Not that it’s told me much I didn’t know but the hunt for supernovae they mentoned at the zooniverse site was intriguing. Apparently humans are required to check the comparison photos of patches of sky after the before and after subtraction has been made; computers can’t do it.
Up to when I looked just now over 26,000 people have taken part in the effort and over 1,000,000 comparisons have been checked. Out of these tonight’s programme said they’d found one supernova already.
There has been a lot about tomorrow’s solar eclipse in the two programmes so far. In the morning I’ll be out with my two pieces of card pinhole camera trying to image it. As I recall the percentage coverage for the last solar eclipse I witnessed (in 1999) was less than the 95 or so for my area tomorrow. I doubt I’ll see another.
Another TV theme from the (very) early 1970s – for the first BBC drama series to be broadcast in colour, Take Three Girls – except it wasn’t just a theme as it became a minor hit for the folk band Pentangle.
Pentangle: Light Flight
For completeness here is the title sequence from the first series of Take Three Girls.
One of the enduring memories of my childhood and early adolescence is the animated BBC TV series Noggin the Nog, one of that long list of delightful creations from the team of Oliver Postgate and Peter Firmin which also included Ivor the Engine (a bit early for me,) The Clangers and Bagpuss (a bit late.)
Noggin the Nog was such a hit with my schoolmates that one of our secondary school teachers was dubbed with the nickname of the show’s baddie, Nogbad the Bad.
Each episode always had an intro narrated against the muted strains of Hall of the Mountain King, “In the lands of the North, where the Black Rocks stand guard against the cold sea, in the dark night that is very long the Men of the Northlands sit by their great log fires and they tell a tale,” which then went on into that particular storyline.
I posted about my favourite painting in Kirkcaldy Art Gallery, Spring Moonlight by John Henry Lorimer, a while back. One of the things that makes it so effective is the way that light seems to shine out of the two table lamps depicted.
Well, I was in Edinburgh last week and to kill some time visited the Scottish National Gallery and in their Scottish section (for some reason tucked away in a basement at the back) and saw another painting that captures light wonderfully well, Wandering Shadows by Peter Graham.
Once again the reproduction here (from BBC Your Paintings) doesn’t do the painting justice but in the gallery the patches of light on the hill on the left were incredibly realistic.
I wasn’t at the game but witnessed it via BBC Alba.
I needn’t have bothered. We didn’t turn up for the first half and should have been down by more than one goal at half time. With Mark Gilhaney and Chris Turner missing from the starting line-up we were short in midfield. The only spark at all was, as usual, Chris Kane – and we won’t have him in the New Year.
Once Chris Turner replaced Steven McDougall for the second half things improved but we never really tested their keeper. When the second went in and David van Zanten was taken off for Archie Campbell I knew Falkirk would score again… and they did.
And…. Did Scotty Linton even get a kick of the ball after coming on for Mitch Megginson? I don’t think Archie touched it either and he was on the pitch for longer.
I hope things are better at Central Park next Saturday.
Normally in a situation like this my sympathies would be with the underdog, in this case Blyth. However, long ago in my youth I conceived a liking for Hartlepool United, adopting then as my wee English team. (Not that I have a big English team.) This may have been because Pools were continually crap for much of my childhood several times having to be re-elected to the Football League. (In those days the Conference did not exist and there was no relegation from the League.) Under Brian Clough as manager – his first such job – their fortunes improved and they gained promotion just after he left. Immediate relegation was followed by two re-election close shaves. They had another such brush with loss of league status in the year before automatic relagtion came in and only just missed that the next season.
When Cyril Knowles took over as manager (yes, Nice One Cyril himself) things got better. Despite his tragic death they won promotion in 1992 but were relegated again two years later.
In the very early years of this century they endured promotion play-off defeats three years in a row before finally achieving elevation again in 2003, competed well in the higher division for a while but dropped back down in 2013.
This game was my first glimpse – courtesy of the BBC – both of Pools and of Victoria Park, which looks a tidy ground. At its start Pools were rock bottom of the Football League once more.
You couldn’t have told that from the first half, they played well, knocked the ball about, created chances which only desperate defending and an inspired goalkeeping save prevented and scored a beautifully crafted goal. But if you don’t put your opponents away when you’re on top football can punish you. A silly free-kick concession gave Blyth the opportunity to score – with a dead ball strike from a former Pools player – and the sucker punch came in the last minute of normal time, a defensive error allowing Blyth their one and only chance from open play, which they took.
In the first half I couldn’t understand how Pools were in the league position they are; they looked way better than Exeter whom I had caught sight of in Round One of this season’s FA Cup. In the second they just faded away. The Conference looms.
One hundred years ago today, at midnight Central European Time, the event that shaped the twentieth century came into being. Or at least the British Empire’s participation in it began.
Germany had invaded Belgium that morning so we were a bit late. (A squad of Germans had invaded Belgium the previous evening but had jumped the gun – so to speak – not getting the delaying telegram in time and were recalled. They were soon back though.)
Yet those were not the first shots. Hostilities had started seven days earlier on 28th July when Austro-Hungarian troops opened fire on Serbia in response to the true first shots – the ones fired by Gavrilo Princip and which killed Archduke Franz Ferdinand of Austria and his wife Sophie but even those had their roots in the welter of national entanglements which plague the Balkans even yet.
Those entanglements were mirrored in the system of alliances that dictated that Germany had to attempt to defeat France first before swinging round to take on Russia and so necessitated a march through neutral Luxembourg and Belgium.
Ironies abounded. Without attacking Belgium, Germany might have avoided war with Britain and so the holding up of the German armies by the BEF at Mons and later the Allies at the battle of the Marne might not have succeeded and so gained Germany the victory in the west it desired. Russia managed to invade eastern Germany earlier than the Germans had anticipated and troops were hurriedly withdrawn fron the Western Front to face the threat which I believe was actually defeated at the Battles of Tannenberg and the Masurian Lakes before these reinforcements could get there.
The Great War is remembered for the bloody stalemate of the trenches yet in these first encounters when it was still a war of movement daily casualties were enormous – especially for the French – much higher than in most later battles; though the Somme has a grim reputation in Britain.
I heard a woman on BBC Radio 2’s Pause for Thought this morning say she refused to call it the Great War “as there was nothing great about it.” Wrong meaning of great I’m afraid.
I watched the first episode of The Stuarts on BBC 2 tonight.
It seemed, like on its first showing on BBC 2 Scotland earlier this year, an odd decision to start with James VI (or James I if you prefer.) There were no less than eight Stuart monarchs before him. In the year of the Scottish Independence Referendum that could be interpreted as a slight, another piece of English ignorance/dismissal of Scottish History.
Yet (some, though not all, of) James’s ancestors were spoken of in the programme so the ignorance/dismissal angle can on those grounds be discounted. And the differences between the two countries that then existed (of religion principally,) and in some respects still do, were not glossed over but I was left wondering who on Earth thought broadcasting this was a good idea now. It can only lead to accusations of bias
I had another such disjointed TV experience with the BBC recently. Janina Ramirez in her otherwise excellent Chivalry and Betrayal: The Hundred Years War – on BBC 4 last week, this (and next) but also a programme that has been screened before – kept on emphasising how the events she was describing played a large part in how the country “we” live in now came to be as it is. (Note also the “us” on Dr Ramirez’s web page about the programme.)
Yet that country was/is England. Ramirez seemed totally unaware that her programme was to be broadcast not on an England only channel but one which is UK-wide. Indeed that the country all the BBC’s principal audience lives in is not England, but the UK. [Except for powers devolved to the Scottish Parliament and the Welsh and Northern Irish Assemblies legislation at Westminster is for the whole of the UK. No English elected body oversees the equivalent powers to those devolved elsewhere (arguably there ought to be one;) it is the UK Parliament that performs that function.]
Two parts of the UK share none of the history Dr Ramirez was outlining. Wales (having been incorporated earlier) was involved directly in the Hundred Years War but neither Scotland nor Ireland were. Yet she spoke as if that circumstance didn’t exist.
This sort of thing does contribute to a feeling among many Scots (and I suspect Welsh and Northern Irish viewers too) that the BBC is a broadcaster with a mind for England only and too often forgets the three other constituent parts of the UK.
I was devastated to hear today of the fire at Charles Rennie Mackintosh‘s masterpiece building, the Glasgow School of Art. (For pictures of the undamaged building see here.)
I have featured another of his buildings, Scotland Street School, here.
I have also visited the House for an Art Lover, built to Mackintosh designs in Glasgow’s Bellahouston Park (on part of the site of the Empire Exhibition, Scotland, 1938,) and Hill House in Helensburgh as well as the Mackintosh House at the Hunterian Museum and Art Gallery at the University of Glasgow but all without benefit a modern camera. All are visually stunning.
I must confess to being a teeny bit annoyed when Lorna Gordon, BBC London’s Scotland correspondent, called the Art School an Art Deco building. None of Mackintosh’s buildings are Deco. They are leaning towards it, certainly, but really have more in common with Art Nouveau. At a pinch you could say they act as a bridge between the two styles. While some Mackintosh designs have the blend of horizontal and vertical that is a signifier of Art Deco he also had a strong liking for curves which grew firmly from the Art Nouveau tradition of evoking nature and natural forms.
I assume the plans for the School of Art are still in existence somewhere – and that there is insurance in place. Even if it is costly it is to be hoped that some sort of effort at restoration can be made to the Art School. The result may not be original but so few of Mackintosh’s designs were erected in his lifetime it would be tantamount to a crime to allow to disappear the outstanding example that was.
In the meantime, not just Glasgow, not only Scotland, but the world, is a poorer place to live in tonight.