Standing Female Nude by Carol Ann Duffy

Picador, 2016, 67 p.

Standing Female Nude cover

A reprint of what is stated to be Poet Laureate Duffy’s first collection but both Wiki and Fantastic Fiction have it otherwise. The slim volume contains 49 poems. A few are only 7 or 8 lines long, most are of longer length, some are sonnets and employ that most passé of poetic devices, rhyme. Much of Duffy’s verse here tells stories. Several deal with unsympathetic husbands.

This is a strong assortment of poems with the most memorable including Lizzie, Six which seems to be about child abuse, while Ash Wednesday, 1984 employs rhyme to emphatic effect in imploring parents not to subject their children to religion, Jealous as Hell uses unusual stripped-down syntax and grammar to help make its point, Terza Rima SW19 varies from classic terza rima rhyming but does so to good effect, Where We Came In is a modern take on La Ronde with divorcees meeting up complete with new spouses, Free Will dwells on the lingering effects of an abortion, A Clear Note’s three sections tell a story of three generations of women. The title poem examines the distance between an artist and his sitter, What Price? is about The Hitler Diaries and those who thought to make money from them, Borrowed Memory the reality of incidents in novels to some people’s sense of themselves, while Shooting Stars is a plea not to forget atrocities.

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