Blood on the Mink by Robert Silverberg

Titan Hard Case Crime, 2012, 213 p. Content first published in 1959, 1960 and 1962.

 Blood on the Mink cover

The author is my second favourite writer of SF and I read this one for the sake of completeness. Silverberg is not widely known for his crime novels but he knocked a few out in the last dying days of the pulp era when that market for Science Fiction had dried up. Pulp crime was not long in following but that wasn’t Silverberg’s fault. He is incapable of writing anything that is less than readable but this has the vices of its idiom in its lack of ornamentation, of its time in its casual sexism and of its place in an equally casual attitude to the use of guns.

Narrator Nick is a law enforcement agent whose speciality is in subduing his own identity and impersonating less major criminals in order to get to the main players. The plot involves the distributor of very good forgeries of five and ten dollars bills and the discovery and release from bondage of the engraver who made the plates for their manufacture. None of the characters lifts beyond the functional – or typical – but the plot is well-honed and provides the action its intended readership presumably craved.

The two accompanying short stories used to pad out this paperback are from the same era and in similar vein. Dangerous Doll riffs on the counterfeiting game and, as its title suggests, features a femme fatale, while One Night of Violence sees a travelling salesman get caught up in a gangland shootout. In this story I did wonder what on earth the “video set” in a late 1950s hotel lobby might have been.

Pedant’s corner:- bollixed (the British “bollocksed” is much to be preferred,) Klaus’ (Klaus’s, several instances,) Chavez’ (Chavez’s, ditto,) a missing full stop, Kleinjeld (elsewhere always Kleinfeld.)
Plus points for fitted – USian fiction usually has fit as a past tense.

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