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Asimov’s Science Fiction, March 2016

Dell Magazines, 112 p.

Asimov's Mar 2016 cover

The second issue of the year’s subscription to the magazine my younger son gave me as a Christmas present. Robert Silverberg describes how Walter de la Mare’s story The Three Mulla-Mulgars, read in his youth and many times since, inspired him and fed into his fiction. James Patrick Kelly’s internet overview discusses the pros and cons of reading and writing a series of books.1 In the fiction:-
The Bewilderness of Lions by Ted Kosmatka.2 A data cruncher who can predict scandals goes to work for a politician. Then she is contacted by the people who really run things. Another story which panders to the secret-conspiracy-that-rules-the-world tendency.
The Ship Whisperer by Julie Novakova. An expedition to a black dwarf (which shouldn’t exist) discovers a device that can alter the rate of change of time. The titular character can “talk” to quantum computers, enabling the story’s resolution.
A Partial List of Lists I Have Lost Over Time by Sunil Patel is a series of listicles. I believe it is supposed to be humorous. The author seems to have a particular thing about kale.
Project Empathy by Dominica Phetteplace is about trends, moving elsewhere then finding the norms are different, plus there are Watcher chips inside people’s heads.
Do Not Forget Me by Ray Nayler3 is a story in the Eastern tradition, of tales within the tale – four embedded narratives here – the central one being about a man who doesn’t age. There is nothing really noteworthy here though.
A Little Bigotry by R Neube.4 An ex-soldier down on her uppers is reduced to accepting a contract to be an escort to a former enemy. A fine enough story but reminiscent of Barry B Longyear’s Enemy Mine. Then again, I suppose the point about enemies being worthy of understanding always bears repeating.
New Earth by James Gunn.5 A colony ship from a more-or-less destroyed Erath has reached a new planetary home. Choices and dangers must be faced.
I Married a Monster from Outer Space by Dale Bailey6 is narrated by a woman who takes home an alien who came into the Walmart she works in. This at first unpromising – clichéd even – scenario is, though, only scaffolding over what eventually becomes an affecting tale of love, loss and redemption. I note the references by Bailey – via the narrator’s surname (Sheldon,) her dead daughter Alice and her comment on her status as an invisible woman – to the career of James Tiptree Jr.

Pedant’s corner:- In the editorial; definine (define,) chose (choose,) Lawrence Watt Evans tale (Evans’s,) 1 ambiance (ambience,) 2 she could feel it siding in her fingers (sliding makes more sense,) lobyists (lobbyists,) 3 lay about (lie about.) 4 license (licence,) maw used for mouth (maw means stomach,) accurst (accursed,) 5mentions trees that are not-quite-trees but one of the characters says multi-cellular life hasn’t evolved there. Trees are multi-cellular; the fern-like structures subsequently described would be also. 6Bug-Eyes’ (it’s singular; so Bug-Eyes’s,) Hastings’ (Hastings’s,) laying (lying; plus lay for lie,) breath in (breathe in.) In Paul di Filippo’s book reviews; stefnal to mean science-fictional, a usage I had not come across before, whereas sfnal I was familiar with.

Asimov’s Science Fiction Jun 2015

Dell Magazines.

Asimov's Jun 2015 cover

This magazine is more weighted to fiction than Analog though there are non-fiction pieces. Kathleen Ann Goonan’s guest editorial describes SF as a literature that asks Where do we come from? What are we? Where are we going? – thus adding two additional questions to the one most literature addresses – Robert Silverberg’s Reflections goes over the history of predictions of the end of the world and of apocalyptic SF while James Patrick Kelly’s On The Net: an Optimist’s Tale argues that modern day SF is not as pessimistic as some in Project Hieroglyph present.
As to the fiction, there is less cleaving of the paper light years in Asimov’s than there was in Analog, notwithstanding the first story The End of the War by Django Wexler, wherein two remnants of humanity called Minoans and Circeans fight a proxy war on derelict spaceships left over from the main battles by means of pilot-controlled salvage/manufactory devices. The opposing pilots have conversations as they fight over the remains.1 Henry Lien’s The Ladies’ Aquatic Gardening Society has two society ladies in what seems the nineteenth century trying to find the favour of Mrs Ava Vanderbilt by means of elaborate gardens. They take it too far.2 Mutability by Ray Nayler sees a couple meet for the first time in a café – four hundred years after being photographed together. Indrapramit Das’s The Muses of Shuyedan-18 features two human women who are witnessed having sex by the huge alien of the title which reproduces them in a carving on its back.3 The titular characters in M Bennardo’s Ghosts of the Savannah are two prehistoric women hunters who don’t want to settle to a life of domesticity and child-bearing. Our Lady of the Open Road by Sarah Pinsker is the tour bus for the band Cassis Fire, who are rare hold-outs still playing real gigs in a world where entertainment has been cornered by the corporate might of StageHolo.4

Pedant’s corner:-
1 the compute power (twice!! “computing power” is so much less ugly,) to go to particular place (a particular place,) “slingshot” as the preterite of the verb (slungshot? slingshotted? But then I suppose USians use fit as a past tense,) the maze of room and corridors (this ship had corridors but only one room?)
2 hostess’ (hostess’s,) the USianism “dove” for “dived”, plus the story jumps from Chapter VII to IX with no sign of VIII.
3 chord (cord,) in a way the human brain will remind of our own architectures (will be reminded of.)
4 in the cards (on the cards.)

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