The Cutting Room by Louise Welsh
Posted in Reading Reviewed, Scottish Fiction, Scottish Literature at 18:00 on 29 November 2016
Canongate, 2003, 300 p. One of both the 100 best Scottish Books and Scotland’s favourite books.
A narrator known only as Rilke – I don’t believe we are ever vouchsafed his given name – is an auctioneer and valuer for a struggling auction house in Glasgow. He receives a call to inspect the contents of a house for clearance and complete the sale quickly. The contents consist of good stuff and could save the auction house’s finances. In its attic there are rare first editions of notorious books but he is asked by the deceased’s heir – an elderly sister – to destroy them. Amongst them Rilke finds some disturbing photographs which appear to show the murder of a young woman. Intrigued by this mystery he spends most of the book trying to investigate the photographs’ origins instead of looking after the house-clearance. This brings him into closer contact with the shady side of Glasgow life than is healthy before the mystery is resolved.
The Cutting Room is written with a literary sensibility, is full of well-drawn characters and has many fine descriptive passages. While it does yield the satisfaction that detective/crime fiction provides it goes beyond that. It is a novel, pure and simple. (Well, actually not that pure – and not really simple either.) And Rilke is an unusual protagonist for a crime novel. As a debut novel I found it more accomplished than Ian Rankin’s Knots and Crosses and James Oswald’s Natural Causes. I’ll be reading more from Welsh.
Pedant’s corner:- the Great Western Road (I’ve only ever heard this referred to as Great Western Road; no definite article,) each others eyes (each others’ eyes,) burglarised (No! The word is burgled,) two missing end [and one beginning] quotation marks, our monthly sail (sale,) “in a herd that shook the ground with the weight of their hooves” (leave aside the fact that herd is singular so it should be its hooves, it isn’t the hooves’ weight that shakes the ground, it’s the buffaloes’,) thrupney bits (yes that corruption of threepenny was pronounced that way, but it was always spelled thruppenny,) asshole (arsehole,) a boy had watched “the first moon launch”, dedicated himself to space exploration, twenty years later became an astronaut, only to vomit copiously the whole time in mission after mission; his “hermetically sealed sick bags still orbit the moon” (that would be “the first moon landing” not launch, plus; the last orbit of the moon was in 1972, only three years – not twenty – after the first. Those sick bags might be in Earth orbit but would be nowhere near the Moon.) “Other ungodly titles lesbian are known by” (lesbians; but it was in a pamphlet, these are notoriously misspelled,) “aren’t I?” (Grrr! The speaker is Scottish; she would say “amn’t I?”,) shtoom (usually spelled schtum or shtum,) “I was coming warn you” (coming to warn you,) the Ukraine (the speaker is Ukrainian; they just say Ukraine, no “the”,) medieval.
Tags: Crime fiction, Ian Rankin, James Oswald, Louise Welsh, Scottish Fiction
The Second Cut by Louise Welsh – A Son of the Rock -- Jack Deighton
13 March 2024 at 12:00
[…] one was published twenty years after Welsh’s first novel The Cutting Room and in it she returns to the central character of that book, Rilke, an auctioneer for the […]