The Herd’s follow-up to From the Underworld kind of carried on from where that one left off but Paradise Lost was still a very odd concoction, with its intro and coda reminiscent of The Stripper but Prog leanings elsewhere.
(By contrast the band’s third single – which I featured in a different context here – was straightforward bouncy pop song.)
When a very young Peter Frampton joined The Herd, the group with whom he made his name, they had just been dropped by Parlophone, but simultaneously brought in composers Ken Howard and Alan Blaikley, who had written a barrowload of hits for Dave Dee, Dozy, Beaky, Mick and Tich and signed up to Fontana. The songs concocted for the Herd were of a different order to those hits though. Elements of psychedelia and glimmerings of prog rock are here.
(I had scheduled this for 24/6/16 but a certain referendum result happening and then the anniversary of the start of the Battle of the Somme took up the last two Friday postings. Better late then never.)
You’ve just got to love the name of the band that recorded this. Crocheted Doughnut Ring. So sixties.
The song’s treatment is also very much of its time what with the flute, the drum rolls, mellotron and all.
As I said before The Temperance Seven were one of my elder brother’s favourites back in the Trad Jazz boom. This week I learned their laid back singer Paul McDowell has passed away. His vocal style led to the nickname Whispering Paul.
I already featured their hits which my brother bought in the post linked to above, so here are the B-sides.
(That Parlophone label really takes me back.)
The Temperance Seven: Charley My Boy (B-side of You’re Driving Me Crazy)
The Temperance Seven: Sugar (B-side of Pasadena)
The Temperance Seven: Chili Bom Bom (B-side of Hard Hearted Hannah)
“Whispering” Paul McDowell: 15/8/ 1931 – 2/5/ 2016. So it goes.
Released in the interregnum between Stills’s time in Crosby, Stills and Nash and Manassas before he took up with C, N (and Y) again, my elder brother took exception to the apparent incitement to free love in this song’s lyric and title. Myself I took it to mean be nice to the people you encounter.