We’ve been to the New Era exhibition of Scottish Modern Art 1900-1950 at the Scottish National Gallery of Modern Art (Modern Two.)

It’s not quite as good as the previous exhibition True to Life (for which I see some of the links to the paintings are no longer working) but there is still some good stuff there.

More so in the first two galleries. The pictures became darker both in tone and appearance as the galleries wore on.

Stanley Cursiter’s “The Regatta” is particularly striking with its bold slabs of colour:-

Cursiter’s “Rain on Princes Street”:-

J D Fergusson is more usually reckoned a colourist but though not an official war artist he was allowed to paint Portsmouth Docks during the Great War.

Another evocation of war is in Eric Robertson’s “Shellburst”:-

So too does Keith Henderson’s “Camouflage Hangars and Gas Gong”:-

The caption for Edward Baird’s “Unidentified Aircraft over Montrose” is odd as it says the bridge at the lower left has since been replaced by a suspension bridge but the one depicted is clearly exactly of that type:-

William McCance’s “Study for a Colossal Steel Head” is very modernistic:-

Kirkcaldy Museum and Art Gallery has a very good collection of paintings, many of them donated by Michael Portillo’s grandfather on his mother’s side, John W Blyth (his father was a Republican refugee from the Spanish Civil War.)

The Gallery’s pictures include quite a few by the Scottish Colourists particularly S J Peploe but also J D Fergusson, the wonderfully named Francis Campbell Boileau Cadell and Leslie Hunter. These counterpart earlier paintings by William MacTaggart and later ones including some by the mysteriously popular Jack Vettriano (sub-Hopper cartoonish efforts though they may be.)

My favourite however has always been Spring Moonlight by John Henry Lorimer, painted in 1896.

The above is not a very good reproduction; it doesn’t reflect the quality of his depiction of light. Lorimer’s faces aren’t the best but he captures the swirl of the woman’s gown very well and in the flesh so to speak you could swear that the canvas contains two yellow sources of illumination emanating from the table lamps. It is a startling effect and the artist’s style is distinctive – even if it doesn’t come through so strongly in his portraits. On visiting Kellie Castle last summer I immediately recognised the painting below as being by the same hand.

Both pictures from BBC Your Paintings

The Museum and Art Gallery reopened in June after refurbishment. Its first exhibition was The People’s Pick – paintings from the collection as voted for by readers of the local newspaper The Fife Free Press.

When I was going round I was dreading the revelation of the most popular painting fearing it might be a Vettriano.

Imagine my surprise when I discovered No. 1. was….

Spring Moonlight by John Henry Lorimer!

My taste in art is obviously less highbrow than I might have hoped.