Later with Jools Holland came on the TV on Friday (8/5/09) as I was brushing my teeth. When I got to bed the good lady said to me, âPaolo Nutiniâs been on. He sounds just like an old Scottish singer, I canât think which one.â
I watched the rest of the show and when Nutini came on again, true enough, he spent most of his performance bent over like an old man. All he was missing was a walking stick.
Then I had it. Heâs Harry Lauder returned.
This clip is from 2006. Nutini was a bit more upright then.
Hereâs what he looks like more recently. Bent over, youâll see.
And hereâs how he sounded when he first found fame.
I couldnât find actual footage of Lauder on You Tube, which is a pity.
I caught Bill Baileyâs Remarkable Guide to the Orchestra on BBC 2 on Saturday night (9/5/09.) His take was, of course, comedic, but included some semi-serious stuff about the use of bassoons, oboes, muted trombones and the like.
Even more light-heartedly we had a rendering of both the Moonlight Sonata and the William Tell Overture incorporating Cockney Music (Oi!) More examples from Bailey of Cockney Music influencing the classical arena can be found in the following clip.
The highlight of Saturday nightâs show for me, though, was the Doctor Who theme tune reimagined as a Belgian Jazz song. Like the Cockney Music section this seems to be a reworking of part of Baileyâs stage show as in this clip from You Tube but he added some more jokes in cod French in the Orchestra programme. (Les Daleks ne pouvait pas monter les escaliers was one that tickled me.)
He did say, “Je suis Docteur Qui,” at one point, though. True aficionados (aficionadi?) know the correct phrase would be, “Je suis le Docteur.”
If youâre interested in music in a general sense with, like me, only a smattering of knowledge about it, search the programme out. I suppose it’ll be on the iPlayer at the moment.