Archives » Hallowe’en

No Country for Dead Men: New Stories for Samhain

The latest Writers’ Bloc Halloween show (titled as above) takes place next Tuesday 2nd November, 2010.

Due to a prior engagement (I’m working that night) I shan’t be able to attend.

But that doesn’t mean you can’t.

The promotional information is below.

Fresh from a barnstorming performance at the Edinburgh International Book Festival’s Unbound programme, Writers’ Bloc announces an evening of spoken word with an uncanny twist.

Expect new stories about: Gertrude Jekyll and Mr Hyde; a board game played with real human beings as the pieces; not-so-little green men; and the Hound of the D’Urbervilles. All will be performed with Bloc’s trademark energy and verve.

No Country for Dead Men takes place at the Ghillie Dhu, 2–6 Rutland Place, Edinburgh EH1 2AD, on Tuesday 2nd November from 8 p.m. Admission is an affordable £4.00 (£2.00 concessions).

Time Of The Season

I know Christmas starts in about August for some shops (especially with the Children’s Annuals coming out then) but most nowadays have the decency to get at least Halloween, if not Bonfire Night, out of the way before setting out the bunting and the baubles.

(That’s the only bonus about the commercialisation of Halloween. It fends off Christmas for a bit. When I was a lad there wasn’t much “ghostly” tat, apart from perhaps paper masks or witches’ hats, on sale in the run up to All Hallows Eve. Certainly no pumpkins and none of the peculiar orange and black creations that seem to be the marker these days. We had our guising costumes made for us by the sweat of mother’s brow – or sewing fingers.)

In Kirkcaldy, Santa visits the Mercat and the town’s Christmas lights are switched on halfway through November but at least the latter has some point to it, as it brightens up the dark winter afternoons.

Yesterday, though, the 27th of November, in my local corner shop I saw for sale not Christmas stuff, oh no, but creme eggs.

Creme eggs! In November. The leftovers from last Easter have barely cleared away.

It takes all the anticipation away.

Year round creme eggs. It’s just not right.

“Trick Or Treating”

No. It’s not.
It’s guising.
Or at least it ought to be. Certainly in these islands.

“Trick or treat” is the American version.

Hallowe’en Reading

Don’t forget Writers’ Bloc’s Hallowe’en show tomorrow night at the Pleasance Cabaret Bar.

Here’s the blurb:-

Late October is traditionally the time of year when our ancestors huddled closer to the fireside, glancing fearfully now and then at the rattling door lest the storm outside was about to unleash some frightful creature of the night upon them.

Well, never mind all that bollocks. This is the 21st century, after all, and the thing to do at Halloween is huddle round your pint, as those creatures of the night Writers’ Bloc read tales of mayhem and immoderate threat in the Pleasance Cabaret Bar. The show is called THE SLIME OF MISS JEAN BRODIE.

This outing does promise a more feminine — if not necessarily softer — side of Bloc than usual, with Morag Edward, Jane McKie and new comrade Kirsti Wishart all presenting new stories for your delectation.

All this plus the usual undead European white males. We can’t promise you the creme de la creme, but perhaps the creme de la slime …

Writers appearing at “The Slime of Miss Jean Brodie” will include:
Stefan Pearson, Morag Edward, Jane McKie, Kirsti Wishart, Andrew C. Ferguson, Andrew J. Wilson and Gavin Inglis.

Show starts 8pm, Thursday 29th October, Pleasance Cabaret Bar, 60 The Pleasance, Edinburgh. Admission 3 pounds for the creme de la creme or 2 pounds concessions.

Writers’ Bloc. www.writers-bloc.org.uk

Hallowe’en

Every year the same old story. English miserabilists complain about the polluting of our fine British traditions by the importation of the “American” custom of Hallowe’en.

At least Andrew Martin in Monday’s Guardian had a slightly different take on it, saying he remembers Bonfire Night as a much less sanitised, wilder experience than Hallowee’en.

However, Martin says, “The trick or treat component of Halloween was built up in the US because it offered the best merchandising opportunities” and mentions, “the rise of a ruthlessly commercialised, Americanised Halloween.”

Commercialised, yes. But rise? Rise? And built up in the US?

I’m glad he acknowledges that Hallowe’en didn’t start in the US. Yet he fails to mention the widespread practice of guising which (I hope!) still occurs in Scotland and, I believe, in Northern Ireland and the societally embedded nature of Hallowe’en, especially in Scotland.

For this is where the US custom of trick-or-treating must have its roots.

Guising consists in children dressing up – i.e. in a disguise – and going from door to door and then performing a party piece in each house to the assembled household, in return for which gifts of nuts, sweets or, in my youth much less likely, money, were bestowed. The treat was a reward for the performance, unlike in the US where, I always got the impression, no such activity is required.

The essential accoutrements for a guising expedition were the costume, usually lovingly hand-made by a nevertheless harried mother, and a turnip lantern. Note, none of your namby-pamby pumpkins (which are ridiculously easy to carve.) The average turnip took hours to dig out – and the resulting mashed neeps tasted much better than pumpkin ever will.

There were also Hallowe’en parties where people dooked for apples and attempted to eat treacled scones or bread (read that as black treacle if you’re English) which were hanging from a wire, all the while with your hands held behind your back! – imagine the mess you got into – and also the playing of other games not specifically associated with Hallowe’en. Dooking means plunging your head – no hands, remember – into a barrel of water in which apples floated to try to grab one with your teeth or, alternatively – no hands again – dropping a fork from your mouth, tines down, in an attempt to spear one of said apples.

All this in the local Church Hall: so much for the occult! And in staunchly Protestant Scotland too, where even the Catholics become imbued with Calvinism.

When I was young, kids loved all this stuff. I suppose they still do. (My own children are now adults so I’ve kind of lost contact with such things.)

Yes, Hallowe’en is now over-commercialised, but what isn’t? And the guising core of it has been rendered less innocent because of trick-or-treat. The modern age is harsher in all sorts of ways.

I do agree Bonfire Night is less anarchic now, but thankfully so. If you tried to set a buckshee fire now you’d rightly be arrested. In any case most of the bomb-sites these took place in have likely been built on.

Penny for the guy? Not likely.

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