Interzone 257 Mar-Apr 2015

Interzone 257 cover

We kick off with Alastair Reynolds and A Murmuration1 wherein a researcher into the flocking behaviour of starlings begins to be able to control their movements. This leads to conflict with the referee of the scientific paper on the research. Moreover, the birds start to behave contrarily.
In Songbird2 by Fadzlishah Johanabas, due to addiction to electronic devices people can no longer process emotions apart from a few women who can synthesise the emotions when they sing.
Brainwhales Are Stoners, Too3 by Rich Larson sees a teenage girl and the boy she fancies break into the ThinkTank where a brainwhale is confined, wired up, drugged to do computations.
The Worshipful Company of Milliners4 by Tendai Huchu. In a dilapidated factory in Harare a group of half-human, half-cat milliners – invisible to true humans – make equally invisible hats for authors to wear. Full membership of the sisterhood is only granted when the author becomes successful.
Aliya Whiteley’s Blossoms Falling Down is set on a generation starship where different cultures are housed on different decks with occasional tourism between them. The navigator is struck by his visit to a Japanese “Haiku Room”.

1 “The cameras should be aimed into the middle of the perimeter, and elevated sufficiently to catch the murmuration’s epicentre.” (Epicentre used, apparently correctly, as meaning “off-centre”. Remarkable.)
2 written in USian, lay (lie,) the liquid in the cylinders in front of me glow green (glows,) staunch (stanch.) Clear seems to be used as a synonym for colourless.
3 less (fewer,) snuck (sneaked,) a “I’m fine” look (an “I’m fine” look.)
4 sprung (sprang,) epaulets (epaulettes,) “‘almost as though you’re recycled no reincarnated,’” is surely missing punctuation of some sort.

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