Again, for this week’s contribution to Judith‘s meme now hosted by Katrina, it’s a crop of a previous photo (hence the blurriness.)

This is the shelf which contains books by my third favourite SF writer (after Ursula Le Guin and Roebert Silverberg,) Roger Zelazny.

So here you will find Lord of Light, Creatures of Light and Darkness, Isle of the Dead – starring the unforgettable Shimbo of Darktree, Shrugger of Thunders – and Doorways in the Sand. (The Dream Master, expanded from He Who Shapes, and This Immortal, ditto from …. And Call Me Conrad, must be just out of shot.)

Vintage, 1998, 207 p.

Both these authors have a venerable Science Fiction pedigree. Bester was an undoubted star of the 1950s with Zelazny coming to prominence in the next decade. In their respective primes they rarely if ever disappointed. In his introduction to the book Greg Bear refers to them both as SF jazz greats, whirling in like golden dust-devils, blowing new tunes in new styles and tempos. He also explains how the book came to exist, Zelazny being offered the opportunity to complete one of Bester’s unfinished stories. (By Psycho Shop’s publication date both authors were deceased. So it goes.)

The premise is suitably mind boggling, involving as it does a tethered black hole, a channel between universes which can change people’s mental attributes. A black hole which has been stolen from the future.

Alf Noir (who is really Paul Jensen but we don’t know that till later) is on assignment from Rigadoon magazine to investigate the Black Place of the Soul-Changer in Rome, and the mysterious man called Adam Maser associated with it. While Alf is there a certain Edgar Poe turns up to utilise the device. He is told an L v Beethoven, and a Lucy Borgia have also. One of the clients is from a ^culture where everyone’s speech ^is inflected. Not all ⁱⁿ the same way ^but in this case ^every fourth word. Another has a $hoping li$t utilising chemical symbols. Elsewhere in the book we meet Bertrand Russell and Mother Shipton, who scries by aggression.

In parts this reads like the wilder imaginings of R A Lafferty whom Bear surprisingly does not mention in his introduction. A character’s alias is Etaoin Shrdlu – the most common letters in written English. In one chapter the text employs diagrams and drawings. Clones hang in a cupboard ready to be popped into at a moment’s notice.

Bizarrely – or not, as this is a Bester/Zelazny book – poetry is referenced several times. In his persona as Alf, another character refers to Noir/Jensen as the sacred river. And the whole thing hangs on a canto by Ezra Pound.

Noir/Jensen can be considered as a variation on the Francis Sandow of Zelazny’s Isle of the Dead and To Die in Italbar but Psycho Shop is really a magnificently bonkers one–off. No spoiler really as the joy here is the journey but the black hole is revealed as a means to smuggle information past the Big Crunch and the new Bang.

Great stuff but not one for those unused to SF, though.

Pedant’s corner. Unfortunately the text is prone to USianisms. In 1940s London they meet an RAF major. In the RAF there is no such rank. They do however have Squadron Leaders. The said major also claims to be “shipping out.” That would be being posted.