As well as songs written by Prince Buster, Madness also covered this one which was composed and first performed by Labi Siffre, becoming his first UK hit after his previous release Pretty Little Girl (Make My Day) failed to make the charts.
Labi Siffre: It Must Be Love
For comparison purposes here is Madness’s version.
The Lovin’ Spoonful’s Summer in the City was the second song I featured in my Friday on my Mind spot. This song could hardly be more different, wistful rather than joyful, restrained as opposed to exuberant.
Whether the story is apocryphal or not I recall reading that guitarist Zal Yanovsky didn’t like the direction the group was taking hence his hamming up on TV appearances such as this one.
From last week’s slightly ridiculous to the more sublime, a 1969 effort from the idiosyncratically named band It’s a Beautiful Day one of whose members, David LaFlamme, favoured a five stringed violin.
Keith West’s follow-up to Excerpt From “A Teenage Opera” was also inspired by that song’s creator Mark Wirtz but perhaps explains why the full project didn’t appear for nearly thirty years as it barely scratched the lower reaches of the charts. The similarities to the earlier hit are there but the song doesn’t cohere in quite the same way. The children’s chorus isn’t as catchy and the sequencing has more than a touch of the galloping hiccups (a complaint I have seen levelled against Bohemian Rhapsody.)
The Herd’s follow-up to From the Underworld kind of carried on from where that one left off but Paradise Lost was still a very odd concoction, with its intro and coda reminiscent of The Stripper but Prog leanings elsewhere.
(By contrast the band’s third single – which I featured in a different context here – was straightforward bouncy pop song.)