After the Saucers Landed by Douglas Lain

night shade books, 2015, 240 p

 After the Saucers Landed cover

As the title suggests this book is set in a time after aliens have come to Earth. Things, however, are not as dedicated Ufologists would have wished. They came down in a mundane manner – exactly as expected, setting down on the White House lawn as if they were an incarnation of Klaatu, the alien from The Day the Earth Stood Still. (That was also the name of the band which first recorded the song Calling Occupants of Interplanetary Craft, which is referenced in the text.) The time these aliens landed though was not in the future but in the 1990s – making this an Altered History – but this allows Lain to saturate the book with cultural references from then and the immediately preceding decades. The aliens, called Pleidiens, do not seem to be concerned with conquest but wander around in sequined jumpsuits, hovering their disc-shaped “saucers” over the streets of the US (no wider perspective of their impact on the world is afforded to the reader) offering redemption of a wishy-washy sort. There is some discussion of a phenomenon called Missing Time and of time travel to a second before things happen but this is never developed and the aliens are more like an absence in the book rather than a driving force. This may be the point, though. New dispensations, what might once have been wonders, tend to become accepted relatively quickly and soon settle down to normality. Still, bits of this reminded me vaguely – very vaguely – of Philip K Dick’s mainstream fiction.

The novel’s main protagonist is Brian Johnson, once an author of UFO books, who encounters an alien capable of morphing into – in effect becoming – people, specifically Johnson’s wife Virginia (though Johnson is able to perceive slight differences. (Others are also impersonated in like fashion.) The Pleidien, Asket, wants Johnson to investigate the aliens and write another UFO book. However, there is very little resembling a plot here. Lain presents us with a metafictional construct, frequently addressing the reader and discussing events to come later in a matter of fact way.

What meat there is in this may be contained in the revelation vouchsafed to Johnson by the chief Pliedien, Ralph Reality, “The Pleidien doctrine was simple but absurd. The universe was imaginary….. your head was imaginary too.”

Pedant’s corner:- Pleides, Pleidien (Is this a misreading of Pleiades? [] Therefore Pleidean?) loud speakers (loudspeakers,) “when a man in a sequined jumpsuit steps comes around the corner” (either “steps” or “comes”, not both,) “and then zips away toward our solar system. The saucer zips toward a three dimensional rendering of our solar system” (I suspect there’s been a revision there and the original text has not been removed from it.) “For Flint this was this difference that mattered.” (Either, “For Flint it was this difference that mattered,” or, “For Flint this difference mattered,”) “as the light from street lamps and neon signs illuminate the back seat” (illuminates,) “lets it fall from their” (from there,) “because her parents forbid it” (forbade it.) “None of the locals were very interested” (none was interested.) “It more of a modernist sculpture hanging over us” (It’s more.) “What my wives imagined was that that they” (only one “that” needed,) “how they ended up climbing onto our kitchen table” (the text implies “how we ended up climbing” as a better word choice.) “This time I don’t stay anything” (This time I don’t say anything,) Charles’ (Charles’s.) “These things weren’t distinct but one.” (?????) shined (shone,) “squiggles and gestures that Patricia knew was something like a language” (were something like a language.) “Back in in 1957.” (only one “in” required.) “The agents pull up a plastic stool for me and then pushes down on my shoulders” (either “the agent” or “push”,) a missing comma at the end of a piece of direct speech in a continuing sentence, cotiliion (cotillion,) “The Rascals’ “Groovin’” (when “Groovin’” was released they were The Young Rascals,) a regress (a regression?) “as she lays back” (lies back,) “her explanations, her story, drifts away” (drift away,) Pledien (Pleidien,) kids game (kids’.)

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