Nedra Talley of the Ronettes has gone.

This is unseasonal I know but I’ve already featured the group’s two biggest UK hits, here and here. Taken from Phil Spector’s Christmas Album  – actually named A Christmas Gift to You from Philles Records and the less said about Spector the better – it’s also one of The Ronettes better known songs and was their third biggest, no 15 in 1963.

The Ronettes: Sleigh Ride

Nedra Yvonne Talley (Ross): 27/1/1946 – 26/4/2026. So it goes.

Dave Mason, co-founder of the band Traffic, has died.

His career with Traffic was by no means smooth (and he later went on to play with various luminaries) but he wrote and sang their biggest UK hit, a No 2 in 1967.

Traffic: Hole in my Shoe

Mason’s song Feelin’ Alright became something of a standard with many other artists covering it. 

Traffic: Feelin’ Alright

David Thomas Mason: 10/5/1946 – 19/4/2026. So it goes.

I saw in the Guardian on Wednesday that Chip Taylor has died.

Though he was a performer in his own right he is better known as a songwriter; perhaps best remembered for Wild Thing, a song The Troggs had a huge hit with and was then taken up by Jimi Hendrix.  The Troggs later recorded Taylor’s very different Any Way That You Want Me but in the meantime Taylor composed Angel of the Morning,  brought to prominence by Merrilee Rush and later a hit in the UK for P P Arnold.

I must confess that until I read Taylor’s wiki page  I hadn’t realised that he was a brother of actor Jon Voight (and therefore uncle to Angelina Jolie) nor that he had co-written I Can’t Let Go, a UK no. 2 for The Hollies in 1966.

The Hollies: I Can’t Let Go

James Wesley Voight (Chip Taylor): 21/3/1940 – 23/3/2026. So it goes.

For many people their favourite Creedence song but I always preferred Proud Mary as a 60s track and Have You Ever Seen the Rain? overall.

But I suppose this is iconic Creedence.

Creedence Clearwater Revival: Bad Moon Rising

A further tribute to John Lodge, who died last week.

This track, which he wrote (and whose mediæval and “orchestral” interludes in many ways presage Procession from Every Good Boy Deserves Favour,) was split into two for its appearance on In Search of the Lost Chord, with the Ray Thomas penned Legend of a Mind making the meat in the sandwich.

This TV appearance from 1968 –the Colour Me Pop session the Moodies did – puts it all together though.

The Moody Blues: House of Four Doors

Since Brian Wilson’s death the good lady and I have been listening to the Beach Boys a lot. While doing so it struck me that even without God Only Knows, Good Vibrations and Heroes and Villains they would still be remembered – even revered – for songs like I Get Around, Wouldn’t It Be Nice, Help Me Rhonda, California Girls, Do It Again, Break Away and the arrangement on Sloop John B. And too, the slower, more thoughtful tracks like In My Room, Don’t Worry Baby and The Warmth of the Sun.

I discount here the early surfing inspired tracks Surfin’ Safari, Surfin’ USA and Surfer Girl. (Very few people now remember Jan and Dean, after all.) The ‘hot rod’ songs, Little Deuce Coupe and Fun, Fun, Fun might just creep in however.

I always had a liking for this one though, the B-side of Sloop John B.

The Beach Boys: You’re So Good To Me

I was very much saddened by the news of Brian Wilson’s death. As the musical driving force behind the Beach Boys he was one of the most influential figures in popular music of the mid to late twentieth century: right up there with Lennon and McCartney.

I have already featured his masterpiece God Only Knows. Also Wild Honey and Do it Again.

But there are so many more. Too many to be confined to one post.

This track was the main follow up to Good Vibrations (the release of Then I Kissed Her was a stopgap.) Many people were disappointed with it but it has all the Wilson hallmarks.

The Beach Boys: Heroes and Villains

Then there’s this track, striking a more melancholy note. The title song from the Surf’s Up album.

The Beach Boys: Surf’s Up

Brian Wilson’s star continues to shine long after his heyday. His songs leave a legacy  to be revered.

Brian Douglas Wilson: 20/6/1942 – 11/6/2025. So it goes.

And this week, Garth Hudson, keyboard player, and the last surviving member, of the Band went to the great rehearsal room in the sky.

This Bob Dylan song, from their first album Music From Big Pink, was also the B-side to The Weight, so I know it well.

The Band: I Shall Be Released

Eric Garth Hudson: 2/8/1937 – 21/1/2025. So it goes.

Lyricist Pete Sinfield died last month.

His most famous work was done with King Crimson for whom he came up with the name and wrote most of the lyrics for the first four albums though he didn’t play on them.

I have featured his work before since he wrote the English language lyrics for Italian group Premiata, Forneria, Marconi (PFM.) The World Became the World is a prime example of Sinfield’s art.

He was also responsible for the words of Greg Lake’s great Christmas hit I Believe in Father Christmas.

Later in Sinfield’s career he moved more to pop and wrote songs for, among others, Leo Sayer, Cher, and even Think Twice for Celine Dion.

This is a haunting piece from King Crimson’s debut album, In the Court of the Crimson King.

King Crimson: I Talk to the Wind

Peter John (Pete) Sinfield: 27/12/1943 – 14/11/2024

I know it’s not Friday but 1960s record producer Shel Talmy died earlier last week; I saw the notice a bit too late for my posting. A Chicagoan, he moved to Britain in 1962. After blagging his way into a job in the record business in London he was in charge of the mixing desk for the first hits of both the Kinks and The Who. He also produced early David Bowie tracks and Friday on my Mind for the Easybeats, the song after which my category is named, plus Mike D’Abo’s debut as lead singer for Manfred Mann, Just Like a Woman.

The Kinks: You Really Got Me

The Who: Can’t Explain

Sheldon (Shel) Talmy: 11/8/1937-13/1120/24. So it goes.