 6 word stories (written respectively by Gregg Chamberlain, Dane Divine and Michael Stroh) appear, one each, at the bottoms of pages 44, 71 and 131.

In the fiction:-
Harry’s Shiver* by Esme Carpenter. A man commissioned to steal some sort of (unspecified) valuable raids the ‘unbreachable’ Caste Arco. To aid him he makes use of devices he calls Shivers. I’m afraid for me this story was marred by far too much obtrusive info dumping, some unnecessary phrases, the occasional odd word choice and more than a smattering of cliché.

In The Time Between Time*2 by Premee Mohamed windows onto another planet have begun appearing all over Earth. Eleven year-old Dalton finds one in her back garden and tries to keep it secret.

Daughter3 by Laura Young is narrated by a woman taking her terminally ill mother from Japan to her home in San Francisco to care for her. Things turn strange during the flight and even stranger when they land.

Splitting Up*4 by Bo Balder is narrated by a Split – a part of someone’s personality which by medical intervention has been reduced to only restricted access to that person’s body but takes over for designated purposes – in this case interacting/having sex with a boyfriend.

In Goodnight Rosemarinus5 by Caroline Grebell a future human, evolved into a sea-dweller, is held captive by an alien Observer. This story is followed by a one page article “We Have a Winner”d on the artist, Jimmy McGregor, who won the competition to illustrate the story.

Tim Major’s Cast in the Same Mould* describes the peculiar circumstances in which life is discovered on Mars.

The Beachcomber Presents Mary Shelley’s Frankenstein6 by Mark Toner, Stephen Pickering & Tsu Beel discusses Mary Shelley’s Frankenstein, the original and its various adulterated adaptations.

Next comes an interview with the authore (conducted by Noel Chidwick) and extracts from the novel Origamy7 by Rachel Armstrong.

Preceded by a very short author intervewf (by Chris Kelso,) The Silk Tower of Beijing8 by Preston Grassman is dedicated to the late Iain M Banks. Seeming to take inspiration from that author’s A Gift From the Culture an inhabitant of an Earth taken over by aliens strikes at the core of their hold over humans

Pedant’s corner:- I proofread the stories marked* before publication so assume there are no remaining errata there. Otherwise; aHanks’ (Hanks’s.) b“made up of diverse range” (made up of a diverse range,) pays of (pays off,) “an authors motivation” (author’s,) “each … aren’t window dressing” (each isn’t,) “this editions extra interview material” (edition’s,) “the majority of the public are unconcerned” (the majority … is unconcerned,) Watts’ (Watts’s,) eons (aeons,) “the inherently claustrophobia nature” (the inherently claustrophobic nature,) “where the human’s sleep” (humans,) “the twists and turns … is at times genuinely shocking” (are genuinely shocking,) “the ultimate climax of the book and the afterword to is one that is” (that ‘and’ requires a plural verb, ‘are ones that are’,) “one could be forgiven into thinking they were reading sections” (again, ‘one’ is a singular antecedent and should not be followed by a plural pronoun,) “the group split” (splits.) cIn the author blurb “bird nests” (normally ‘birds’ nests’.) dfocussed (focused.) eMobius’ (Mobius’s.) f“the nations arts” (nation’s,) skillful (skilful,) Ian M Banks (x2, Iain,) Banks’ (Banks’s.)
1Written in USian. 2Written in USian. Or is it Canadian? Instantly dated by its mention of Stephen Hawking. 3Written in USian. 4 Written in USian. “The uited people” (The suited people.) 5focussed (focused.) 6“ice flow” (ice floe that would be,) “whom in turn draughts it” (who in turn drafts it,) “as Victor grew as did his love for Science” (as Victor grew so did his love for..) Victors’ (Victor’s,) “evidence there of” (thereof,) Victor breaths his last” (breathes his last,) “There’s very few movies” (there are very few movies,) “near all of” (nearly all of.) 7haurspicy (haruspicy,) auger (after the previous page’s mention of four types of divination I strongly suggest this is intended to be ‘augur’. An auger is a different thing entirely.) 8Written in USian, “a flock of drone-birds hover” (a flock hovers,) a missing full stop (x 4.) “The cross-hatched ruins of the Bird’s Nest appears” (the .. ruins… appear,) “none of them are as monumental” (none .. is as monumental.) “As I think of the world as I want to be” (‘as I want it to be’ makes more sense.)

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