I’ve been to the City Art Centre, Edinburgh again. They have a retrospective exhibition of the works of Adam Bruce Thomson, of whom I admit that until the exhibition I had never heard.

The Exhibition’s title, The Quiet Path, perhaps explains that a bit. He seems to have been an unassuming man.

He was a very good painter but I was particularly taken by his drawings made during the First World War.

Zeppelin on the Ground:

Making Pontoon Bridge:

Royal Engineers Building a Bridge Near Mons:

Other drawings included Colinton:-

And, Loch Carron: Passing Storm:-

Bringing in the Hay is more colourful:

As is New Galloway:

There were some paintings of Edinburgh scenes.

North Bridge and Salisbury Crags:

The Old Dean Bridge:

And  scenes from elsewhere.

Stooks, East Lothian:

From my bedroom window:

Towards Mull:

Tréboul Harbour, Brittany:

The exhibition is on till the 6th of October.

More of Thomson’s art can be seen here.

This exhibition, exploring 250 years of Scottish landscape is on until the 2nd of June 2024 at the City Art Centre, Edinburgh. We visited in mid February.

These four are a sample of what you can see.

Threatening Storm by William Gillies:-

A Late Snowfall, Galloway, by Charles Oppenheimer:-

A corrie in Argyllshire, by James Lawton Wingate:-

A street in Temple by William Gillies:-

Last week we also visited the City Art Centre in Edinburgh to have a look at an exhibition entitled National Treasure; The Scottish Modern Arts Association. The exhibition started on Sat 21 May and runs to Sun 16 Oct 2022.

The Scottish Modern Arts Association was started in the early 1900s to foster interest in and knowledge of upcoming Scottish artists. The Association mostly comprised artists and their supporters and over the years built up a collection of over 300 art works.

Unfortunately the collection never had a home to house it in despite several possibilities being put forward. Money for a building was the main problem but also a suitable site. The Association hoped to find a benefactor who could provide both. None materialised. It might have happened but the two World Wars scuppered likely suggestions.

When the Scottish National Gallery of Modern Art was proposed that could have been ideal but its proponents wanted to present modern art in a wider-world context and the Association’s collection was felt to be focused too much on works by Scots.

In the end the collection was handed over to the city of Edinburgh in the 1960s and the Association wound up.

There are many very good paintings in the City Art Centre exhibition. It’s well worth a look.

One of the artists whose work I recognised instantly was Arthur Melville. This is his A Scene in Tunis:-

Very familar too was John Henry Lorimer whose The Flight of the Swallows (see link) is featured:-

Also unmistakable was the work of Joan Eardley. Field of Barley by the Sea:-

New to me was John Quinton Pringle’s Muslin Street Bridgeton which is very good indeed.

Ian Cheyne’s Loch Duich is an unusual depiction of a Scottish Loch. There is something almost Japanese about the picture. It’s also reminiscent of the art in those 1930s railway posters but not quite so delineated:-

Earlier this week the good lady noticed that there was an exhibition of the works of John Henry Lorimer at the City Art Centre Edinburgh. That was only just in time. The exhibition opened in November but finishes tomorrow!

I have mentioned this artist before. And not just the once.

On Thursday (17^th) we made post-haste to see the exhibition before it closed.

One of the first of his pictures previously unfamiliar to me was The Long Shadows painted, like so much of his work, in the grounds of Kellie Castle in Fife. This photo does not do it justice:-

Lorimer was a good portraitist. One of the paintings on show depicted the ordination of elders in a Scottish Kirk. The figures were so lifelike in all their Calvinistic awfulness I couldn’t bear to inflict it on myself or you.

This portrait is of Lorimer’s architect brother Robert Stodart Lorimer, who designed over 300 War Memorials including the Scottish National War Memorial which lies in Edinburgh Castle:-

Typical of Lorimer’s painting of light and very like Spring Moonlight (see first link above) in its use of candlelight is Grandmother’s Birthday:-

Maternal Instinct by contrast contains very Victorian subject matter. Unfortunately reflections in the glass spoil this a little:-

The window in this one features in many of Lorimer’s paintings. I think this is The Birthday Party:-

Despite no overt lighting depiction this domestic subject is unmistakably Lorimer:-

Another fine portrait – of a lady. Unfortunately I forget whom:-

A well as oils Lorimer was very good with watercolour. This, The Gyles House, Pittenweem, is the house in Pittenweem to which the artist retired:-

Housework’s Aureole. In real life this treatment of light falling through a window onto a wall is superb. The photo is nothing by comparison:-

The exhibition’s poster image was Flight of the Swallows:-

Many more Paintings by Lorimer can be found at Art UK.