Revenger by Alastair Reynolds
Posted in Alastair Reynolds, My Interzone Reviews, Reviews published in Interzone, Science Fiction at 12:00 on 6 September 2017
Gollancz, 2016, 380 p. Reviewed for Interzone 266, Sep-Oct 2016.
The first thing that strikes the reader about this novel is that (barring two very small encyclopaedia extracts laid out in a dark green) it is printed in brown ink. This turns out to be no mere presentational quirk but is instead symbolic. Our narrator, Arafura Ness, tells us fairly early on that she has scratched her story in blood onto rough paper. (Just how rough we find out in the last chapter.) This foreshadowing of things to come belies the book’s initial brightness which has some of the tonal qualities of a Victorian Boy’s Own Adventure; except for the female lead. Throughout the book individuals are denoted by the word “cove”, spaceship crew argot abounds and there are quests for hidden treasure. In that sense it might have been a YA title and in accord with that there is first the necessity to be rid of the parents.
Fura is sixteen, well educated, but her mother is dead and her father fallen on hard times. Her elder sister, Ardana, leads her astray, into the shady environs of Neural Alley where she is tested for ability to read Bones. These are only one of many types of artefact left over from before the Sundering and allow Bone Readers to communicate instantly if sometimes unreliably across the reaches of space. Both sisters are of course adept. To gain quoins to help their father’s plight they sign up for six months service on the Monetta’s Mourn under Captain Rackamore.
Like all the other spaceships in the novel Monetta is a sunjammer with auxiliary ion engines. Rackamore uses her to seek out baubles, closed environments which contain valuable items of ancient tech but which only open at irregular intervals and for irregular times. Along with the Bone Readers the ship’s crew contains an augurer to divine those times, an assessor to determine what any finds are worth, integrators to unseal internal locks plus other specialists. Each bauble (and most of the large habitable environments in the book) has a mini black hole called a swallower at its core.
The science fictional aspects of this – a degenerate humanity seemingly restricted to a relatively small area of space surrounding the habitats of the Congregation, in an era called the Thirteenth Occupation; cut adrift from its origins in the Old Sun, a history with many gaps, with only barely recalled legends for memories, relying on tech it can use but not understand, tech more or less indistinguishable from magic – mostly lie in the background and lend the whole the feel of steampunk in reverse; while bone reading verges on fantasy. There are also aliens; especially those nicknamed Crawlies who fortuitously turned up just before a banking crash and now oversee the financial system despite claiming to have no interest in money themselves, a question as to just what exactly quoins might really be and hints of shadowy others beyond human knowledge.
Of course things do not go smoothly. While plundering a bauble the Monetta is attacked by the shadowy ship Nightjammer, captained by the notorious Bosa Sennen. Most of the crew are killed, Ardana is captured and Fura only saved by the selfless action of the previous Bone Reader, Garval. In hiding, Fura is forced to eat lightvine to survive. As a consequence she contracts the glowy, which makes her skin emit light and may affect her brain function. She and the only other survivor, Prozor, eventually gain rescue and form an alliance, which is soon interrupted by what at first seems an authorial misstep as Fura is legally forced to return to her original home. But this becomes a means to underline how much her experience has changed her. Desires for both revenge and to free Ardana have made any thought of returning to her old life intolerable. With the help of Paladin, the family robot (another remnant of ancient tech, a battle robot no less, but with much diminished competence) she escapes – a process which requires the hasty surgical removal of a lower arm to get rid of her restraint bracelet with Fura acquiring an artificial hand in its place, the partial destruction of Paladin and the devastation of her father. She again teams up with Prozor, taking ship on the Queen Crimson and working towards inveigling Bosa into a trap.
Reynolds tackles it all with brio. Yet he doesn’t ignore deeper concerns. Bosa has a rationale for her depredations. Fura regrets the hardness which has entered her soul, the deceptions she has had to undertake, the decisions made. Revenger asks the question: is the search for revenge worth the price of turning you into what you detested?
I doubt I’ll read a more engaging work of SF this year.
The comments below did not appear in the published review:-
Pedant’s corner:- a figure lying on their back (a figure is singular and ought not to carry a plural pronoun; so lying on her back. There are other instances of their being used of an individual,) we adjusted to the routines to the ship (of the ship.) “Whether it was my words ….but Garval’s distress seemed to lessen” (is missing something like “I don’t know” before the “but”,) two full stops at the end of one sentence, a space missing after a parenthetical dash, ‘I think I can there easily enough’ (get there,) in the opposite direction that I had come (,) adingy (a dingy,) refers to an over-wound clock (they still have mechanical clocks? – and telegraphs later,) to fight if off (it off,) was still set as it had been in when (no “in”,) “how likely is that it someone” (how likely is it that someone,) a missing paragraph indent at a new speaker, “moved you into lock” (into the lock,) for a while.Even (for a while. Even,) ‘I was part of it wasn’t?’ (wasn’t I?) the sorry state Paladin had been when (had been in when,) but there’d no reason (be no reason,) a acceptance (an acceptance,) I should never have let Vidin Quindar to bring me home (no “to” necessary,) maw for entrance, “trying not to drop the pillowcase in the process I thought of all the limbs” (full stop after pillowcase,) moved a hand to brake lever (to the brake lever,) he’d had resigned himself (he’d, or he had,) walled=in (walled-in,) skeptical (sceptical,) Cazarary (Cazaray,) just enough to pluck his interest (pique his interest? – but pluck his interest is a good formulation,) weedled your way onto (wheedled?) “Ground that had been trod” (trodden,) “as if she were holding over a new born baby” (handing over makes more sense,) “since I’d been any contact” (been in any contact; or, seen any contact,) shrunk (shrank,) “‘I’ve told you aren’t anything special’” (‘I’ve told her you aren’t anything special,’) “maybe we should be get at that first” (no “be” required,) were were, pivotted (pivoted,) wickedabout (wicked about,) “but then was so Mattice” (but then so was Mattice,) not not, sometimesd, intution (intuition,) “and was were coming back with it” (either was or were, not both,) in the all the (in all the,) “I’d shirked it off” (shucked it off?) Nighjammer (Nightjammer,) bronzey (bronzy,) “whether was that the start of it” (whether that was,) “some work to on that score” (work to do,) deviousways (devious ways,) “I stroked her hair than bid her rest” (then bid her rest.)
Tags: Alastair Reynolds, Interzone, Interzone 266