Bellahouston Park in Glasgow, where the House for an Art Lover is situated, was the site of the Empire Exhibition 1938.

Towards the exit of the House a digital reconstruction of the Exhibition was on display. This one is from YouTube:-

There was also a small cabinet containing some memorabilia from the Exhibition:-

The memorabilia in the picture are: a toasting fork, a bronze model of the Tower of Empire (Tait’s Tower,) a metal badge in the shape of the Tower, the official Guide to the Exhibition, a glass dish on which there is a season ticket for the Exhibition, the book entitled The Empire Exhibition Fifty Years On and a Birrell’s chocolate box. Presumably the structural engineering company whose plaque is also present had a stand at the Exhibition.

More from the house in Bellahouston Park, Glasgow, built from designs by Charles Rennie Mackintosh.

Wood Panelling:-

Hall and balcony:_

A fireplace:-

Another fireplace:-

Window and lantern-style light:-

Window seat, candleholder, and external detail:-

The House for an Art Lover, in Bellahouston Park, Glasgow, which I mentioned here, was built to designs by Charles Rennie Mackintosh which had not been used in his lifetime.

Exterior:-

Model inside. The similarities to Hill House are unmistakable:-

Reverse of model:-

I haven’t posted any of these for quite some time.

So here are three views of the North Cascade and Tower at the Empire Exhibition, Scotland, 1938, held in Glasgow’s Bellahouston Park.

First one of Brain Gerald’s art-drawn postcards:-

This is a very similar view but is a colourised photograph:-

This one, also a colourised photograph, omits the fountain:-

I haven’t posted one of these for a long while now.

A Brian Gerald art-drawn postcard of buildings and floral displays at the Empire Exhibition Scotland, held in Bellahouston Park, Glasgow. Palace of Engineering to right, Garden Club in centre, below Tait’s Tower:-

Another postcard of a building from the 1938 Empire Exhibition held in Bellahouston Park, Glasgow. Great central tower, nice curved frontage. The full length flag standards have nice detailing halfway up the building.

I was devastated to hear today of the fire at Charles Rennie Mackintosh‘s masterpiece building, the Glasgow School of Art. (For pictures of the undamaged building see here.)

I have featured another of his buildings, Scotland Street School, here.

I have also visited the House for an Art Lover, built to Mackintosh designs in Glasgow’s Bellahouston Park (on part of the site of the Empire Exhibition, Scotland, 1938,) and Hill House in Helensburgh as well as the Mackintosh House at the Hunterian Museum and Art Gallery at the University of Glasgow but all without benefit a modern camera. All are visually stunning.

I must confess to being a teeny bit annoyed when Lorna Gordon, BBC London’s Scotland correspondent, called the Art School an Art Deco building. None of Mackintosh’s buildings are Deco. They are leaning towards it, certainly, but really have more in common with Art Nouveau. At a pinch you could say they act as a bridge between the two styles. While some Mackintosh designs have the blend of horizontal and vertical that is a signifier of Art Deco he also had a strong liking for curves which grew firmly from the Art Nouveau tradition of evoking nature and natural forms.

I assume the plans for the School of Art are still in existence somewhere – and that there is insurance in place. Even if it is costly it is to be hoped that some sort of effort at restoration can be made to the Art School. The result may not be original but so few of Mackintosh’s designs were erected in his lifetime it would be tantamount to a crime to allow to disappear the outstanding example that was.

In the meantime, not just Glasgow, not only Scotland, but the world, is a poorer place to live in tonight.

Another Brian Gerald drawn art postcard from the Empire Exhibition, Scotland, 1938. This time of the Scottish Avenue. It shows both Scottish Pavilions (the ones with the towers) and the BBC Pavilion in the foreground. At the other end of the avenue is the Palace of Arts, the only building from the Exhibition still standing in Bellahouston Park.

Another black and white postcard of the Empire Exhibition, Scotland, 1938, held in Bellahouston Park, Glasgow. This time, the entrance to the UK Pavilion.

Lovely Deco features; rounded columns with banding at the flagpole supports, vertical dividers, sculptured figures – which, like the lions flanking the steps, were gold painted.

The zenith of Art Deco (or of Moderne if you must) in Scotland came in 1938 with the Empire Exhibition, Scotland, held in Bellahouston Park, Glasgow, and which opened 75 years ago today on 3/5/1938.

Its signature building was the Tower of Empire (seen in the above photograph taken from the link) designed by Thomas Tait whose houses at Silver End I featured eighteen months ago. The tower was erected on the hill in Bellahouston Park and dominated the Exhibition.

Tait was in overall charge of the architecture for the Exhibition – some of whose buildings made extensive use of the new construction material, asbestos cement! – and designed many of the buildings himself.

My favourite is the Atlantic Restaurant, a ship-shaped building cresting the wave of the hill on which it was set, two postcards of which I reproduce below.

Sadly almost none of the buildings remain. (It was a condition of such events that their locations were restored to their original condition soon afterwards. Moreover shortly afterwards the country was involved in the Second World War and conserving architecture became a minor consideration. The Exhibition itself came to an end in the midst of the Munich Crisis.)

Only the Palace of Arts is still standing in Bellahouston Park itself. It was transformed into a sports pavilion. The Palace of Engineering was taken down and re-erected at Prestwick Airport and can still be found there. The South Africa building was in Dutch Barn style rather than deco or moderne and later became a staff canteen at ICI Ardeer. All the rest were demolished.

Think of what a tourist attraction Tait’s Tower, as it was known, could have been! Glasgow’s answer to Eiffel.

As it is, the main tourist draw in the Park today is the House for an Art Lover built to designs of Charles Rennie Mackintosh whose buildings are a sort of bridge between the freer, flowing style of Art Nouveau and the more rigid Art Deco.

You may have noticed that I have added a new category to my list especially for this Exhibition. There is so much more I could, and will, post.