Interzone 276 Jul-Aug 2018

TTA Press

 Interzone 276 cover

Bonnie Jo Stufflebeam takes the editorial slot and reflects on how growing up queer (her word) revealed that adults knew as little as children about navigating the world and instilled her with all sorts of phobias. In Future Interrupted Andy Hedgecock reveals how certain formative reading/viewing experiences still colour his tastes. Nina Allan’s Time Pieces reflects by way of her own experience and Marian Womack’s debut collection Lost Objects on how the short story is still the best pathway for a writer to come into his or her own.

The fiction kicks off with Grey Halls1 by Rachael Cupp where a future musician famous for, but himself dismissive of, his one big success, Grey Halls, travels back in time for inspiration.
Superbright2 by Ryan Row is set in a world where superpowers are common. This story totally failed to capture my interest.
In Tumblebum3 by Darby Harn, New York is flooded and everything is controlled by a huge corporation named TAG. Tumblebum is hired to find the missing photographer daughter of a racehorse owning family.
A species of harvester ant, Pogonomyrmex quaesitor; or P.q. starts building sculptures- or are they temples? – in P. Q.4 by James Warner.
In Tim Major’s Throw Caution5 pseudo-crab lifeforms have been found on Mars. Their bodies contain diamonds. (Well, not really. They’re silicon based.) The story follows two prospectors searching outwith the normal areas.
So Easy6 by Bonnie Jo Stufflebeam is a post-apocalypse story. Well enough done but a bit inconsequential.
Paul Crenshaw’s Eyes7 has a young boy find a pair of disembodied eyes floating in the stream which runs by his house. They can still blink and so answer his questions thereby telling a tale of life, the universe and so on.

In Reviews Iain Hunter recommends the Jane Yolen edited Nebula Awards Showcase 2018 (rather confusingly featuring stories from 2016;) I am rather less enthusiastic about Paul Jessup’s Close Your Eyes; Duncan Lunan says Rob Boffard’s Adrift relocates the aeroplane movie to a tour shuttle from a habitat overlooking the Horsehead Nebula, Lawrence Osborn claims Revenant Gun, the last in Yoon Ha Lee’s trilogy which began with Ninefox Gambit is essential reading for military SF space opera or worldbuilding buffs (I still won’t be going near it;) Duncan Lawrie accepts Shattermoon by Dominic Dulley for what it is, fast-paced light reading; Andy Hedgecock lauds at least one entertaining and provocative story from an under celebrated master in The Adventures of the Ingenious Alfanui by Rafael Sánchez Ferlosio translated by Margaret Jull; Stephen Theaker8 likes Kameron Hurley’s fix-up Apocalypse Nix better than he did her God’s War trilogy and Andy Hedgecock returns to praise Juliet E McKenna’s The Green Man’s Heir.

Pedant’s corner:- 1Written in USian, “He was fortunate, then, to not have Osorio’s fan base” (not to have.) 2Written in USian; “experiments with which had given her son” (either experiments which had given her son, or, experiments with which she had given her son,) “He shined.” (He shone.) 3Written in USian. 4Written in USian, “atypical climactic conditions” (climatic.) 5“sand….sunk away” (sank,) shrunk (shrank.) 6Written in USian. 7Written in Usian. 8“her ramshackle team of misfits are pretty much always doomed to fail” (her team is always doomed to fail.)

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