Fleck: a Verse Comedy by Alasdair Gray

A Comedy in Verse Derived from Goethe’s Tragedy of Faust. Two Ravens Press, 2008, 104 p.

Fleck cover

Gray is multi-talented; playwright, novelist, artist. A graduate of the Glasgow School of Art, he illustrates his own books (and those of others) in a distinctive style. His first novel, Lanark, instantly established him as one of the most important Scottish novelists of his or any generation. His left wing politics are not hard to discern and his enthusiasm for Scottish independence and Scottish culture has displeased some.

Fleck does what it says on the tin; reworks Faust in a modern idiom with the main character recast as a Scottish scientist, Fleck. Other characters include God, Nick and the journalists Pee and Cue. The book also includes a postscript by the author where he discusses the appearances of the devil in the Bible (there are only two,) Satan’s co-option by the established church to police sensuality, the evolution of the Faust story and its influence on Gray personally, and the drawbacks of Goethe’s version. Finally there are five Gray poems which deal with God. A packed 104 pages then.

Verse is a surprisingly good vehicle for Gray’s updated tale. (Or perhaps not surprising if you think of Shakespeare.) The rhythm of the iambic pentameter is a fine motor. And it throws up nicely judged juxtapositions, “Broadcasters think the public is a fool/ so sounding stupid is their golden rule.”

Very little that Gray has written is not worth reading. Fleck is no exception. Not just the play but the postscript and poems too.

Pedant’s corner: Labelling a year as Anus Domini looks like it may be a misprint but I wouldn’t put it past Gray to have used it deliberately. But oughtn’t tug-of-wars for supremacy be tugs-of-war? Bismark for Bismarck.

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