BSFA, 2021, 64 p.
Ivory’s Story (extract) by Eugene M Bacon. (PS Publishing, 2020.)1
Ivory, or Izett, has suffered in a series of foster placements, her only stable influence a nun in a Catholic children’s home. This has hardened her. The only SF aspect of the extract here (very well written though it is) was in the opal pendant she wears which burns people who touch it if they are inimical to her.
All I Asked For by Anne Charnock. (Part of the Future Care Capital charity’s Fiction Series, edited by Keith Brooke.)2
An expectant couple spend their evenings counting the movements of Alice, their yet-to-be born baby, on the screen in their living room. Because the mother is forty-six her foetus was transferred to a baby-bag at twenty-two weeks gestation. (“We must do what’s best for the baby.”) Some mothers opt for the procedure but this mother (despite her own telling her that childbirth belongs to the Stone Age) feels disappointment at never having felt her baby kick inside her.
I note here that my own story about artificial wombs (Osmotic Pressure, in The Company He Keeps, PS Publishing, 2010, took a different tack.
Red_Bati (extract) by Dilman Dia. (Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora)3
The story relates the experiences of a robot dog who thinks he’s human and speaks ony to a holographic granny who walks through a forest. Impressed as a mining dog he has been damaged and faces shut down and total memory loss so is forced to take over the space ship he is on.
Ife-Iyoku, the Tale of Imadeyunuagbon (extract) by Oghenechovwe Donald Ekpeki, (Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora)4
This is set in a post-nuclear war African enclave, outside which lies corruption and mutation, and where the survivors recount the myths and legends of the god who saved them from the devastation.
In Infinite Tea in the Demara Café by Ida Keogh, (London Centric, NewCon Press) a man who has been stifling the memories of his dead wife for twenty years through simple routine – like a daily cup of coffee in a certain café – suddenly finds himself being transported between parallel worlds, where he finds others who have suffered loss give him new focus.
Isn’t Your Daughter Such a Doll by Tobi Ogundiran, (Shoreline of Infinity)5 is structured awkwardly, with a different view point suddenly thrown in to provide a necessary but up till then peripheral perspective. It is the tale of a girl’s affection for her doll shading into something more. Woven into it is a Nigerian folk-tale (whether invented by Ogundiran or not I am unqualified to judge.)
In the non-fiction we have a precis of each of the essays in Ties That Bind: Love in Fantasy and Science Fiction edited by Francesca T Barbinia; an excerpt from the introduction to from The Unstable Realities of Christopher Priest by Paul Kincaid; an extract from Science Fiction and Climate Change by Andrew Milner and J R Burgmannb; It’s the End of the World but What Are We Really Afraid of? by Adam Robertsc; another extract, Estranged Entrepreneurs by Jo Lindsay-Waltond; and Books in Which No Bad Things Happen by Jo Waltone.
Pedant’s corner:- 1“flora and fauna and the way it behaved” (the way they behaved,) “a Joey in its pouch” (joey, capital not required,) sat (seated, or, sitting,) “was a foster dad after foster dad” (was foster dad after foster dad,) Zeus’ (Zeus’s,) “whose two speakers were scattered about the room” (I would humbly submit that the minimum for a scattering is three.) 2focussed (focused.) 3The first paragraph is repeated for some unknown reason. “-250o C” (-250 oC,) “-400o C” (presumably meant to be -400 oC but this temperature is impossible, absolute zero is -273.15 oC,) “16o C” (16oC,) “300o C” (300 oC,) “one of the tube’s data rod” (data rods,) “to fix critical damages to the ship” (why the plural? ‘critical damage’ serves perfectly well,) “space crafts” (space craft.) 4“with the savagery that made Morako swallow” (with a savagery,) “was no ordinary tales” (tale,) “in front Ologbon” (in front of Ologbon,) Igbo Igboya (x 1, elsewhere this is always italicised.) 5Should there not be a question mark at the end of the title? “fit” (fitted,) confectionaries (x2, confectionery,) “in the hopes that” (in the hope that,) snuck (x2, sneaked,) “who had fopund companion in a doll,” (either ‘found a companion’, or, ‘found companionship’.)
ain “New Frontiers in Romantic Fiction Relationships in Science Fiction Josephine by Maria Yanasak-Leszczynski that ‘Josephine’ is surely misplaced, Chambers’ (Chambers’s,) “E.T. A Hofmann’s” (either E.T.A. Hoffmann’s, or, E T A Hoffmann’s, not this mish-mash.) “Unrequieted love” (unrequited,) “Unrequired love” (unrequited.) bfocussed (focused,) H2O (H2O,) earnt (earned.) c“food for the imagination no the body” ([I didn’t realise Roberts was Scottish – joke.] It should be ‘not the body’,) “and yet is finality is a kind of deferment” (has one ‘is’ too many,) “in a way that is howsoever lame, at least, hearfelt way” (has one ‘way’ too many.) “most of the apocalypses we will be looking are gaudy dreams” (looking at are,) quick-sand (quicksand,) “some who insists” (insist,) “little-rear-view mirror fixed to lour heads” (mirrors,) “a world that stubborn;y persist” (persists,) momentarily (this is used in the USian sense = ‘in a moment’, rather than its usual sense = ‘for a moment’,) “we are woring on assumption that” (on the assumption,) “the glass if its shopfront” (of its shopfront,) Bayes’ (many times, Bayes’s,) “we’re not the centre around which the entire cosmos, but in fact are” (around which the entire cosmos turns, but in fact.) dtwo full stops missing. e“Raymond Briggs The Snowman” (Briggs’s) “no more than threats that pass over safely Cotillion does this” (needs a full stop after safely.)
